KARL See also:

• KARL BEGAS (1794–1854)
• BEGAS, REINHOLD (1831- )

BEGAS (1794–1854)  , See also:

• GERMAN
• GERMAN, DUTCH AND SCANDINAVIAN

German See also:

• HISTORICAL

historical painter, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at Heinsberg near See also:

• AIX

Aix-la-Chapelle . His See also:

• FATHER

father, a retired See also:

• JUDGE (Lat. judex, Fr. juge)

judge, destined him for the legal profession, but the boy's tastes pointed definitely in another direction . Even at school he was remarked for his wonderful skill in See also:

• DRAWING

drawing and See also:

• PAINTING

painting, and in 1812 he was permitted to visit See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris in See also:

• ORDER
• ORDER (through Fr. ordre, for earlier ordene, from Lat. ordo, ordinis, rank, service, arrangement; the ultimate source is generally taken to be the root seen in Lat. oriri, rise, arise, begin; cf. " origin ")
• ORDER, HOLY

order to perfect himself in his See also:

• ART

art . He studied for eighteen months in the atelier of See also:

• GROS, ANTOINE JEAN, BARON (1771–1835)

Gros and then began to See also:

• WORK

work independently . In 1814 his copy of the Madonna della Sedia was bought by the See also:

• KING
• KING (O. Eng. cyning, abbreviated into cyng, cing; cf. O. H. G. chun- kuning, chun- kunig, M.H.G. kiinic, kiinec, kiinc, Mod. Ger. Konig, O. Norse konungr, kongr, Swed. konung, kung)
• KING [OF OCKHAM], PETER KING, 1ST BARON (1669-1734)
• KING, CHARLES WILLIAM (1818-1888)
• KING, CLARENCE (1842–1901)
• KING, EDWARD (1612–1637)
• KING, EDWARD (1829–1910)
• KING, HENRY (1591-1669)
• KING, RUFUS (1755–1827)
• KING, THOMAS (1730–1805)
• KING, WILLIAM (1650-1729)
• KING, WILLIAM (1663–1712)

king of See also:

• PRUSSIA
• PRUSSIA (Ger. Preussen; Lat. Borussia)

Prussia, who was attracted by the See also:

• YOUNG
• YOUNG, A
• YOUNG, ARTHUR (1741-1820)
• YOUNG, BRIGHAM (1801-1877)
• YOUNG, CHARLES MAYNE (1777–1856)
• YOUNG, EDWARD (1683–1765)
• YOUNG, JAMES (1811-1883)
• YOUNG, THOMAS (1773-1829)

young artist and did much to advance him . He was engaged to paint several large Biblical pictures, and in 1825, after his return from See also:

• ITALY
• ITALY (Italia)

Italy, continued to produce paintings which were placed in the churches of See also:

• BERLIN
• BERLIN, CONGRESS AND TREATY OF
• BERLIN, ISAIAH (1725–1799)

Berlin and See also:

• POTSDAM

Potsdam . Some of these were historical pieces, but the See also:

• MAJORITY (Fr. majorite; Med. Lat. majoritas; Lat. major, greater)

majority were representations of Scriptural incidents . See also:

• BEGAS, KARL (1794–1854)
• BEGAS, REINHOLD (1831- )

Begas was also celebrated as a portrait-painter, and supplied to the royal See also:

• GALLERY (through Ital. galleria, from Med. Lat. galeria, of which the origin is unknown)

gallery a See also:

• LONG, GEORGE (1800-1879)
• LONG, JOHN DAVIS (1838– )

long See also:

• SERIES (a Latin word from serere, to join)

series of portraits of eminent Prussian men of letters . At his See also:

• DEATH

death he held the See also:

• POST

post of See also:

• COURT
• COURT (from the O. Fr. court, Late Lat. cortis, curtis, a popular form of class. Lat. cohors, gen. cohortis; the mod. Fr. form tour is due to the influence of the Lat. curia, the word used in medieval documents to translate " court " in the feudal sense)
• COURT, ANTOINE (1696-176o)

court painter at Berlin . His son OSKAR (1828-1883) was also a painter and See also:

• PROFESSOR (the Latin noun formed from the verb profiteri, to declare publicly, to acknowledge, profess)

professor of painting at Berlin . See also:

• REINHOLD, KARL LEONHARD (1758-1823)

REINHOLD, the sculptor, is noticed below .