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See also: Italian engraver, was See also: born at Florence
.
He was originally destined to follow the profession of his See also: father, who was a gold- and See also: silver-See also: smith; but he manifested so much skill and taste in designing that he was placed under the superintendence of two Florentine artists, who instructed him in
See also: painting
.
After devoting three years to that See also: art, he went to Venice and studied See also: engraving
.
He made very rapid progress, and executed some See also: works of considerable importance at Venice
..
He then removed' for a See also: short See also: time to See also: Rome, where he completed a set of engravings representing events from the See also: life of St Nilus, and, after returning to Venice, set out for See also: London in 1764
.
For nearly See also: forty years he resided in London, and produced an enormous number of engravings, the best being those of Clytie, after Annibale See also: Caracci, and of the Virgin and See also: Child, after Carlo Dolce
.
A See also: great proportion of them are from the works of Cipriani and See also: Angelica See also: Kauffmann
.
See also: Bartolozzi also contributed a number of plates to See also: Boydell's See also: Shakespeare Gallery
.
In 1802 he was invited to See also: Lisbon as director of the See also: National See also: Academy
.
He remained in See also: Portugal till his See also: death
.
His son Gaetano Stephano (1757–1821), also an engraver, was the father of Madame Vestris
.
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