See also:

• JEAN

JEAN See also:

• JEAN BERAIN (1638-1711)

BERAIN (1638-1711)  , known as " the See also:

• ELDER (0. Eng. ellarn; Ger. Holunder; Fr. sureau)
• ELDER (Gr. 1rpev(3iTepos)

Elder," Belgian draughtsman and designer, painter and engraver of See also:

• ORNAMENT (Lat. ornare, to adorn)

ornament, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born in 1638 or 1639 at See also:

• SAINT (lat. sanctus, " holy ")

Saint Mihiel (See also:

• MEUSE
• MEUSE (Flem. Maes, Du. Maas)

Meuse) and died in See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris on the 24th of See also:

• JANUARY

January 1711 . In 1674 he was appointed dessinateur de la cha . et du See also:

• CABINET

cabinet de Roi, in See also:

• SUCCESSION (Lat. successio, from succedere, to follow after)

succession to Gissey, whose See also:

• PUPIL (Lat. pupillus, orphan, minor, dim. of pupus, boy, allied to puer, from root pm- or peu-, to beget, cf. "pupa," Lat. for " doll," the name given to the stage intervening between the larval and imaginal stages in certain insects)

pupil he is believed to have been . From 1677 onward he had apartments, near to those of See also:

• ANDRE, JOHN (1751-178o)

Andre See also:

• CHARLES
• CHARLES (1270-1325)
• CHARLES (1421-1461)
• CHARLES (1525-1574)
• CHARLES (c. 1319-1364)
• CHARLES (Fr. Charles; Span. Carlos; Ital. Carlo; Ger. Karl; derived from O.H.G. Charal,latinized as Carolus, meaning originally " man ": cf. Mod.Ger., Kerl," fellow," A.S. ceorl, Mod. Eng. " churl ")
• CHARLES (KARL EITEL ZEPHYRIN LUDWIG; in Rum. CAROL)
• CHARLES [KARL ALEXANDER] (1712-1780)
• CHARLES, ELIZABETH (1828-1896)
• CHARLES, JACQUES ALEXANDRE CESAR (1746-1823)
• CHARLES, THOMAS (1755-1814)

Charles See also:

• BOULLE, ANDRE CHARLES (1642–1732)

Boulle (q.v.), for whom he made many designs, in the Louvre, where he died . After the See also:

• DEATH

death of Le Brun he was commissioned to compose and supervise the whole of the exterior decoration of the See also:

• KING
• KING (O. Eng. cyning, abbreviated into cyng, cing; cf. O. H. G. chun- kuning, chun- kunig, M.H.G. kiinic, kiinec, kiinc, Mod. Ger. Konig, O. Norse konungr, kongr, Swed. konung, kung)
• KING [OF OCKHAM], PETER KING, 1ST BARON (1669-1734)
• KING, CHARLES WILLIAM (1818-1888)
• KING, CLARENCE (1842–1901)
• KING, EDWARD (1612–1637)
• KING, EDWARD (1829–1910)
• KING, HENRY (1591-1669)
• KING, RUFUS (1755–1827)
• KING, THOMAS (1730–1805)
• KING, WILLIAM (1650-1729)
• KING, WILLIAM (1663–1712)

king's See also:

• SHIPS

ships . Without possessing See also:

• GREAT

great originality he was inventive and industrious, and knew so well how to assimilate the See also:

• WORK

work of those who had preceded him (especially Raffaelle's arabesques) and to adapt it to the See also:

• TASTE (from Lat. taxare, to touch sharply; tangere, to touch)

taste of the See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time that his designs became the rage . He furnished designs for the decorations and costumes used in the See also:

• OPERA (Italian for " work ")

opera performances, for See also:

• COURT
• COURT (from the O. Fr. court, Late Lat. cortis, curtis, a popular form of class. Lat. cohors, gen. cohortis; the mod. Fr. form tour is due to the influence of the Lat. curia, the word used in medieval documents to translate " court " in the feudal sense)
• COURT, ANTOINE (1696-176o)

court festivals, and for public solemnities such as funeral processions, and inspired the ornamentations of rooms and of See also:

• FURNITURE (from " furnish," Fr. fournir)

furniture to such an extent that a See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French writer says that nothing was done during his later years which he had not designed, or at least which was not in his manner . He was, in fact, the See also:

• ORACLE (Lat. oraculum, from ora' to pray; the corresponding Greek word is uavreiov or Xpnuri7pwov)

oracle of taste and the supreme pontiff whose fiat was See also:

• LAW
• LAW (0. Eng. lagu, M. Eng. lawe; from an old Teutonic root lag, " lie," what lies fixed or evenly; cf. Lat. lex, Fr. loi)
• LAW, JOHN (1671—1729)
• LAW, WILLIAM (1686-1761)

law in all matters of decora-tion . His numerous designs were for the most See also:

• PART

part engraved under his own superintendence, and a collection of them was published in Paris in 1711 by his son-in-law, See also:

• THURET, GUSTAVE ADOLPHE (1817-1875)

Thuret, clockmaker to the king . There are three books, fEuvre de J . See also:

• BERAIN, JEAN (1638-1711)

Berain, Ornements inventes See also:

• PAR (Lat. par, equal)

par J . Berain and (Euvres de J . Berain contenant See also:

• DES

des ornements d'See also:

• ARCHITECTURE (Lat. architectura, from the Gr. ap)(LTEKrwv, a master-builder)

architecture .

His earliest known See also:

• WORKS

works show him as engraver—twelve plates in the collection of Diverses pieces de serrurerie inventees par See also:

• HUGHES, DAVID EDWARD (1831-1900)
• HUGHES, HUGH PRICE (1847-19o2)
• HUGHES, JOHN (1677-1720)
• HUGHES, JOHN (1797-1864)
• HUGHES, SIR EDWARD (c. 1720-1794)
• HUGHES, THOMAS
• HUGHES, THOMAS (1822-1896)

Hughes Brisville et gravees par See also:

• JEAN

Jean Berain (Paris, 1663), and in 1667 ten plates of designs for the use of gunsmiths . M . Guilmard in See also:

• LES

Les Maitres ornemanistes, gives a See also:

• COMPLETE

complete See also:

• LIST (O.E. lisle, a Teutonic word, cf. Dut. lust, Ger. Leiste, adapted in Ital. lista and Fr. lisle)
• LIST, FRIEDRICH (1789-1846)

list of his published works . His son JEAN BERAIN, " the Younger " (1678-1726), was born in Paris, where he also died . He was his See also:

• FATHER

father's pupil, and exercised the same See also:

• OFFICIAL (Late Lat. QJicialis, for class. Lat. apparitor, from officium, office, duty)

official functions after his death . Thus he planned the funeral ceremonies at St See also:

• DENIS (DIoNysms), SAINT
• DENIS, JOHANN NEPOMUK COSMAS MICHAEL (1729-1800)

Denis on the death of the dauphin, and afterwards made the designs for the See also:

• OBSEQUIES (Med. Lat. obsequiae, formed after class. Lat. exsequiae)

obsequies of See also:

• LOUIS
• LOUIS (804–876)
• LOUIS (893–911)
• LOUIS, JOSEPH DOMINIQUE, BARON (1755-1837)
• LOUIS, or LEWIS (from the Frankish Chlodowich, Chlodwig, Latinized as Chlodowius, Lodhuwicus, Lodhuvicus, whence-in the Strassburg oath of 842-0. Fr. Lodhuwigs, then Chlovis, Loys and later Louis, whence Span. Luiz and—through the Angevin kings—Hungarian

Louis XIV . He is perhaps best known as an engraver . He engraved eleven plates of the collection Ornements de peinture et de See also:

• SCULPTURE
• SCULPTURE (Lat. sculptura, from sculpere, to carve, cognate with Gr. yXb4ew)

sculpture qui sont clans la galerie d'Apollon au chasteau du Louvre, et clans le See also:

• GRAND

grand appartement du See also:

• ROY, WILLIAM (1726-1790)

roy au palais des Tuileries (Paris, 1710), which have been wrongly attributed to his father, the Mausolei du duc de Bourgogne, and that of See also:

• MARIE

Marie-See also:

• LOUISE [AUGUSTE WILHELMINE AMALIE LUISE] (1776-1810)

Louise Gabrielle de See also:

• SAVOIE

Savoie, reine d'Espagne (1714), &c . His work is exceedingly difficult to distinguish from his father's, the similarity of See also:

• STYLE
• STYLE (from Gr. a-6'1ms, a column; a different word from that used in literature, see below)

style being remarkable .