See also:

• HENRY
• HENRY (1129-1195)
• HENRY (c. 1108-1139)
• HENRY (c. 1174–1216)
• HENRY (Fr. Henri; Span. Enrique; Ger. Heinrich; Mid. H. Ger. Heinrich and Heimrich; O.H.G. Haimi- or Heimirih, i.e. " prince, or chief of the house," from O.H.G. heim, the Eng. home, and rih, Goth. reiks; compare Lat. rex " king "—" rich," therefore " mig
• HENRY, EDWARD LAMSON (1841– )
• HENRY, JAMES (1798-1876)
• HENRY, JOSEPH (1797-1878)
• HENRY, MATTHEW (1662-1714)
• HENRY, PATRICK (1736–1799)
• HENRY, PRINCE OF BATTENBERG (1858-1896)
• HENRY, ROBERT (1718-1790)
• HENRY, VICTOR (1850– )
• HENRY, WILLIAM (1795-1836)

HENRY See also:

• FRANCOIS (1558-1614)

FRANCOIS See also:

• HENRY FRANCOIS BECQUE (1837-1899)

BECQUE (1837-1899)  , See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French dramatist, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born on the 9th of See also:

• APRIL

April 1837 in See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris . He wrote the See also:

• BOOK

book of an See also:

• OPERA (Italian for " work ")

opera Sardanapale in See also:

• IMITATION (Lat. imitatio, from intitari, to imitate)

imitation of See also:

• LORD
• LORD (O. Eng. hldford, i.e. hldfweard, the warder or keeper of bread, hlIf, loaf; the word is not represented in any other Teutonic language)
• LORD, JOHN (1810-1894)

Lord See also:

• BYRON, GEORGE GORDON BYRON, 6TH BARON (1788-1824)
• BYRON, HENRY JAMES (1834-1884)
• BYRON, HON
• BYRON, JOHN BYRON

Byron for the See also:

• MUSIC

music of M . Victorin See also:

• JONCIERES, VICTORIN (1839–1903)

Joncieres in 1867, but his first important See also:

• WORK

work, See also:

• MICHEL
• MICHEL, CLAUDE
• MICHEL, FRANCISQUE XAVIER (1809-1887)

Michel Pauper, appeared in 1870 . The importance of this sombre See also:

• DRAMA (literally "action," from Gr. Snail, act or do)

drama was first realized when it was revived at the Odeon in 1886 . See also:

• LES

Les Corbeaux (1882) established See also:

• BECQUE, HENRY FRANCOIS (1837-1899)

Becque's position as an innovator, and in 1885 he produced his most successfulplay, La Parisienne . Becque produced little during the last years of his See also:

• LIFE

life, but his disciples carried on the tradition he had created . He died in May 1899 . See his Querelles litteraires (1890), and Souvenirs d'un auteur dramatique (1895), consisting chiefly of reprinted articles in which he does not spare his opponents . His See also:

• THEATRE (BEarpov, " a place for seeing," from OeacOae)

Theatre complet (3 vols., 1899) includes L'Enfant prodigue (See also:

• VAUDEVILLE

Vaudeville Theatre, 6th of Nov . 1868) ; Michel Pauper (Theatre de la See also:

• PORTE, THE SUBLIME (Arab. babi-'ali, the high gate, through the French translation la sublime porte)

Porte-See also:

• SAINT (lat. sanctus, " holy ")

Saint-See also:

• MARTIN (Martinus)
• MARTIN, BON LOUIS HENRI (1810-1883)
• MARTIN, CLAUD (1735-1800)
• MARTIN, FRANCOIS XAVIER (1762-1846)
• MARTIN, HOMER DODGE (1836-1897)
• MARTIN, JOHN (1789-1854)
• MARTIN, LUTHER (1748-1826)
• MARTIN, SIR THEODORE (1816-1909)
• MARTIN, SIR WILLIAM FANSHAWE (1801–1895)
• MARTIN, ST (c. 316-400)
• MARTIN, WILLIAM (1767-1810)

Martin, 17th of See also:

• JUNE

June 187o) ; L'Enlevement (Vaudeville, 18th of Nov . 1871) ; La Navette (Gymnase, 15th of Nov . 1878) ; Les Honnetes Femmes (Gymnase, 1st of See also:

• JAN

Jan .

188o) ; Les Corbeaux (Comedic Frangaise, 14th of See also:

• SEPT

Sept . 1882) ; La Parisienne (Theatre de la See also:

• RENAISSANCE, THE

Renaissance, 7th of Feb . 1885) .