REMY See also:

• REMY BELLEAU (c. 1527-1577)

BELLEAU (c. 1527-1577)  , See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French poet, and member of the Pleiade (see See also:

• DAURAT (or DORAT), JEAN (in Lat. AURATUS), (1508–1588)

DAURAT), was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at Nogent-le-See also:

• ROTROU, JEAN DE (1609-1650)

Rotrou about 1527 . He studied with See also:

• RONSARD, PIERRE DE (1524-1585)

Ronsard and others under See also:

• JEAN

Jean Daurat at the See also:

• COLLEGE (Collegium)

College de Coqueret . He was attached to Rene de See also:

• LORRAINE

Lorraine, See also:

• MARQUIS

marquis d'Elbceuf, in the expedition against See also:

• NAPLES
• NAPLES (Ital. Napoli, and Lat. Neapolis)
• NAPLES, KINGDOM OF

Naples in 1557, where he did See also:

• GOOD, JOHN MASON (1764-1827)

good military service . On his return he was made See also:

• TUTOR (Lat. tutor, guardian, tueri, to watch over, protect)

tutor to the See also:

• YOUNG
• YOUNG, A
• YOUNG, ARTHUR (1741-1820)
• YOUNG, BRIGHAM (1801-1877)
• YOUNG, CHARLES MAYNE (1777–1856)
• YOUNG, EDWARD (1683–1765)
• YOUNG, JAMES (1811-1883)
• YOUNG, THOMAS (1773-1829)

young See also:

• CHARLES
• CHARLES (1270-1325)
• CHARLES (1421-1461)
• CHARLES (1525-1574)
• CHARLES (c. 1319-1364)
• CHARLES (Fr. Charles; Span. Carlos; Ital. Carlo; Ger. Karl; derived from O.H.G. Charal,latinized as Carolus, meaning originally " man ": cf. Mod.Ger., Kerl," fellow," A.S. ceorl, Mod. Eng. " churl ")
• CHARLES (KARL EITEL ZEPHYRIN LUDWIG; in Rum. CAROL)
• CHARLES [KARL ALEXANDER] (1712-1780)
• CHARLES, ELIZABETH (1828-1896)
• CHARLES, JACQUES ALEXANDRE CESAR (1746-1823)
• CHARLES, THOMAS (1755-1814)

Charles, marquis d'Elbceuf, who, under See also:

• BELLEAU, REMY (c. 1527-1577)

Belleau's training became a See also:

• GREAT

great See also:

• PATRON

patron of the See also:

• MUSES, THE (Gr. Mo6o-at, the thinkers)

muses . Belleau was an enthusiast for the new learning and joined the See also:

• GROUP

group of young poets with ardour . In 1556 he published the first See also:

• TRANSLATION

translation of See also:

• ANACREON

Anacreon which had appeared in French . In the next See also:

• YEAR

year he published his first collection of poems, the Petites inventions, in which he describes stones, See also:

• INSECTS

insects and See also:

• FLOWERS, ARTIFICIAL

flowers . The Amours et nouveaux echanges See also:

• DES

des pierres precieuses . . (1576) contains perhaps his most characteristic See also:

• WORK

work . Its See also:

• TITLE (0. Fr. title, mod. titre, from Lat. titulus)

title is quoted in the lines of Ronsard's See also:

• EPITAPH (Gr. it oa¢cos, sc. X/yos, from bri, upon, and ra¢os, a tomb)

epitaph on his See also:

• TOMB (Gr. Tuµ/3a, Tuµ(3os, probably allied to Lat. tumulus, literally a swelling, tumere, to swell)

tomb: " Luy mesme a See also:

• BASTI

basti son tombeau Dedans ses Pierres Precieuses." He wrote commentaries to Ronsard's Amours in z56o, notes which evinced delicate See also:

• TASTE (from Lat. taxare, to touch sharply; tangere, to touch)

taste and prodigious learning . Like Ronsard and See also:

• JOACHIM, JOSEPH (1831—1907)

Joachim Du Bellay, he was extremely See also:

• DEAF

deaf . His days passed peacefully in the midst of his books and See also:

• FRIENDS, SOCIETY
• FRIENDS, SOCIETY OF

friends, and he died on the 6th of See also:

• MARCH
• MARCH (1) (from Fr. marcher, to walk; the earliest sense in French appears to be " to trample," and the origin has usually been found in the Lat. marcus, hammer; Low Lat. marcare, to hammer; hence to beat the road with the regular tread of a soldier: cf.
• MARCH, AUZIAS (c. "1395-1458)
• MARCH, EARLS OF
• MARCH, FRANCIS ANDREW (1825– )

March 1577 .

He was buried in the See also:

• NAVE

nave of the Grands Augustins at See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris, and was See also:

• BORNE, KARL LUDWIG (1786–1837)

borne to the tomb on the pious shoulders of four poets, Ronsard, J . A. de See also:

• BALL (in Mid. Eng. bal; the word is probably cognate with " bale," Teutonic in origin, cf. also Lat. falls, and Gr. 7raXXa)
• BALL, JOHN (1585-1640)
• BALL, JOHN (1818-1889)
• BALL, JOHN (d. 1381)
• BALL, SIR ALEXANDER JOHN, BART
• BALL, THOMAS (1819- )

Ball, Philippe See also:

• DESPORTES, PHILIPPE (1546-1606)

Desportes and Amadis Jamyn . His most considerable work is La Bergerie (1565-1572), a See also:

• PASTORAL (from Lat. pastor, a shepherd)

pastoral in See also:

• PROSE

prose and See also:

• VERSE (from Lat. versus, literally a line or furrow drawn by turning the plough, from vertere, and afterwards signifying an arrangement of syllables into feet)

verse, written in See also:

• IMITATION (Lat. imitatio, from intitari, to imitate)

imitation of See also:

• SANNAZARO, JACOPO (1458-1530)

Sannazaro . The lines on See also:

• APRIL

April in the Bergerie are well known to all readers of French See also:

• POETRY

poetry . Belleau was the French See also:

• HERRICK, ROBERT (1591-1674)

Herrick, full of picturesqueness, warmth and See also:

• COLOUR (Lat. color, connected with celare, to hide, the root meaning, therefore, being that of a covering)

colour . His skies drop flowers and all his See also:

• AIR (from an Indo-European root meaning " breathe," " blow ")
• AIR, or ASBEN

air is perfumed, and this voluptuous sweetness degenerates sometimes into See also:

• LICENCE (through the French from Lat. licentia, licere, to be lawful)

licence . Extremely popular in his own See also:

• AGE (Fr. age, through late Lat. aetaticum, from aetas)

age, he shared the See also:

• FATE

fate of his friends, and was undeservedly forgotten in the next . See also:

• REGNIER, HENRI FRANCOIS JOSEPH DE (1864– )
• REGNIER, MATHURIN (1573–1613)

Regnier said: "Belleau ne parle pas comme on parle a la ville "; and his lyrical beauty was lost on the See also:

• TRIM

trim 17th See also:

• CENTURY (from Lat. centuria, a division of a hundred men)

century . His See also:

• COMPLETE

complete See also:

• WORKS

works were collected in 1578, and contain, besides the works already mentioned, a See also:

• COMEDY

comedy entitled La Reconnue, in See also:

• SHORT, FRANCIS JOB (1857– )

short rhymed lines, which is not without See also:

• HUMOUR (Latin humor)

humour and See also:

• LIFE

life, and a comic masterpiece, a macaronic poem on the religious See also:

• WARS

wars, Dictamen metrificunt de belle huguenotico et reistroruml piglamine ad sod See also:

• ALES (ALEsIus), ALEXANDER (1500-1565)

ales (Paris, no date) . The Euvres completes (3 vols., 1867) of Remy Belleau were edited by A . Gouverneur; and his Euvres poetiques (2 vols., 1879) by M . Ch .

Marty-Laveaux in his Pleiade frangaise; see also C . A . Sainte-Beuve, Tableau historique et critique de la poesie frangaise au X See also:

• VIE

VIe siecle (ed . 1876), i. pp . 155-16o, and ii. pp . 296 seq .