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BEVIS OF See also:HAMPTON
, the name of an See also:English metrical See also:romance
.
Bevis is the son of See also:Guy, See also:count of See also:Hampton (See also:Southampton) and his See also:young wife, a daughter of the See also: The printed See also:editions of the story were most numerous in See also:Italy, where Bovo d'Antona was the subject of more than one poem, and the See also:tale was interpolated in the Reali di See also:Francia, the See also:Italian compilation of Carolingian See also:legend . Although the English version that we possess is based on a French original, it seems probable that the legend took shape on English See also:soil in the loth century, and that it originated with the Danish invaders . Doon may be identified with the emperor See also:Otto the See also:Great, who was the contemporary of the English king See also:Edgar of the story . R . Zenker (Boeve-Amlethus, See also:Berlin and See also:Leipzig, 1904) establishes a See also:close parallel between Bevis and the See also:Hamlet legend as related by Saxo Grammaticus in the Historia Danica . Among the more obvious coincidences which point to a See also:common source are the vengeance taken on a stepfather for a See also:father's death, the letter bearing his own death-See also:warrant which is entrusted to the hero, and his See also:double See also:marriage.' The See also:motive of the feigned madness is, however, lacking in Bevis . The princess who is Josiane's See also:rival is less ferocious than the Hermuthruda of the Hamlet legend, but she threatens Bevis with death if he refuses her . Both seem to be modelled on the type of Thyrdo of the See also:Beowulf legend . A fanciful See also:etymology connecting Bevis (Boeve) with Beowa (Beowulf), on the ground that both were See also:dragon slayers, is inadmissible . |
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