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KARL BEGAS (1794–1854) , See also: German See also: historical painter, was See also: born at Heinsberg near See also: Aix-la-Chapelle
.
His See also: father, a retired See also: judge, destined him for the legal profession, but the boy's tastes pointed definitely in another direction
.
Even at school he was remarked for his wonderful skill in See also: drawing and See also: painting, and in 1812 he was permitted to visit See also: Paris in See also: order to perfect himself in his See also: art
.
He studied for eighteen months in the atelier of Gros and then began to See also: work independently
.
In 1814 his copy of the Madonna della Sedia was bought by the See also: king of Prussia, who was attracted by the
See also: young artist and did much to advance him
.
He was engaged to paint several large Biblical pictures, and in 1825, after his return from See also: Italy, continued to produce paintings which were placed in the churches of Berlin and
See also: Potsdam
.
Some of these were historical pieces, but the majority were representations of Scriptural incidents
.
Begas was also celebrated as a portrait-painter, and supplied to the royal gallery a long series of portraits of eminent Prussian men of letters
.
At his See also: death he held the See also: post of See also: court painter at Berlin
.
His son OSKAR (1828-1883) was also a painter and professor of painting at Berlin
.
See also: REINHOLD, the sculptor, is noticed below
.
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