See also:BEJAN (Fr. bejaune, from See also:bee jaune, " yellow See also:beak," in allusion to unfledged birds; the See also:equivalent to Ger. Gelbschnabel, Fr. See also:blanc-bec, a greenhorn)
, a See also:term for freshmen, or undergraduates of the first See also:year, in the Scottish See also:universities
.
The phrase was introduced from the See also:French universities, where the levying of bejaunium" footing-See also:money " had been prohibited by the statutes of the university of See also:- ORLEANS
- ORLEANS, CHARLES, DUKE OF (1391-1465)
- ORLEANS, DUKES OF
- ORLEANS, FERDINAND PHILIP LOUIS CHARLES HENRY, DUKE OF (1810-1842)
- ORLEANS, HENRI, PRINCE
- ORLEANS, HENRIETTA, DUCHESS
- ORLEANS, JEAN BAPTISTE GASTON, DUKE
- ORLEANS, LOUIS
- ORLEANS, LOUIS PHILIPPE JOSEPH
- ORLEANS, LOUIS PHILIPPE ROBERT, DUKE
- ORLEANS, LOUIS PHILIPPE, DUKE OF (1725–1785)
- ORLEANS, LOUIS, DUKE OF (1372–1407)
- ORLEANS, PHILIP I
- ORLEANS, PHILIP II
Orleans in 1365 and by those of See also:Toulouse in 1401
.
In 1493 the See also:election of an Abbas Bejanorum (See also:- ABBOT (from the Hebrew ab, a father, through the Syriac abba, Lat. abbas, gen. abbatis, O.E. abbad, fr. late Lat. form abbad-em changed in 13th century under influence of the Lat. form to abbat, used alternatively till the end of the 17th century; Ger. Ab
- ABBOT, EZRA (1819-1884)
- ABBOT, GEORGE (1603-1648)
- ABBOT, ROBERT (1588?–1662?)
- ABBOT, WILLIAM (1798-1843)
Abbot of the Freshmen) was forbidden in the university of See also:Paris
.
In the See also:German and See also:Austrian universities the freshman was called beanus
.
In See also:Germany the freshman was anciently called a Pennal (from Med
.
See also:Lat. pennale, a See also:box for pens), in allusion to the fact that the newly-arrived student had to carry such for the older pupils
.
Afterwards See also:Fuchs (See also:fox) was substituted for See also:Fennel, and then Goldfuchs, because he is supposed still to have a few See also:gold coins from See also:home
.
B$JART, the name of several French actors, See also:children of See also:Marie Herve and See also:Joseph Bejart (d
.
1643), the holder of a small See also:government See also:post
.
The See also:family—there were eleven children—was very poor and lived in the Marais, then the theatrical See also:quarter of Paris
.
One of the sons, JOSEPH BEJART (C.1617-1659), was a strolling player and later a member of See also:Moliere's first See also:company (1'Illustre See also:Theatre), accompanied him in his theatrical wanderings, and was with him when he returned permanently to Paris, dying soon after
.
He created the parts of Lelie in L'Elourdie, and Eraste in Le Depit amoureux, His See also:brother See also:- LOUIS
- LOUIS (804–876)
- LOUIS (893–911)
- LOUIS, JOSEPH DOMINIQUE, BARON (1755-1837)
- LOUIS, or LEWIS (from the Frankish Chlodowich, Chlodwig, Latinized as Chlodowius, Lodhuwicus, Lodhuvicus, whence-in the Strassburg oath of 842-0. Fr. Lodhuwigs, then Chlovis, Loys and later Louis, whence Span. Luiz and—through the Angevin kings—Hungarian
Louis BEJART (c
.
1630-1678) was also in Moliere's company during the last years of its travels
.
He created many parts in his
brother-in-See also:law's plays—Valere in Le Depit amoureux, See also:Dubois in Le Misanthrope, Alcantor in Le Mariage force, and See also:Don Luis in Le Festin de See also:Pierre—and was an actor of varied talents
.
In consequence of a See also:wound received when interfering in a See also:street brawl, he became lame and retired with a See also:pension—the first ever granted by the company to a comedian—in 1670
.
The more famous members of the family were two sisters
.
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