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PIETRO See also: Italian See also: cardinal and See also: scholar, was See also: born at Venice on the loth of May 1470
.
While still a boy he accompanied his See also: father to Florence, and there acquired a love for that Tuscan See also: form of speech which he afterwards cultivated in preference to the dialect of his native city
.
Having completed his studies, which included two years' devotion to See also: Greek under Lascaris at See also: Messina, he See also: chose the ecclesiastical profession
.
After a considerable See also: time spent in various cities and courts of See also: Italy, where his learning already made him welcome, he accompanied Giulio de' See also: Medici to See also: Rome, where he was soon after appointed secretary to See also: Leo X
.
On the pontiff's See also: death he retired, with impaired See also: health, to See also: Padua, and there lived for a number of years engaged in See also: literary labours and amusements
.
In 1529 he accepted the office of historiographer to his native city, and shortly afterwards was appointed librarian of St Mark's
.
The offer of a cardinal's See also: hat by See also: Pope See also: Paul III. took him in 1539 again to Rome, where he renounced the study of classical literature and devoted himself to See also: theology and classical See also: history, receiving before long the See also: reward of his conversion in the shape of the bishoprics of Gubbio and See also: Bergamo
.
He died on the 18th of See also: January 1547
.
See also: Bembo, as a writer, is the beau ideal of a purist
.
The exact imitation of the See also: style of the genuine See also: classics was the highest perfection at which he aimed
.
This at once prevented the graces of spontaneity and secured the beauties of See also: artistic elaboration
.
One cannot fail to be struck with the Ciceronian cadence that guides the See also: movement even of his Italian writings
.
His See also: works (collected edition, Venice, 1729) include a History of Venice (1551) from 1487 to 1513, dialogues, poems, and what we would now See also: call essays
.
Perhaps the most famous are a little See also: treatise on Italian See also: prose, and a See also: dialogue entitled Gli Asolani, in which Platonic affection is explained and recommended in a rather long-winded fashion, to the amusement of the reader who remembers the relations of the beautiful Morosina with the author
.
The edition of See also: Petrarch's Italian Poems, published by Aldus in 1501, and the Terzerime, which issued from the same See also: press in 1502, were edited by Bembo, who was on intimate terms with the See also: great typographer
.
See Opere de P
.
Bembo (Venice, 1729) ; Casa, Vita di Bembo, in 2nd vol. of his works
.
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