See also:

• WILLIAM
• WILLIAM (1143-1214)
• WILLIAM (1227-1256)
• WILLIAM (1J33-1584)
• WILLIAM (A.S. Wilhelm, O. Norse Vilhidlmr; O. H. Ger. Willahelm, Willahalm, M. H. Ger. Willehelm, Willehalm, Mod.Ger. Wilhelm; Du. Willem; O. Fr. Villalme, Mod. Fr. Guillaume; from " will," Goth. vilja, and " helm," Goth. hilms, Old Norse hidlmr, meaning
• WILLIAM (c. 1130-C. 1190)
• WILLIAM, 13TH

WILLIAM ROXBY See also:

• BEVERLEY
• WILLIAM ROXBY BEVERLEY (1814?-1889)

BEVERLEY (1814?-1889)  , See also:

• ENGLISH

English artist and See also:

• SCENE (Fr. scene, Lat. scaena, Gr. oflvil, a tent or booth, a stage or scene)

scene-painter, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• RICHMOND
• RICHMOND, EARLS AND DUKES OF
• RICHMOND, LEGH (1772-1827)
• RICHMOND, SIR WILLIAM BLAKE (1842– )

Richmond, See also:

• SURREY
• SURREY, EARLDOM OF
• SURREY, HENRY HOWARD, EARL OF (1518?-1547)

Surrey, about 1814, the son of See also:

• WILLIAM
• WILLIAM (1143-1214)
• WILLIAM (1227-1256)
• WILLIAM (1J33-1584)
• WILLIAM (A.S. Wilhelm, O. Norse Vilhidlmr; O. H. Ger. Willahelm, Willahalm, M. H. Ger. Willehelm, Willehalm, Mod.Ger. Wilhelm; Du. Willem; O. Fr. Villalme, Mod. Fr. Guillaume; from " will," Goth. vilja, and " helm," Goth. hilms, Old Norse hidlmr, meaning
• WILLIAM (c. 1130-C. 1190)
• WILLIAM, 13TH

William Roxby, an actor-manager who had assumed the name of See also:

• BEVERLEY
• BEVERLEY, WILLIAM ROXBY (1814?-1889)

Beverley . His four See also:

• BROTHERS, RICHARD (1757-1824)

brothers and his See also:

• SISTER

sister all entered the theatrical profession, and Beverley soon became both actor and scene-painter . In 1831 his See also:

• FATHER

father and his brothers took over the old See also:

• DURHAM
• DURHAM, JOHN GEORGE LAMBTON, 1ST EARL OF (1792–1840)

Durham See also:

• CIRCUIT (Lat. circuitus, from circum, round, and ire, to go)

circuit, and he joined them to See also:

• PLAY

play heavy See also:

• COMEDY

comedy for several seasons, besides See also:

• PAINTING

painting scenery . His See also:

• WORK

work was first seen in 1831 in See also:

• LONDON

London, for the See also:

• PANTOMIME

pantomime See also:

• BARON
• BARON (1835-1895)
• BARON, MICHEL (1653—1729)

Baron See also:

• MUNCHAUSEN, BARON

Munchausen at the See also:

• VICTORIA
• VICTORIA (or VITTORIA), TOMMASSO LUDOVICO DA (C. I540-C. 1613)
• VICTORIA [ALEXANDRINA VICTORIA]

Victoria See also:

• THEATRE (BEarpov, " a place for seeing," from OeacOae)

theatre, which was being managed by his See also:

• BROTHER

brother See also:

• HENRY
• HENRY (1129-1195)
• HENRY (c. 1108-1139)
• HENRY (c. 1174–1216)
• HENRY (Fr. Henri; Span. Enrique; Ger. Heinrich; Mid. H. Ger. Heinrich and Heimrich; O.H.G. Haimi- or Heimirih, i.e. " prince, or chief of the house," from O.H.G. heim, the Eng. home, and rih, Goth. reiks; compare Lat. rex " king "—" rich," therefore " mig
• HENRY, EDWARD LAMSON (1841– )
• HENRY, JAMES (1798-1876)
• HENRY, JOSEPH (1797-1878)
• HENRY, MATTHEW (1662-1714)
• HENRY, PATRICK (1736–1799)
• HENRY, PRINCE OF BATTENBERG (1858-1896)
• HENRY, ROBERT (1718-1790)
• HENRY, VICTOR (1850– )
• HENRY, WILLIAM (1795-1836)

Henry . He was appointed scenic director for the Covent See also:

• GARDEN (from O. Fr. garden, mod. Fr. jardin; this, like our words " garth," a paddock attached to a building, and " yard," comes from a Teutonic word for an enclosure which appears in Gothic as gards and O. H. Ger. gart, cf. Dutch gaarde and Ger. .garten)

Garden operas in 1853 . In 1854 he entered the service of the See also:

• DRURY, SIR WILLIAM (1527-1579)

Drury See also:

• LANE, EDWARD WILLIAM (1801–1876)
• LANE, JAMES HENRY (1814–1866)

Lane theatre under the management of E . T . See also:

• SMITH
• SMITH, ADAM (1723–1790)
• SMITH, ALEXANDER (183o-1867)
• SMITH, ANDREW JACKSON (1815-1897)
• SMITH, CHARLES EMORY (1842–1908)
• SMITH, CHARLES FERGUSON (1807–1862)
• SMITH, CHARLOTTE (1749-1806)
• SMITH, COLVIN (1795—1875)
• SMITH, EDMUND KIRBY (1824-1893)
• SMITH, G
• SMITH, GEORGE (1789-1846)
• SMITH, GEORGE (184o-1876)
• SMITH, GEORGE ADAM (1856- )
• SMITH, GERRIT (1797–1874)
• SMITH, GOLDWIN (1823-191o)
• SMITH, HENRY BOYNTON (1815-1877)
• SMITH, HENRY JOHN STEPHEN (1826-1883)
• SMITH, HENRY PRESERVED (1847– )
• SMITH, JAMES (1775–1839)
• SMITH, JOHN (1579-1631)
• SMITH, JOHN RAPHAEL (1752–1812)
• SMITH, JOSEPH, JR
• SMITH, MORGAN LEWIS (1822–1874)
• SMITH, RICHARD BAIRD (1818-1861)
• SMITH, ROBERT (1689-1768)
• SMITH, SIR HENRY GEORGE WAKELYN
• SMITH, SIR THOMAS (1513-1577)
• SMITH, SIR WILLIAM (1813-1893)
• SMITH, SIR WILLIAM SIDNEY (1764-1840)
• SMITH, SYDNEY (1771-1845)
• SMITH, THOMAS SOUTHWOOD (1788-1861)
• SMITH, WILLIAM (1769-1839)
• SMITH, WILLIAM (c. 1730-1819)
• SMITH, WILLIAM (fl. 1596)
• SMITH, WILLIAM FARRAR (1824—1903)
• SMITH, WILLIAM HENRY (1808—1872)
• SMITH, WILLIAM HENRY (1825—1891)
• SMITH, WILLIAM ROBERTSON (1846-'894)

Smith, and for See also:

• THIRTY

thirty years continued to produce wonderful scenes for the pantomimes, besides working for Covent Garden and a number of other theatres . In 1851 he executed See also:

• PART

part of a See also:

• GREAT

great diorama of See also:

• JERUSALEM (Heb. ^S0-r, Yerushalaim, pronounced as a dual)
• JERUSALEM, SYNOD OF (1672)

Jerusalem and the See also:

• HOLY

Holy See also:

• LAND

Land, and produced dioramic views of the ascent of Mont See also:

• BLANC, (JEAN JOSEPH CHARLES) LOUIS (1811-1882)
• BLANC, MONT

Blanc, exhibited at the See also:

• EGYPTIAN

Egyptian See also:

• HALL
• HALL (generally known as SCHWABISCH-HALL, tc distinguish it from the small town of Hall in Tirol and Bad-Hall, a health resort in Upper Austria)
• HALL (O.E. heall, a common Teutonic word, cf. Ger. Halle)
• HALL, BASIL (1788-1844)
• HALL, CARL CHRISTIAN (1812–1888)
• HALL, CHARLES FRANCIS (1821-1871)
• HALL, CHRISTOPHER NEWMAN (1816—19oz)
• HALL, EDWARD (c. 1498-1547)
• HALL, FITZEDWARD (1825-1901)
• HALL, ISAAC HOLLISTER (1837-1896)
• HALL, JAMES (1793–1868)
• HALL, JAMES (1811–1898)
• HALL, JOSEPH (1574-1656)
• HALL, MARSHALL (1790-1857)
• HALL, ROBERT (1764-1831)
• HALL, SAMUEL CARTER (5800-5889)
• HALL, SIR JAMES (1761-1832)
• HALL, WILLIAM EDWARD (1835-1894)

Hall, Piccadilly, and in 1884 a See also:

• PANORAMA (Gr. -rap, all, and opa,ua, view)

panorama of the Lakes of See also:

• KILLARNEY

Killarney . He was a frequent exhibitor of See also:

• SEA (in O. Eng. sae, a common Teutonic word; cf. Ger. See, Dutch Zee, &c.; the ultimate source is uncertain)
• SEA, COMMAND OF THE

sea pictures at the Royal See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

Academy from 1865 to 1880 . In 1884 failing eyesight put an end to his painting . He died in See also:

• COMPARATIVE

comparative poverty at See also:

• HAMPSTEAD

Hampstead on the 17th of May 1889 .

He was the last of the old school of one See also:

• SURFACE

surface painters, and famed for the wonderful atmospheric effects he was able to produce . Although he was skilled in all the See also:

• MECHANICAL

mechanical devices of the See also:

• STAGE (Fr. 6/age; from Lat. stare, to stand)

stage, and painted in 1881 scenery for See also:

• MICHAEL
• MICHAEL (1596-1645)
• MICHAEL (Hebrew Sn,q, " Who is like God? ")

Michael Strogoff at the Adelphi, in which for the first See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time in See also:

• ENGLAND
• ENGLAND, THE CHURCH OF

England the still See also:

• LIFE

life of the stage was placed in See also:

• HARMONY (Gr. dpµovia, a concord of musical sounds, dpA'ew to join; &plan midi (sc. TeXvil)

harmony with the background, he was strongly opposed to the new school of scene-builders .