See also:

• JONATHAN
• JONATHAN (Heb. " Yah [weh] gives ")

JONATHAN See also:

• BLACKBURN
• BLACKBURN, COLIN BLACKBURN, BARON (1813-1896)
• JONATHAN BLACKBURN (c. 1700-c. 1765)

BLACKBURN (c. 1700-c. 1765)  , See also:

• AMERICAN

American portrait painter, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born in See also:

• CONNECTICUT

Connecticut . He seems to have been the son of a painter, and to have had a studio in See also:

• BOSTON
• BOSTON, THOMAS (1676-1732)

Boston in 1750-1765; among his patrons were many important See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early American families, including the Apthorps, Amorys, Bulfinches, Lowells, Ewings, Saltonstalls, Winthrops, Winslows and Otises of Boston . Some of his portraits are in the See also:

• POSSESSION
• POSSESSION (Lat. possessio, possidere, to possess)

possession of the public library of See also:

• LEXINGTON
• LEXINGTON, BARON

Lexington, See also:

• MASSACHUSETTS (an Indian name, originally applied to a tribe of Indians)

Massachusetts, and of the Massachusetts See also:

• HISTORICAL

Historical Society, but most of them are privately owned and are scattered over the See also:

• COUNTRY (from the Mid. Eng. contre or contrie, and O. Fr. cuntree; Late Lat. contrata, showing the derivation from contra, opposite, over against, thus the tract of land which fronts the sight, cf. Ger. Gegend, neighbourhood)

country, the See also:

• MAJORITY (Fr. majorite; Med. Lat. majoritas; Lat. major, greater)

majority being in Boston . See also:

• JOHN
• JOHN (1167–1216)
• JOHN (1290-c. 1320)
• JOHN (1296-1346)
• JOHN (1371–1419)
• JOHN (1468-1532)
• JOHN (1801-1873)
• JOHN (Heb. llni')
• JOHN (ZAPOLYA) (1487-1540)
• JOHN, 4TH MARQUESS OF TWEEDDALE (c. 1695-1762)
• JOHN, DON (1545-1578)
• JOHN, DON (1629–1679)
• JOHN, GOSPEL OF ST
• JOHN, or HAYS (1513–1571)
• JOHN, THE APOSTLE
• JOHN, THE EPISTLES OF

John Singleton See also:

• COPLEY, JOHN SINGLETON (1737—1815)

Copley was his See also:

• PUPIL (Lat. pupillus, orphan, minor, dim. of pupus, boy, allied to puer, from root pm- or peu-, to beget, cf. "pupa," Lat. for " doll," the name given to the stage intervening between the larval and imaginal stages in certain insects)

pupil, and it is said that he finally See also:

• LEFT

left his studio in Boston, through See also:

• JEALOUSY (adapted from Fr. jalousie, formed from jaloux, jealous, Low Lat. zelosus, Gr. j'i os, ardour, zeal, from the root seen in '&u', to boil, ferment; cf. " yeast ")

jealousy of Copley's See also:

• SUPERIOR

superior success . He was a See also:

• GOOD, JOHN MASON (1764-1827)

good portrait painter, and some of his pictures were See also:

• LONG, GEORGE (1800-1879)
• LONG, JOHN DAVIS (1838– )

long attributed to Copley .