See also:

• FRANCESCO
• FRANCESCO, 210

FRANCESCO See also:

• FRANCESCO BARTOLOZZI (1725-1815)

BARTOLOZZI (1725-1815)  , See also:

• ITALIAN

Italian engraver, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• FLORENCE
• FLORENCE (Ital. Firenze, Lat. Florentia)

Florence . He was originally destined to follow the profession of his See also:

• FATHER

father, who was a See also:

• GOLD
• GOLD [symbol Au, atomic weight 195.7(H = 1),197.2(0 =16)]

gold- and See also:

• SILVER

silver-See also:

• SMITH
• SMITH, ADAM (1723–1790)
• SMITH, ALEXANDER (183o-1867)
• SMITH, ANDREW JACKSON (1815-1897)
• SMITH, CHARLES EMORY (1842–1908)
• SMITH, CHARLES FERGUSON (1807–1862)
• SMITH, CHARLOTTE (1749-1806)
• SMITH, COLVIN (1795—1875)
• SMITH, EDMUND KIRBY (1824-1893)
• SMITH, G
• SMITH, GEORGE (1789-1846)
• SMITH, GEORGE (184o-1876)
• SMITH, GEORGE ADAM (1856- )
• SMITH, GERRIT (1797–1874)
• SMITH, GOLDWIN (1823-191o)
• SMITH, HENRY BOYNTON (1815-1877)
• SMITH, HENRY JOHN STEPHEN (1826-1883)
• SMITH, HENRY PRESERVED (1847– )
• SMITH, JAMES (1775–1839)
• SMITH, JOHN (1579-1631)
• SMITH, JOHN RAPHAEL (1752–1812)
• SMITH, JOSEPH, JR
• SMITH, MORGAN LEWIS (1822–1874)
• SMITH, RICHARD BAIRD (1818-1861)
• SMITH, ROBERT (1689-1768)
• SMITH, SIR HENRY GEORGE WAKELYN
• SMITH, SIR THOMAS (1513-1577)
• SMITH, SIR WILLIAM (1813-1893)
• SMITH, SIR WILLIAM SIDNEY (1764-1840)
• SMITH, SYDNEY (1771-1845)
• SMITH, THOMAS SOUTHWOOD (1788-1861)
• SMITH, WILLIAM (1769-1839)
• SMITH, WILLIAM (c. 1730-1819)
• SMITH, WILLIAM (fl. 1596)
• SMITH, WILLIAM FARRAR (1824—1903)
• SMITH, WILLIAM HENRY (1808—1872)
• SMITH, WILLIAM HENRY (1825—1891)
• SMITH, WILLIAM ROBERTSON (1846-'894)

smith; but he manifested so much skill and See also:

• TASTE (from Lat. taxare, to touch sharply; tangere, to touch)

taste in designing that he was placed under the superintendence of two Florentine artists, who instructed him in See also:

• PAINTING

painting . After devoting three years to that See also:

• ART

art, he went to See also:

• VENICE
• VENICE (continued)
• VENICE (Venezia)

Venice and studied See also:

• ENGRAVING

engraving . He made very rapid progress, and executed some See also:

• WORKS

works of considerable importance at Venice .. He then removed' for a See also:

• SHORT, FRANCIS JOB (1857– )

short See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time to See also:

• ROME
• ROME (Roma)

Rome, where he completed a set of engravings representing events from the See also:

• LIFE

life of St Nilus, and, after returning to Venice, set out for See also:

• LONDON

London in 1764 . For nearly See also:

• FORTY

forty years he resided in London, and produced an enormous number of engravings, the best being those of Clytie, after Annibale See also:

• CARACCI, LODOVICO, AGOSTINO

Caracci, and of the Virgin and See also:

• CHILD
• CHILD, FRANCIS JAMES (1825-1896)
• CHILD, L
• CHILD, LYDIA MARIA (1802-1880)
• CHILD, SIR FRANCIS (1642-1713)
• CHILD, SIR JOHN (d. 1690)
• CHILD, SIR JOSIAH (163o - 1699)

Child, after Carlo See also:

• DOLCE, LUDOVICO, or LUIGI (15o8–i568 or 1569)

Dolce . A See also:

• GREAT

great proportion of them are from the works of See also:

• CIPRIANI, GIOVANNI BATTISTA (1727-1785)

Cipriani and See also:

• ANGELICA

Angelica See also:

• KAUFFMANN, IMARIA

Kauffmann . See also:

• BARTOLOZZI, FRANCESCO (1725-1815)

Bartolozzi also contributed a number of plates to See also:

• BOYDELL, JOHN (1719-1804)

Boydell's See also:

• SHAKESPEARE, WILLIAM (1564-1616)

Shakespeare See also:

• GALLERY (through Ital. galleria, from Med. Lat. galeria, of which the origin is unknown)

Gallery . In 1802 he was invited to See also:

• LISBON (Lisboa)

Lisbon as director of the See also:

• NATIONAL

National See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

Academy . He remained in See also:

• PORTUGAL

Portugal till his See also:

• DEATH

death . His son Gaetano Stephano (1757–1821), also an engraver, was the father of Madame See also:

• VESTRIS, GAETANO APPOLINO BALDASSARE (1729-18o8)
• VESTRIS, LUCIA ELIZABETH (1797—1856)

Vestris .