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See also: born in See also: Paris on the 9th of See also: April 1821
.
His See also: father, who was a See also: civil servant in See also: good position and an See also: amateur artist, died in 1827, and in the following See also: year his See also: mother married a See also: lieutenant-colonel named Aupick, who was afterwards ambassador of See also: France at various courts
.
Baudelaire was educated at See also: Lyons and at the See also: College See also: Louis-le--
See also: Grand in Paris
.
On taking his degree in 1839 he determined to enter on a See also: literary career, and during the next two years pursued a very irregular way of See also: life, which led his
guardians, in 184r; to send him on a voyage to See also: India
.
When he returned to Paris, after less than a year's See also: absence, he was of age; but in a year or two his extravagance threatened to exhaust his small patrimony, and his See also: family obtained a decree to place his See also: property in See also: trust
.
His salons of 1845 and 1846 attracted immediate See also: attention by the boldness with which he propounded many views then novel, but since generally accepted
.
He took See also: part with the revolutionaries in 1848, and for some years interested himself in republican politi but his permanent convictions were aristocratic and Catholic
.
Baudelaire was a slow and fastidious worker, and it was not until 1857 that he produced his first and famous See also: volume of poems, Fleurs du mal
.
Some of these had already appeared in the Revue See also: des deux mondes when they were published by Baudelaire's friend Auguste Poulet Malassis, who had inherited a printing business at See also: Alencon
.
The consummate See also: art displayed in these verses was appreciated by a limited public, but general attention was caught by the perverse selection of morbid subjects, and the See also: book became a by-word for unwholesomeness among conventional critics
.
Victor Hugo, writing to the poet, said, " See also: Vous dotez le ciel de fart d'un rayon See also: macabre, vous creez un frisson nouveau." Baudelaire, the publisher, and the printer were successfully prosecuted for offending against public morals
.
The obnoxious pieces were suppressed, but printed later as See also: Les Epaves (Brussels, 1866)
.
Another edition of the Fleurs du mal, without these poems, but with considerable additions, appeared in 1861 . Baudelaire had learnt See also: English in his childhood, and had found some of his favourite See also: reading in the English " Satanic " romances, such as See also: Lewis's See also: Monk
.
In 1846–1847 he became acquainted with the
See also: works of Edgar Allan See also: Poe, in which he discovered romances and poems which had, he said, long existed in his own See also: brain, but had never taken shape
.
From this See also: time till 1865 he was largely occupied with his version of Poe's works, producing masterpieces of the art of See also: translation in Histoires extraordinaires (1852), Nouvelles Histoires extraordinaires (1857), Adventures d' Arthur See also: Gordon See also: Pym, See also: Eureka, and Histoires grotesques et See also: ser ieuses (1865)
.
Two essays on Poe are to be found in his tEuvres completes (vols. v. and vi.)
.
Meanwhile his See also: financial difficulties See also: grew upon him
.
He was involved in the failure of Poulet Malassis in 1861, and in 1864 he See also: left Paris for Belgium, partly in the vain hope of disposing of his copyrights
.
He had for many years a liaison with a coloured woman, whom he helped to the end of his life in spite of her See also: gross conduct
.
He had recourse to opium, and in Brussels he began to drink to excess
.
Paralysis followed, and the last two years of his life were spent in nzaisons de saute in Brussels and in Paris, where he died on the 31st of See also: August 1867
.
His other works include:—Petits Fames en See also: prose; a series of art criticisms published in the Pays, Exposition universelle; studies on Gustave See also: Flaubert (in L'artiste, 18th of See also: October 1857); on See also: Theophile Gautier (Revue contemparaine; See also: September 1858); valuable notices contributed to See also: Eugene Crepet's Pates See also: francais; Les Paradis artificiels opium et haschisch (186o) ; See also: Richard Wagner et Tannhduser d Paris (1860; Un Dernier Chapitre do l' histoire des (euvres de Balzac (188o), originally an article entitled " Comment on paye ses dettes quand on a du genie," in which his See also: criticism is turned against his See also: friends H. de Balzac, Theophile Gautier, and See also: Gerard de See also: Nerval
.
Essais de bibliographie contemparaine; essays by See also: Paul Bourget, Essais de psychologie contemporaine (1883), and See also: Maurice Spronck, Les Artistes litteraires (1889)
.
Among English See also: translations from Baudela ire are Poems in Prose, by A
.
Symons (1905), and a selection for the See also: Canterbury Poets (1904), by F
.
P
.
See also: Sturm
.
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