AUGUSTE MARSEILLE See also:

• BARTHELEMY
• BARTHELEMY, ANATOLE
• AUGUSTE MARSEILLE BARTHELEMY (1796–1867)
• BARTHELEMY, FRANCOIS, MARQUIS DE (1747 or 1750-1830)
• BARTHELEMY, JEAN JACQUES (1716–1795)

BARTHELEMY (1796–1867)  , See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French satirical poet, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born atMarseilles in 1996 . His name can hardly be separated from that of his friend and compatriot, J . P . A . Mery (1798–1866), with whom he carried on so intimate a collaboration that it is not possible to distinguish their personalities in their See also:

• JOINT (through Fr. from Lat. junctum, jungere, to join)

joint See also:

• WORKS

works . After having established some See also:

• LOCAL

local reputation as a poet, See also:

• BARTHELEMY
• BARTHELEMY, ANATOLE
• BARTHELEMY, AUGUSTE MARSEILLE (1796–1867)
• BARTHELEMY, FRANCOIS, MARQUIS DE (1747 or 1750-1830)
• BARTHELEMY, JEAN JACQUES (1716–1795)

Barthelemy went to See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris, where by one of his first efforts, Le Sacre de See also:

• CHARLES
• CHARLES (1270-1325)
• CHARLES (1421-1461)
• CHARLES (1525-1574)
• CHARLES (c. 1319-1364)
• CHARLES (Fr. Charles; Span. Carlos; Ital. Carlo; Ger. Karl; derived from O.H.G. Charal,latinized as Carolus, meaning originally " man ": cf. Mod.Ger., Kerl," fellow," A.S. ceorl, Mod. Eng. " churl ")
• CHARLES (KARL EITEL ZEPHYRIN LUDWIG; in Rum. CAROL)
• CHARLES [KARL ALEXANDER] (1712-1780)
• CHARLES, ELIZABETH (1828-1896)
• CHARLES, JACQUES ALEXANDRE CESAR (1746-1823)
• CHARLES, THOMAS (1755-1814)

Charles X (1825) he gained the favour of the See also:

• COURT
• COURT (from the O. Fr. court, Late Lat. cortis, curtis, a popular form of class. Lat. cohors, gen. cohortis; the mod. Fr. form tour is due to the influence of the Lat. curia, the word used in medieval documents to translate " court " in the feudal sense)
• COURT, ANTOINE (1696-176o)

court . His energies, however, were soon enlisted in the service of the opposition party . In 1825 appeared a See also:

• CLEVER

clever See also:

• POLITICAL

political See also:

• SATIRE (Lat. satira, satura; see below)

satire, See also:

• LES

Les Sidiennes, followed by La Villeliade ou la prise du chdteau de Rivoli (1827), La Corbiereide (1827), La Peyronneide(1827),the joint productions of Barthelemy and Mery . The success was immediate and pronounced; fifteen See also:

• EDITIONS

editions of the Villeliade were called for during the See also:

• YEAR

year . A rapid See also:

• SUCCESSION (Lat. successio, from succedere, to follow after)

succession of political squibs and satires was now poured forth by the authors, among the most remarkable being Biographic See also:

• DES

des quarante de 1'academie francaise (1826) and See also:

• NAPOLEON

Napoleon en Egypte (1828), which passed through nearly a dozen editions in a year . In 1829 Barthelemy was imprisoned and fined See also:

• I000

I000 francs for the publication of their Fils de l'homme, a poem on the See also:

• DUKE (corresponding to Fr. duc, Ital. duca, Ger. Herzog)

duke of See also:

• REICHSTADT, NAPOLEON FRANCIS JOSEPH CHARLES

Reichstadt, Napoleon's son . The Revolution of 1830 liberated him; and in See also:

• COMPANY

company with Mery, he celebrated the See also:

• TRIUMPH (triumphus)

triumph of the See also:

• PEOPLE

people in one of their most brilliant efforts, L'Insurrection .

From See also:

• MARCH
• MARCH (1) (from Fr. marcher, to walk; the earliest sense in French appears to be " to trample," and the origin has usually been found in the Lat. marcus, hammer; Low Lat. marcare, to hammer; hence to beat the road with the regular tread of a soldier: cf.
• MARCH, AUZIAS (c. "1395-1458)
• MARCH, EARLS OF
• MARCH, FRANCIS ANDREW (1825– )

March 1831 to See also:

• APRIL

April 1832 they produced a See also:

• SERIES (a Latin word from serere, to join)

series of See also:

• VERSE (from Lat. versus, literally a line or furrow drawn by turning the plough, from vertere, and afterwards signifying an arrangement of syllables into feet)

verse satires issued weekly, the See also:

• NEMESIS

Nemesis, attacking the See also:

• GOVERNMENT
• GOVERNMENT (0. Fr. governement, mod. gouvernement, O. Fr. governer, mod. gouverner, from Lat. gubernare, to steer a ship, guide, rule; cf. Gr. xv(3epvav)

government and ministers of See also:

• LOUIS
• LOUIS (804–876)
• LOUIS (893–911)
• LOUIS, JOSEPH DOMINIQUE, BARON (1755-1837)
• LOUIS, or LEWIS (from the Frankish Chlodowich, Chlodwig, Latinized as Chlodowius, Lodhuwicus, Lodhuvicus, whence-in the Strassburg oath of 842-0. Fr. Lodhuwigs, then Chlovis, Loys and later Louis, whence Span. Luiz and—through the Angevin kings—Hungarian

Louis Philippe . The small See also:

• PENSION (Lat. pensio, a payment, from pendere, to weigh, to pay)

pension of which Barthelemy was the recipient was stopped . When the publication ceased there was a strong suspicion that Barthelemy had been paid for his silence . . In 1832 he published an See also:

• ANONYMOUS

anonymous poem, supporting some acts of the government which were peculiarly See also:

• OBNOXIOUS (Lat. obnoxiosus, from ob, over, against, and noxa, harm)

obnoxious to the Liberal party . This See also:

• CHANGE (derived through the Fr. from the Late Lat. cambium, cambiare, to barter; the ultimate derivation is probably from the root which appears in the Gr. «a urmu', to bend)

change of front destroyed his See also:

• INFLUENCE (Late Lat. influentia, from influere, to flow in)

influence and his later writings passed unnoticed . For the next few years he enjoyed a handsome pension from the government and refrained from all satirical See also:

• WRITING
• WRITING (the verbal noun of " to write," O. Eng. writan, to inscribe)

writing . He again resumed his old See also:

• STYLE
• STYLE (from Gr. a-6'1ms, a column; a different word from that used in literature, see below)

style in 1844 but without the former success . From that date he contented himself with merely occasional poems . Barthelemy died on the 23rd of See also:

• AUGUST (originally Sextilis)

August 1867 at See also:

• MARSEILLES

Marseilles . See also:

• JOSEPH
• JOSEPH, COMTE DE (1785-1870)
• JOSEPH, FATHER (FRANCOIS LECLERC DU TREMBLAY) (1577-1638)

Joseph Mery was an ardent romanticist and wrote a See also:

• GREAT

great number of stories now forgotten . He produced several pieces at the Paris theatres, and also collaborated with See also:

• GERARD (c. 1040-1120)
• GERARD (d. I1o8)
• GERARD, ETIENNE MAURICE, COUNT (1773–1852)
• GERARD, FRANCOIS, BARON (1770-1837)
• GERARD, JEAN IGNACE ISIDORE (1803-1847)
• GERARD, JOHN (1545-1612)
• GERARD, or GIRARD, AUDRAN

Gerard de See also:

• NERVAL, GERARD

Nerval in adapta-. tions from See also:

• SHAKESPEARE, WILLIAM (1564-1616)

Shakespeare and in other plays . He received a pension from Napoleon III. and died in Paris on the 16th of See also:

• JUNE

June 1866 .

The CEuvres of Barthelemy and Mery were collected, with a See also:

• NOTICE

notice by L . See also:

• REYBAUD, MARIE ROCH LOUIS (1799-1879)

Reybaud, in 1831 (4 vols.) . See also Barthelemy et Mery etudies specialement clans leurs rapports avec la legende napoleonienne, by Jules Garsou in vol. lviii. of the Memoires of the Academie Royale . . . de Belgique, which contains full See also:

• INFORMATION (from Lat. informare, to give shape or form to, to represent, describe)

information on both authors .