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See also: species of cornemuse or bagpipe, still in use at the See also: present See also: day in See also: Brittany
.
The See also: biniou is a See also: primitive kind of bagpipe consisting of a See also: leather bag inflated by means of a See also: short valved insufflation See also: tube or See also: blow-See also: pipe, a chaunter with conical See also: bore furnished with a See also: double See also: reed concealed within the stock or socket (see BAG-PIPE), and seven holes, the first being duplicated to accommodate See also: left- and right-handed players
.
The See also: scale of the biniou is usually =i!_ =-r
I 2 3 4 5 6 7
1 See Victor Mahillon, See also: Catalogue descriptif, vol. ii
.
(See also: Ghent, 1896), p
.
353, No
.
1126; and Captain C
.
R
.
Day, Descriptive Catalogue of Musical See also: Instruments (See also: London, 1891), p
.
62, No
.
135
.
and the single See also: drone is tuned to the See also: lower octave of the first hole
The more primitive biniou, still occasionally found in the remote districts of Cornouailles and See also: Morbihan, has a chaunter with but five holes,' giving See also: part of the scale of D, the drone being also tuned to D
.
The drone of the biniou is of box-See also: wood, handsomely inlaid with tin, and has a single or beating reed hidden within the stock
.
The word biniou or bignou (a Gallicized See also: form), often erroneously derived from bigno, se renfier beaucoup—an etymology not supported by See also: Breton dictionaries—is the Breton plural form of benvek, instrument, tool, i.e. binviou, binvijou.2 The word is also found in the phrase, " See also: Sac'h ar biniou" (a biniou bag), a bag used by weavers to hold their tools, spindles, &c
.
The biniou is still the traditional and popular instrument of the Breton peasants of Cornouailles and Morbihan, and is almost inseparable from the See also: bombard (q.v.), which is no other than a survival of the See also: medieval musette, hautbois or chalemie, formerly associated with the bag-pipe in western See also: Europe (see OBOE)
.
At all festivals, at the pardons, See also: wedding feasts and threshing dances, the two traditional musicians or sonneurs give out in shrill penetrating tones the See also: ancient Breton rondes 3 and melodies
.
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