See also:

• PAUL
• PAUL (PAULUS)

PAUL See also:

• ALBERT
• ALBERT (1490'1545)
• ALBERT (149o-1568)
• ALBERT (1522–1557)
• ALBERT (FRANCIS CHARLES AUGUSTUS ALBERT EMMANUEL) (1819—1861)
• ALBERT (FRIEDRICH RUDOLF ALBRECHT)
• ALBERT, FREDERICK AUGUSTUS
• ALBERT, MADAME (c. 2805—2846)

ALBERT See also:

• PAUL ALBERT BESNARD (1849— )

BESNARD (1849— )  , See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French painter, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born in See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris and studied at the Ecole See also:

• DES

des See also:

• BEAUX, CECILIA (1863– )

Beaux-Arts, winning the Prix de See also:

• ROME
• ROME (Roma)

Rome in 1874 . Until about 188o he followed the See also:

• ACADEMIC

academic tradition, but then See also:

• BROKE, or BROOKE, ARTHUR (d. 1563)
• BROKE, SIR PHILIP BOWES VERE, BART

broke away completely, and devoted himself to the study of See also:

• COLOUR (Lat. color, connected with celare, to hide, the root meaning, therefore, being that of a covering)

colour and See also:

• LIGHT

light as conceived by the impressionists . The See also:

• REALISM (from Low Lat. realis, appertaining to res, things, as opposed to ideas and imaginations)

realism of this See also:

• GROUP

group never appealed to his bold See also:

• IMAGINATION

imagination, but he applied their technical method to ideological and decorative See also:

• WORKS

works on a large See also:

• SCALE
• SCALE (1) A

scale, such as his frescoes at the See also:

• SORBONNE

Sorbonne, the Ecole de Pharmacie, the Salle des Sciences at the hotel de ville, the mairie of the first See also:

• ARRONDISSEMENT (from arrondir, to make round)

arrondissement, and the See also:

• CHAPEL

chapel of See also:

• BERCK

Berck See also:

• HOSPITAL (Lat. haspitalis, the adjective of hospes, host or guest)

hospital, for which he painted twelve " Stations of the See also:

• CROSS

Cross " in an entirely See also:

• MODERN

modern spirit . A See also:

• GREAT

great virtuoso, he achieved brilliant successes alike in See also:

• WATER

water-colour, See also:

• PASTEL

pastel, oil and See also:

• ETCHING (Dutch, etsen, to eat)

etching, both in See also:

• PORTRAITURE

portraiture, in landscape and in decoration . A See also:

• GOOD, JOHN MASON (1764-1827)

good example of his daring unconventionality is his portrait of Madame See also:

• REJANE, GABRIELLE

Rejane; and his See also:

• CLOSE
• CLOSE (from Lat. clausum, shut)
• CLOSE, MAXWELL HENRY (1822-1903)

close See also:

• ANALYSIS (Gr. avci and Meta, to break up into parts)

analysis of light can be studied in his picture " Femme qui se chauffe " at the Luxembourg in Paris .