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VINCENZO BELLINI (1801--18J5) , operatic composer of the See also: Italian school, was See also: born at See also: Catania in See also: Sicily, on the 1st of See also: November 18or
.
He was descended from a See also: family of musicians, both his See also: father and grandfather having been composers of some reputation
.
After having received his preparatory musical See also: education at home, he entered the conservatoire of Naples, where he studied singing and composition under Tritto and Zingarelli
.
He soon began to write pieces for various See also: instruments, as well as a cantata and several masses and other sacred compositions
.
His first See also: opera, Adelson e Savina, was performed in 1825 at a small theatre in Naples; his second dramatic See also: work, Bianca e Fernando, was produced next See also: year at the See also: San Carlo theatre of the same city, and made his name known in See also: Italy
.
His next work, Il Pirata (1527), was written for the Scala in Milan, to words by Felice Romano, with whom Bellini formed a union of friendship to be severed only by his See also: death
.
The splendid rendering of the See also: music by Tamburini, Rubini and other See also: great Italian singers contributed greatly to the success of the work, which at once established the See also: European reputation of its composer
.
In almo°t every year of the See also: short See also: remainder of his See also: life he produced a new operatic work, which was received with rapture by the audiences of See also: France, Italy, See also: Germany and See also: England
.
The names and See also: dates of four of Bellini's operas See also: familiar to most lovers of Italian music are: I Montecchi e Capuleti (1830), in which the See also: part of Romeo became a favourite with all the great contraltos; La Sonnambula (1831); Norma, Bellini's best and most popular creation (1831); and I Puritani (1835), written for the Italian opera in See also: Paris, and to some extent under the influence of French music
.
In 1833 Bellini had See also: left his country to accompany to England the See also: singer Pasta, who had created the part of his Sonnambula
.
In 1834 he accepted an invitation to write an opera for the See also: national See also: grand opera in Paris
.
While he was carefully studying the French language and the cadence of French verse for the purpose, he was seized with a sudden illness and died at his See also: villa in See also: Puteaux near Paris on the 24th of See also: September 1835
.
His operatic creations are throughout replete with a spirit of gentle melancholy, frequently monotonous and almost always undramatic, but at the sameSee also: time irresistibly sweet
.
To this spirit, combined with a See also: rich flow of cantilena, Bellini's operas owe their popularity
.
" I shall never forget," wrote Wagner, " the impression made upon me by an opera of Bellini at a See also: period when I was completely exhausted with the ever-lastingly abstract complication used in our orchestras, when a See also: simple and See also: noble melody was revealed anew to me."
See also G
.
Labat, Bellini (See also: Bordeaux, 1865) ; A
.
Pougin, Bellini, sa See also: vie et ses oeuvres (Paris, 1868)
.
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