HERMAN See also:

• HERMAN BEMBERG (1861– )

BEMBERG (1861– )  , See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French musical composer, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born of French parents at Buenos Aires, and studied at the See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris See also:

• CONSERVATOIRE (the Fr. equivalent of Ital. Conservatorio, Ger. Conservatorium, from Med. Lat. conservatorium, a place where anything is preserved, Lat. conservare, to preserve)

Conservatoire, under See also:

• MASSENET, JULES SMILE FREDERIC (1842– )

Massenet, whose See also:

• INFLUENCE (Late Lat. influentia, from influere, to flow in)

influence, with that of See also:

• GOUNOD, CHARLES FRANCOIS (1818--1893)

Gounod, is strongly marked in his See also:

• MUSIC

music . As a composer he is known by numerous songs and pieces for the piano, as well as by his See also:

• CANTATA (Italian for a song or story set to music)

cantata La Mort de Jeanne d' Arc (1886), comic See also:

• OPERA (Italian for " work ")

opera Le Balser de Suzan (1888) and See also:

• GRAND

grand opera Elaine (produced at Covent See also:

• GARDEN (from O. Fr. garden, mod. Fr. jardin; this, like our words " garth," a paddock attached to a building, and " yard," comes from a Teutonic word for an enclosure which appears in Gothic as gards and O. H. Ger. gart, cf. Dutch gaarde and Ger. .garten)

Garden in 1892) . Among his songs the dramatic recitative See also:

• BALLADE

Ballade du Desespere is well known .