|
JOAO DE See also: Livy, may be said to have been the first See also: great historian of his country
.
Educated in the palace of See also: King Manoel, he early conceived the idea of writing
See also: history, and, to prove his See also: powers, composed, at the age of twenty, a See also: romance of chivalry, the See also: Chronicle of the Emperor Clarimundo, in which he is said to have had the assistance of See also: Prince See also: John, afterwards King John III
.
The latter, on ascending the
See also: throne, gave See also: Barros the captaincy of the fortress of St See also: George of See also: Elmina, whither he proceeded in 1522, and he obtained in 1525 the See also: post of treasurer of the See also: India See also: House, which he held until 1528
.
The pest of 1530 drove him from See also: Lisbon to his country house near Pombal, and there he finished a moral See also: dialogue, Rho See also: pica Pneuma, which met with the applause of the learned Juan Luis See also: Vives
.
On his return to Lisbon in 1532 the king appointed Barros factor of the India and See also: Mina House—positions of great responsibility and importance at a See also: time when Lisbon was the See also: European emporium for the See also: trade of the See also: East
.
Barros proved a See also: good See also: administrator, displaying great industry and a disinterestedness rare in that age, with the result that he made but little See also: money where his predecessors had amassed fortunes
.
At this time, John III., wishful to attract settlers to See also: Brazil, divided it up into captaincies and gave that of Maranhao to Barros, who, associating two partners in the enterprise with himself, prepared an See also: armada of ten vessels, carrying nine See also: hundred men, which set See also: sail in 1539
.
Owing to the ignorance of the pilots, the whole See also: fleet suffered shipwreck, which entailed serious See also: financial loss on Barros, yet not content with meeting his own obligations, he paid the debts of those who had perished in the expedition
.
During all these busy years he had continued his studies in his leisure See also: hours, and shortly after the Brazilian disaster he offered to write a history of the Portuguese in India, which the king accepted
.
He began See also: work forthwith, but, before printing the first See also: part, he again proved his See also: pen by, See also: publishing a Portuguese grammar (1J40) and some more moral Dialogues
.
The first of the Decades of his See also: Asia appeared in 1552, and its reception was such that the king straightway charged Barros to write a chronicle of King Manoel
.
His many occupations, however, prevented him from undertaking this See also: book, which was finally composed by Damiao de Goes (q.v.)
.
The Second See also: Decade came out in 1553 and the Third in 1563, but the See also: Fourth and final one was not published until 1615, long after the author's See also: death
.
In See also: January 1568 Barros retired from his remunerative See also: appointment at the India House, receiving the See also: rank of fidalgo together with a pension and other pecuniary emoluments from King See also: Sebastian, and died on the loth of See also: October 1570
.
A See also: man of lofty character, he preferred leaving his See also: children an example of good morals and learning to bequeathing them a large pecuniary See also: inheritance, and, though he received many royal benefactions, they were volunteered, never asked for
.
As an historian and a stylist Barros deserves the high fame he has always enjoyed
.
His Decades contain the early history of the Portuguese in Asia and reveal careful study of Eastern historians and geographers, as well as of the records of his own country
.
They are distinguished by clearness of exposition and orderly arrangement
.
His See also: style has all the simplicity and grandeur of the masters of See also: historical writing, and the purity of his diction is incontestable
.
Though, on the whole, impartial, Barros is the narrator and apologist of the great deeds of his countrymen, and lacks the critical spirit and intellectual acumen of Damiao de Goes
.
Diogo do Couto continued the Decades, adding nine more, and a See also: modern edition of the whole appeared in Lisbon in 14 vols. in '1778-1788
.
The title of Barros's work is Da Asia de Joao de Barros, dos feitos que os Portuguezes fizeram no, descubrimento e439
conquista dos mares e terras do See also: Oriente, and the edition is accompanied by a See also: volume containing a See also: life of Barros by the historian Manoel Severim de Faria and a copious See also: index of all the Decades
.
An See also: Italian version in 2 vols. appeared in Venice in 1561-1562 and a See also: German in 5 vols. in 1821
.
Clarimundo has gone through the following See also: editions: 1522, 1555, 16or, 1742, 1791 and 1843, all published in Lisbon
.
It influenced Francisco de See also: Moraes (q.v.); cf
.
See also: Purser, Palmerin of See also: England, See also: Dublin, 1904, pp
.
440 et seq
.
The minor See also: works of Barros are described by Innocencio da See also: Silva: Diccionario Bibliographico Portuguez, vol. iii. pp
.
320-323 and vol. x. pp
.
187-189, and in Severim de Faria's Life, cited above
.
A compilation of Barros's See also: Varia was published by the visconde de Azevedo (See also: Porto, 1869)
.
(E
.
|
|
|
[back] CHARLES BARROIS (1851– ) |
[next] CAMILLE HYACINTHE ODILON BARROT (1791-1873) |
There are no comments yet for this article.
Do not copy, download, transfer, or otherwise replicate the site content in whole or in part.
Links to articles and home page are encouraged.