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ISAAC DE See also: born in See also: Paris, and baptized on the 5th of See also: November 1613
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His See also: family appears to have been connected with See also: Richelieu, who bestowed on him a pension of 600 livres
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He began his See also: literary career with the tragedy of See also: Cleopatra (1635), which was followed by four other in-different pieces
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On Richelieu's See also: death See also: Benserade lost his pension, but became more and more a favourite at See also: court, especially with See also: Anne of See also: Austria
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He provided the words for the court ballets, and was, in 1674, admitted to the See also: Academy, where he wielded an influence quite out of proportion to the merit of his See also: work
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In 1676 the failure of his Metamorphoses d'Ovide in the See also: form of rondeaux gave a See also: blow to his reputation, but by no means destroyed his vogue with his contemporaries
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Benserade would probably be forgotten but for his sonnet on See also: Job (1651)
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This sonnet, which he sent to a See also: young lady with his paraphrase on Job, having been placed in competition with the Urania of Voiture, a dispute on their relative merits long divided the whole court and the wits into two parties, styled respectively the Jobelins and the Uranists
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The partisans of Benserade were headed by the See also: prince de See also: Conti and Mlle de See also: Scudery, while Mme de See also: Montausier and J
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G. de Balzac took the See also: side of Voiture
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Some years before his death, on the loth of See also: October 1691, Benserade retired to See also: Chantilly, and devoted himself to a See also: translation of the Psalms, which he nearly completed
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