See also:

• ANTOINE, ANDRE (1858- )

ANTOINE See also:

• LOUIS
• LOUIS (804–876)
• LOUIS (893–911)
• LOUIS, JOSEPH DOMINIQUE, BARON (1755-1837)
• LOUIS, or LEWIS (from the Frankish Chlodowich, Chlodwig, Latinized as Chlodowius, Lodhuwicus, Lodhuvicus, whence-in the Strassburg oath of 842-0. Fr. Lodhuwigs, then Chlovis, Loys and later Louis, whence Span. Luiz and—through the Angevin kings—Hungarian

LOUIS See also:

• ANTOINE LOUIS BARYE (1796-1895)

BARYE (1796-1895)  , See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French sculptor, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born in See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris on the 24th of See also:

• SEPTEMBER (Lat. septem, seven)

September 1796 . Like many of the sculptors of the See also:

• RENAISSANCE, THE

Renaissance he began See also:

• LIFE

life as a See also:

• GOLDSMITH
• GOLDSMITH, LEWIS (c. 1763–1846)
• GOLDSMITH, OLIVER (1728–1774)

goldsmith . After studying under Bosio, the sculptor, and See also:

• GROS, ANTOINE JEAN, BARON (1771–1835)

Gros, the painter, he was in 1818 admitted to the fcole See also:

• DES

des See also:

• BEAUX, CECILIA (1863– )

Beaux Arts . But it was not till 1823, when he was working for Fauconnier, the goldsmith, that he discovered his real See also:

• BENT
• BENT (E1. BENI)
• BENT, JAMES THEODORE (1852–1897)

bent from watching the See also:

• WILD, JONATHAN (c. 1682-1725)

wild beasts in the Jardin des Plantes, making vigorous studies of them in See also:

• PENCIL (Lat. penicillus, brush, literally little tail)

pencil drawings worthy of See also:

• DELACROIX, FERDINAND VICTOR EUGENE (1798-1863)

Delacroix and then modelling them in See also:

• SCULPTURE
• SCULPTURE (Lat. sculptura, from sculpere, to carve, cognate with Gr. yXb4ew)

sculpture on a large or small See also:

• SCALE
• SCALE (1) A

scale . In 1831 he exhibited his " See also:

• TIGER
• TIGER (Felis tigris)

Tiger devouring a See also:

• CROCODILE

Crocodile," and in 1832 had mastered a See also:

• STYLE
• STYLE (from Gr. a-6'1ms, a column; a different word from that used in literature, see below)

style of his own in the " See also:

• LION
• LION (Lat, leo, leonis; Gr. Mew)

Lion and Snake." Thenceforward See also:

• BARYE, ANTOINE LOUIS (1796-1895)

Barye, though engaged in a perpetual struggle with want, exhibited See also:

• YEAR

year after year these studies of animals—admirable See also:

• GROUPS
• GROUPS, THEORY

groups which reveal him as inspired by a spirit of true See also:

• ROMANCE

romance and a feeling for the beauty of the See also:

• ANTIQUE (Lat. antiquus, old)

antique, as in " See also:

• THESEUS

Theseus and the See also:

• MINOTAUR (Gr. Mcvcn -avpos, from Mews, and Taps, bull)

Minotaur " (1847) , "Lapitha and Centaur " (1 848) , and numerous See also:

• MINOR
• MINOR (Lat. for smaller, lesser)
• MINOR, ROBERT CRANNELL (1839-1904)

minor See also:

• WORKS

works now very highly valued . Barye was no less successful in sculpture on a small scale, and excelled in representing animals in their most See also:

• FAMILIAR (through the Fr. familier, from Lat. familiaris, of or belonging to the familia, family)

familiar attitudes . As examples of his larger See also:

• WORK

work we may mention the Lion of the See also:

• COLUMN (Lat. columna)

Column of See also:

• JULY

July, of which the See also:

• PLASTER

plaster See also:

• MODEL (0. Fr. modelle, mod. modele; It. modello, pattern, mould; from Lat. modus, measure, standard)

model was See also:

• CAST (from the verb meaning " to throw "; the word is Scand. in origin, cf. Dan. kaste, and Swed. kasta; " cast " in Middle Eng. took the place of the A.S. weor pan, cf. Ger. werf en)

cast in 1839, various lions and tigers in the gardens of the Tuileries, and the four groups—See also:

• WAR
• WAR (O. Eng. werre, Fr. guerre, of Teutonic origin; cf. O.H.G. werran, to confound)

War, See also:

• PEACE
• PEACE, BREACH OF THE

Peace, Strength, and See also:

• ORDER
• ORDER (through Fr. ordre, for earlier ordene, from Lat. ordo, ordinis, rank, service, arrangement; the ultimate source is generally taken to be the root seen in Lat. oriri, rise, arise, begin; cf. " origin ")
• ORDER, HOLY

Order (18J4) . In 1852 he cast his See also:

• BRONZE

bronze " See also:

• JAGUAR
• JAGUAR (Fells onca)

Jaguar devouring a See also:

• HARE
• HARE, SIR JOHN (1844– )

Hare." The fame he deserved came too See also:

• LATE

late to the sculptor . He was made See also:

• PROFESSOR (the Latin noun formed from the verb profiteri, to declare publicly, to acknowledge, profess)

professor at the museum in 1854, and was elected to the See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

Academy of See also:

• FINE

Fine Arts in 1868 . He died on the 25th of See also:

• JUNE

June 1875 . The See also:

• MASS (O.E. maesse; Fr. messe; Ger. Messe; Ital. messa; from eccl. Lat. missa)
• MASS, IN

mass of admirable work See also:

• LEFT

left to us by Barye entitles him to be regarded as the greatest artist of See also:

• ANIMAL
• ANIMAL (Lat. animalis, from anima, breath, soul)

animal life of the French school, and as the creator of a new class of See also:

• ART

art which has attracted such men as See also:

• FREMIET, EMMANUEL (1824- )

Fremiet, See also:

• PETER
• PETER (Lat. Petrus from Gr. irfpos, a rock, Ital. Pietro, Piero, Pier, Fr. Pierre, Span. Pedro, Ger. Peter, Russ. Petr)
• PETER (PEDRO)
• PETER, EPISTLES OF
• PETER, ST

Peter, See also:

• CAIN

Cain, and See also:

• GARDA, LAKE OF (the Lacus Benacus of the Romans)

Garda, who are regarded with See also:

• JUSTICE (Lat. justitia)

justice as his worthiest followers .