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See also: English poet, second son of the See also: judge, See also: Sir See also: Francis See also: Beaumont, was See also: born at See also: Grace-Dieu in See also: Leicestershire in 1583
.
The deaths of his See also: father (in 1598) and of his elder See also: brother, Sir See also: Henry Beaumont (in 16o5), made the poet early the
See also: head of this brilliant See also: family; the dramatist, Francis Beaumont, being a younger brother
.
See also: John went to
See also: Oxford in See also: February 1597, and entered as a gentleman commoner in Broadgates See also: Hall, the
See also: present Pembroke See also: College
.
He was admitted to the Inner See also: Temple in 1600, but on the See also: death of Henry he no doubt went down to Grace-Dieu to See also: manage the family estates
.
He began to write verse early, and in 1602, at the age of nineteen, he published anonymously his See also: Metamorphosis of See also: Tobacco, written in very smooth couplets, in which he addressed See also: Drayton as his " loving friend." He lived in Leicestershire for many years as a bachelor, being one " who never felt Love's dreadful arrow." But in See also: process of See also: time he became a tardy victim, and married a lady of the Fortescue family, who See also: bore him four stout sons, the eldest of whom, another John, was accounted one of the most athletic men of his time
.
" He could leap 16 ft. at one leap, and would commonly, at a stand-leap, jump over a high long table in the hall, See also: light on a See also: settle beyond the table, and raise himself straight up." This magnificent See also: young See also: man was not without See also: literary taste; he edited his father's See also: posthumous poems, and wrote an enthusiastic See also: elegy on him; he was killed in 1644 at the siege of See also: Gloucester
.
Another of Sir John Beaumont's sons, Gervaise, died in childhood, and the incidents of his death are recorded in one of his father's most touching poems
.
Sir John Beaumont concentrated his See also: powers on a poem in eight books, entitled The See also: Crown of Thorns, which was greatly admired in MS. by the See also: earl of Southampton and others, but which is lost
.
After long retirement, Beaumont was persuaded by the duke of See also: Buckingham to move in larger circles; he attended See also: court and in 1626 was made a See also: baronet
.
This honour he did not long survive, for he died on the 19th of See also: April 1627, and was buried in See also: Westminster Abbey ten days later
.
The new Sir John, the strong man, published in 1629 a See also: volume entitled See also: Bosworth See also: Field; with a taste of the variety of other Poems
See also: left by Sir John Beaumont
.
No more "tastes" were ever vouchsafed, so that it is by this volume and by the juvenile Metamorphosis of Tabacco that Beaumont's reputation has to stand
.
Of See also: late years, the peculiarities of John Beaumont's See also: prosody have See also: drawn See also: attention to his See also: work
.
He wrote the heroic See also: couplet, which was his favourite measure, with almost unprecedented evenness
.
Bosworth Field, the scene of the See also: battle of which Beaumont's See also: principal poem gives a vaguely epical narrative, See also: lay close to the poet's See also: house of Grace-Dieu
.
He writes on all occasions with a smoothness which was very remark-able in the first quarter of the 17th century, and which marks him, with Edmund Waller and See also: George Sandys, as one of the pioneers of the classic See also: reformation of English verse
.
The poems of Sir John Beaumont were included in A
.
See also: Chalmers's English Poets, vol. vi
.
(181o)
.
An edition, with " memorial introduction" and notes, was included (1869) in Dr A
.
B
.
Grosart's See also: Fuller Worthies' Library; and the Metamorphosis of Tabacco was included in J
.
P
.
Collier's Illustrations of Early English Popular Literature, vol. i
.
(1863) . (E . |
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