POMPEO See also:

• GIROLAMO (1450-1486)

GIROLAMO See also:

• POMPEO GIROLAMO BATONI (1708-1787)

BATONI (1708-1787)  , See also:

• ITALIAN

Italian painter, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• LUCCA (anc. Luca)
• LUCCA, BAGNI DI (Baths of Lucca, formerly Bagno a Corsena)

Lucca . He was regarded in See also:

• ITALY
• ITALY (Italia)

Italy as a See also:

• GREAT

great painter in the 18th See also:

• CENTURY (from Lat. centuria, a division of a hundred men)

century, and unquestionably did much to See also:

• RESCUE (in Middle Eng. rescous, from O. Fr. recousse, Low Lat. rescussa, from reexcussa,reexcutere, to shake off again, re, again, ex, off, quatere, to shake)

rescue the See also:

• ART

art from the intense mannerism into which it had fallen during the preceding century . His paintings, however, are not of the highest See also:

• ORDER
• ORDER (through Fr. ordre, for earlier ordene, from Lat. ordo, ordinis, rank, service, arrangement; the ultimate source is generally taken to be the root seen in Lat. oriri, rise, arise, begin; cf. " origin ")
• ORDER, HOLY

order of merit, though they are generally graceful, well designed, and harmoniously coloured . His best See also:

• PRODUCTION (Lat. productionem, from producere, to pro-duce)

production isthought to be his See also:

• GROUP

group of " See also:

• PEACE
• PEACE, BREACH OF THE

Peace and See also:

• WAR
• WAR (O. Eng. werre, Fr. guerre, of Teutonic origin; cf. O.H.G. werran, to confound)

War." See also:

• BATONI, POMPEO GIROLAMO (1708-1787)

Batoni painted an unusual number of pictures, and was also celebrated for his portraits .