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VINCENZO BELLINI (1801--18J5)

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Originally appearing in Volume V03, Page 703 of the 1911 Encyclopedia Britannica.
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VINCENZO

BELLINI (1801--18J5)  , operatic composer of the
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Italian school, was born at Catania in Sicily, on the 1st of November 18or . He was descended from a
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family of musicians, both his
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father and grandfather having been composers of some reputation . After having received his preparatory musical
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education at home, he entered the conservatoire of Naples, where he studied singing and composition under Tritto and Zingarelli . He soon began to write pieces for various
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instruments, as well as a cantata and several masses and other sacred compositions . His first opera, Adelson e Savina, was performed in 1825 at a small theatre in Naples; his second dramatic
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work, Bianca e Fernando, was produced next
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year at the
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San Carlo theatre of the same city, and made his name known in Italy . His next work, Il Pirata (1527), was written for the Scala in Milan, to words by Felice Romano, with whom Bellini formed a union of friendship to be severed only by his
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death . The splendid rendering of the
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music by Tamburini, Rubini and other
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great Italian singers contributed greatly to the success of the work, which at once established the
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European reputation of its composer . In almo°t every year of the short remainder of his
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life he produced a new operatic work, which was received with rapture by the audiences of France, Italy, Germany and England . The names and
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dates of four of Bellini's operas familiar to most lovers of Italian music are: I Montecchi e Capuleti (1830), in which the
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part of Romeo became a favourite with all the great contraltos; La Sonnambula (1831); Norma, Bellini's best and most popular creation (1831); and I Puritani (1835), written for the Italian opera in Paris, and to some extent under the influence of French music . In 1833 Bellini had
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left his country to accompany to England the singer Pasta, who had created the part of his Sonnambula . In 1834 he accepted an invitation to write an opera for the
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national
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grand opera in Paris . While he was carefully studying the French language and the cadence of French verse for the purpose, he was seized with a sudden illness and died at his
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villa in
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Puteaux near Paris on the 24th of September 1835 .

His operatic creations are throughout replete with a spirit of

gentle melancholy, frequently monotonous and almost always undramatic, but at the same time irresistibly sweet . To this spirit, combined with a rich flow of cantilena, Bellini's operas owe their popularity . " I shall never forget," wrote Wagner, " the impression made upon me by an opera of Bellini at a period when I was completely exhausted with the ever-lastingly abstract complication used in our orchestras, when a
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simple and noble melody was revealed anew to me." See also G . Labat, Bellini (
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Bordeaux, 1865) ; A . Pougin, Bellini, sa
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vie et ses oeuvres (Paris, 1868) .

End of Article: VINCENZO BELLINI (1801--18J5)
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