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See also: born in See also: Stuttgart on the 27th of See also: November 1804
.
He was the son of a Jewish banker, and learnt composition from See also: Hummel at See also: Weimar and Weber at See also: Dresden; with the latter he enjoyed for three years an intimacy like that of a son, and it was Weber who introduced him in Vienna to See also: Beethoven on the 5th of See also: October 1823
.
In the same See also: year he was appointed Kapellmeister of the Karnthnerthor theatre at Vienna, and two years later (in 1825) he became Kapellmeister of the See also: San Carlo theatre at Naples
.
Here his first See also: opera, Giacinta ed Ernesto, was brought out in 1829, and another, written for his native city, I Portoghesi in See also: Goa, was given there in 183o; neither of these was a See also: great success, and in 1834 he went to See also: Paris, leaving it in 1835 at the See also: suggestion of See also: Malibran for See also: London, where he spent the See also: remainder of his See also: life
.
In 1836 he was given the conductorship of an operatic enterprise at the See also: Lyceum Theatre, and brought out a See also: short opera, Un See also: anno ed un giorno, previously given in Naples
.
In 1838 he became conductor of the See also: English opera at See also: Drury Lane during the See also: period of See also: Balfe's great popularity; his own operas produced there were The Gipsy's Warning (1838), The Bride of Venice (1843), and The Crusaders (1846)
.
In 1848 he conducted Mendelssohn's Elijah at Exeter See also: Hall, for the first appearance of Jenny
See also: Lind in See also: oratorio, and in 1850 he went to See also: America as the accompanist on that See also: singer's tour
.
On his return in 1852 he became musical conductor under Mapleson's management at Her Majesty's theatre (and afterwards at Drury Lane), and in the same year conductor of the See also: Harmonic Union
.
Benedict wrote recitatives for the production of an See also: Italian version of Weber's Oberon in x86o
.
In the same year was produced his beautiful cantata Undine at the Norwich festival, in which See also: Clara See also: Novello appeared in public for the last See also: time, His best-known opera, The See also: Lily of See also: Killarney, written on the subject of See also: Dion See also: Boucicault's See also: play Colleen Bawn to a libretto by See also: Oxenford, was produced at Covent Garden in 1862
.
His operetta, The Bride of See also: Song, was brought out there in 1864
.
St See also: Cecilia, an oratorio, was performed at the Norwich festival in 1886; St See also: Peter at the See also: Birmingham
festival of 187o; Graziella, a cantata, was given at the Birmingham festival of 1882, and in See also: August 1883 was produced in operatic See also: form at the Crystal Palace
.
Here also a See also: symphony by him was given in 1873
.
Benedict conducted every Norwich festival from 1845 to 1878 inclusive, and the Liverpool Phil-harmonic Society's concerts from 1876 to 1880
.
He was the See also: regular accompanist at the Monday Popular Concerts in London from their start, and with few exceptions acted as conductor of these concerts
.
He contributed an interesting life of Weber to the series of See also: biographies of " Great Musicians." In 1871 he was knighted, and in 1874 was made knight See also: commander of the orders of See also: Franz See also: Joseph (See also: Austria) and See also: Frederick (See also: Wurttemberg)
.
He died in London on the 5th of See also: June 1885
.
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