See also:

• AUBREY, JOHN (1626-1697)

AUBREY See also:

• VINCENT (or VINCENTIUS), ST
• VINCENT, GEORGE (1796-1831?)
• VINCENT, MARY ANN (1818-1887)

VINCENT See also:

• AUBREY VINCENT BEARDSLEY (1872-1898)

BEARDSLEY (1872-1898)  , See also:

• ENGLISH

English artist in See also:

• BLACK
• BLACK, ADAM (1784-1874)
• BLACK, JEREMIAH SULLIVAN (1810–1883)
• BLACK, WILLIAM (1841-1898)

black and See also:

• WHITE
• WHITE, ANDREW DICKSON (1832– )
• WHITE, GILBERT (1720–1793)
• WHITE, HENRY KIRKE (1785-1806)
• WHITE, HUGH LAWSON (1773-1840)
• WHITE, JOSEPH BLANCO (1775-1841)
• WHITE, RICHARD GRANT (1822-1885)
• WHITE, ROBERT (1645-1704)
• WHITE, SIR GEORGE STUART (1835– )
• WHITE, SIR THOMAS (1492-1567)
• WHITE, SIR WILLIAM ARTHUR (1824--1891)
• WHITE, SIR WILLIAM HENRY (1845– )
• WHITE, THOMAS (1628-1698)
• WHITE, THOMAS (c. 1550-1624)

white, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• BRIGHTON

Brighton on the 24th of See also:

• AUGUST (originally Sextilis)

August 1872 . In 1883 his See also:

• FAMILY

family settled in See also:

• LONDON

London, and in the following See also:

• YEAR

year he appeared in public as an " See also:

• INFANT (in early forms enfaunt, enfant, through the Fr. enfant, from Lat. infans, in, not, and fans, the present participle of fari, to speak)

infant musical phenomenon," playing at several concerts with his See also:

• SISTER

sister . In 1888 he obtained a See also:

• POST

post in an architect's See also:

• OFFICE (from Lat. officium, " duty," " service," a shortened form of opifacium, from facere, " to do," and either the stem of opes, " wealth," " aid," or opus, " work ")

office, and afterwards one in the See also:

• GUARDIAN

Guardian See also:

• LIFE

Life and See also:

• FIRE (in O. Eng. f j'r; the word is common to West German languages, cf. Dutch vuur, Ger. Feuer; the pre-Teutonic form is seen in Sanskrit pu, pavaka, and Gr. irup; the ultimate origin is usually taken to be a root meaning to purify, cf. Lat. purus)

Fire See also:

• INSURANCE

Insurance See also:

• COMPANY

Company (1889) . In 18g1, under the See also:

• ADVICE (Fr. avis, from Lat. ad, to, and visum, viewed)

advice of See also:

• SIR

Sir See also:

• EDWARD

Edward Burne-See also:

• JONES
• JONES, ALFRED GILPIN (1824-1906)
• JONES, EBENEZER (182o-186o)
• JONES, ERNEST CHARLES (1819-1869)
• JONES, HENRY (1831-1899)
• JONES, HENRY ARTHUR (1851- )
• JONES, INIGO (1573-1651)
• JONES, JOHN (c. 1800-1882)
• JONES, MICHAEL (d. 1649)
• JONES, OWEN (1741-1814)
• JONES, OWEN (1809-1874)
• JONES, RICHARD (179o-1855)
• JONES, SIR ALFRED LEWIS (1845-1909)
• JONES, SIR WILLIAM (1746-1794)
• JONES, THOMAS RUPERT (1819– )
• JONES, WILLIAM (1726-1800)

Jones and Puvis de Chavannes, he took up See also:

• ART

art as a profession . In 1892 he attended the classes at the See also:

• WESTMINSTER
• WESTMINSTER, MARQUESSES AND DUKES OF
• WESTMINSTER, STATUTES OF
• WESTMINSTER, SYNODS OF

Westminster School of Art, then under See also:

• PROFESSOR (the Latin noun formed from the verb profiteri, to declare publicly, to acknowledge, profess)

Professor See also:

• BROWN
• BROWN, CHARLES BROCKDEN (1771-181o)
• BROWN, FORD MADOX (1821-1893)
• BROWN, FRANCIS (1849- )
• BROWN, GEORGE (1818-188o)
• BROWN, HENRY KIRKE (1814-1886)
• BROWN, JACOB (1775–1828)
• BROWN, JOHN (1715–1766)
• BROWN, JOHN (1722-1787)
• BROWN, JOHN (1735–1788)
• BROWN, JOHN (1784–1858)
• BROWN, JOHN (1800-1859)
• BROWN, JOHN (1810—1882)
• BROWN, JOHN GEORGE (1831— )
• BROWN, ROBERT (1773-1858)
• BROWN, SAMUEL MORISON (1817—1856)
• BROWN, SIR GEORGE (1790-1865)
• BROWN, SIR JOHN (1816-1896)
• BROWN, SIR WILLIAM, BART
• BROWN, THOMAS (1663-1704)
• BROWN, THOMAS (1778-1820)
• BROWN, THOMAS EDWARD (1830-1897)
• BROWN, WILLIAM LAURENCE (1755–1830)

Brown; and from 1893 until his See also:

• DEATH

death, at See also:

• MENTONE (Fr. Menton)

Mentone, on the 16th of See also:

• MARCH
• MARCH (1) (from Fr. marcher, to walk; the earliest sense in French appears to be " to trample," and the origin has usually been found in the Lat. marcus, hammer; Low Lat. marcare, to hammer; hence to beat the road with the regular tread of a soldier: cf.
• MARCH, AUZIAS (c. "1395-1458)
• MARCH, EARLS OF
• MARCH, FRANCIS ANDREW (1825– )

March 1898, his See also:

• WORK

work came continually before the public, arousing a See also:

• STORM (in O. Eng..storm, and so in Du. and Low Ger.; in O. H. Ger. and mod. Ger. Sturm; the root is probably that seen in " stir," to rouse, move, disturb, cf. Ger. storen)
• STORM, THEODOR WOLDSEN (1817-1888)

storm of See also:

• CRITICISM
• CRITICISM (from the Gr. KpiTrlS, a judge, Kpivew, to decide, to give an authoritative opinion)

criticism and much hostile feeling . See also:

• BEARDSLEY, AUBREY VINCENT (1872-1898)

Beardsley had an unswerving tendency towards he fantastic of 1 the gloomier and " unwholesome " sort . His treatment of most subjects was revolutionary; he deliberately ignored proportion and See also:

• PERSPECTIVE (Lat. peespicere, to see through)

perspective, and the " freedom from See also:

• CONVENTION (Lat. conventio, an assembly or agreement, from convenire, to come together)
• CONVENTION, THE NATIONAL

convention " which he displayed caused his work to be judged with harshness . In certain phases of technique he especially excelled; and his earlier methods of dealing with the single See also:

• LINE

line in See also:

• CONJUNCTION (from Lat. conjungere, to join together)

conjunction with masses of black are in their way unsurpassed, except in the art of See also:

• JAPAN

Japan, the See also:

• COUNTRY (from the Mid. Eng. contre or contrie, and O. Fr. cuntree; Late Lat. contrata, showing the derivation from contra, opposite, over against, thus the tract of land which fronts the sight, cf. Ger. Gegend, neighbourhood)

country which probably gave his ideas some assistance . He was always an ornamentist, rather than an illustrator; and his work must be judged from that point of view . His See also:

• FRONTISPIECE (through the French, from Med. Lat. frontispicium, a front view, frons, frontis, forehead or front, and specere, to look at; the English spelling is a mistaken adaptation to " piece ")

frontispiece to Volpone is held by some to be, from this purely technical standpoint, one of the best See also:

• PEN (Lat. penna, a feather, pen)

pen-drawings of the See also:

• AGE (Fr. age, through late Lat. aetaticum, from aetas)

age . His posters for the See also:

• AVENUE (the past participle feminine of Fr. avenir, to come to)

Avenue See also:

• THEATRE (BEarpov, " a place for seeing," from OeacOae)

theatre and for Mr See also:

• FISHER
• FISHER, ALVAN (1792–1863)
• FISHER, GEORGE PARK (1827-1909)
• FISHER, JOHN (c. 1469-1535)
• FISHER, JOHN ARBUTHNOT FISHER, 1ST BARON

Fisher Unwin were among the first of the See also:

• MODERN

modern cult of that art . The following are the See also:

• CHIEF (from Fr. chef, head, Lat. caput)

chief See also:

• WORKS

works which are illustrated with drawings by Beardsley: the Bon Mot Library, The See also:

• PALL

Pall Mall See also:

• BUDGET (originally from a Gallic word meaning sack, latinized as bulga, leather wallet or bag, thence in O. Fr. bougette, from which the Eng. form is derived)

Budget, and The Studio (1893), Sir See also:

• THOMAS
• THOMAS (c. 1654-1720)
• THOMAS (d. 110o)
• THOMAS, ARTHUR GORING (1850-1892)
• THOMAS, CHARLES LOUIS AMBROISE (1811-1896)
• THOMAS, GEORGE (c. 1756-1802)
• THOMAS, GEORGE HENRY (1816-187o)
• THOMAS, ISAIAH (1749-1831)
• THOMAS, PIERRE (1634-1698)
• THOMAS, SIDNEY GILCHRIST (1850-1885)
• THOMAS, ST
• THOMAS, THEODORE (1835-1905)
• THOMAS, WILLIAM (d. 1554)

Thomas See also:

• MALORY, SIR THOMAS

Malory's Morte d'See also:

• ARTHUR (Fr. Arius)
• ARTHUR, CHESTER ALAN (1830 – 1886)

Arthur (1893-1894), See also:

• SALOME

Salome (1894), The Yellow See also:

• BOOK

Book (1894-1895), The See also:

• SAVOY, HOUSE
• SAVOY, HOUSE OF

Savoy See also:

• MAGAZINE

Magazine (1896), The See also:

• RAPE
• RAPE (from Lat. rapere, to seize)
• RAPE (Lat. rapum or rapa, turnip)

Rape of the See also:

• LOCK (from the O. Eng. loc.; the word appears, in different forms, in many Teutonic languages, but with such various meanings as " hole," Ger. Loch, " lid," Swed. lock, &c.; probably the original was a root meaning " to enclose ")
• LOCK, MATTHIAS

Lock (1896) .

See also J . See also:

• PENNELL, JOSEPH (186o– )

Pennell, The Studio (1893); See also:

• SYMONS
• SYMONS, GEORGE JAMES (1838-1900)

Symons, See also:

• AUBREY, JOHN (1626-1697)

Aubrey Beardsley (1898); R . See also:

• ROSS
• ROSS, ALEXANDER (1699-1784)
• ROSS, GEORGE WILLIAM (1841- )
• ROSS, JOHN, or KOOESKOOWE (179o-1866)
• ROSS, ROBERT (1766-1814)
• ROSS, SIR HEW DALRYMPLE (1779-1868)
• ROSS, SIR JAMES CLARK (1800-1862)
• ROSS, SIR JOHN (1777-1856)

Ross, Volpone (1898); H . C . Marillier, The See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

Early Work of Aubrey Beardsley (1899); Sm.thers, Reproductions of Drawings by Aubrey Beardsley; See also:

• JOHN
• JOHN (1167–1216)
• JOHN (1290-c. 1320)
• JOHN (1296-1346)
• JOHN (1371–1419)
• JOHN (1468-1532)
• JOHN (1801-1873)
• JOHN (Heb. llni')
• JOHN (ZAPOLYA) (1487-1540)
• JOHN, 4TH MARQUESS OF TWEEDDALE (c. 1695-1762)
• JOHN, DON (1545-1578)
• JOHN, DON (1629–1679)
• JOHN, GOSPEL OF ST
• JOHN, or HAYS (1513–1571)
• JOHN, THE APOSTLE
• JOHN, THE EPISTLES OF

John See also:

• LANE, EDWARD WILLIAM (1801–1876)
• LANE, JAMES HENRY (1814–1866)

Lane, The Later Works of Aubrey Beardsley (1901); R . Ross, Aubrey Beardsley (1908) . (E . F .