See also:

• ROSA, CARL AUGUST NICHOLAS (1843-1889)
• ROSA, MONTE
• ROSA, SALVATOR (1615-1673)

ROSA See also:

• ROSA BONHEUR [MARIE ROSALIE] (1822-1899)

BONHEUR [See also:

• MARIE

MARIE ROSALIE] (1822-1899)  , See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French painter, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• BORDEAUX

Bordeaux on the 22nd of See also:

• MARCH
• MARCH (1) (from Fr. marcher, to walk; the earliest sense in French appears to be " to trample," and the origin has usually been found in the Lat. marcus, hammer; Low Lat. marcare, to hammer; hence to beat the road with the regular tread of a soldier: cf.
• MARCH, AUZIAS (c. "1395-1458)
• MARCH, EARLS OF
• MARCH, FRANCIS ANDREW (1825– )

March 1822 . She was of Jewish origin . Jacques Wiener, the Belgian medallist, a native of Venloo, says that he and See also:

• RAYMOND, HENRY JARVIS (1820-1869)

Raymond See also:

• BONHEUR [MARIE ROSALIE], ROSA (1822-1899)

Bonheur, See also:

• ROSA, CARL AUGUST NICHOLAS (1843-1889)
• ROSA, MONTE
• ROSA, SALVATOR (1615-1673)

Rosa's See also:

• FATHER

father, used to attend See also:

• SYNAGOGUE (avvaywyii)
• SYNAGOGUE, UNITED

synagogue in that See also:

• TOWN

town; while another authority asserts that Rosa used to be known in See also:

• COMMON

common parlance by the name of Rosa Mazeltov (a See also:

• HEBREW

Hebrew See also:

• TERM

term for " See also:

• GOOD, JOHN MASON (1764-1827)

good See also:

• LUCK

luck," Gallia Bonheur) . She was the eldest of four See also:

• CHILDREN, LAW RELATING TO

children, all of whom were artists—Auguste (1824–1884) painted animals and landscape; Juliette (1830–1891) was " honourably mentioned " at the See also:

• EXHIBITION

exhibition of 1855; Isidore, born in 1827, was a sculptor of animals . Rosa at an See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early See also:

• AGE (Fr. age, through late Lat. aetaticum, from aetas)

age was taught to draw by her ' See also:

• ANNALS (Annales, from annus, a year)

Annals and Mug . Nat . His'. vol. x . (seventh See also:

• SERIES (a Latin word from serere, to join)

series), p . 309 . father (who died in 1849), and he, perceiving her very remarkable See also:

• TALENT (Lat. talentum, adaptation of Gr. TaXavrov, balance, ! Recollections of a First Visit to the Alps (1841); Vacation Rambles weight, from root raX-, to lift, as in rXi vac, to bear, 1-aXas, and Thoughts, comprising recollections of three Continental

talent, permitted her to abandon the business of dressmaking, to which, much against her will, she had been put, in See also:

• ORDER
• ORDER (through Fr. ordre, for earlier ordene, from Lat. ordo, ordinis, rank, service, arrangement; the ultimate source is generally taken to be the root seen in Lat. oriri, rise, arise, begin; cf. " origin ")
• ORDER, HOLY

order to devote herself wholly to See also:

• ART

art . From 1840 to 1845 she exhibited at the See also:

• SALON

salon, and five times received a See also:

• PRIZE, or PRIZE OF WAR (Fr. prise, from prendre, to take)

prize; in 1848 a See also:

• MEDAL (Fr. medaille, from Lat. metallum)

medal was awarded to her . Her fame See also:

• DATES

dates more especially from the exhibition of 1855; from that See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time Rosa Bonheur's See also:

• WORKS

works were much sought after in See also:

• ENGLAND
• ENGLAND, THE CHURCH OF

England, where collectors and public galleries competed eagerly for them .

What is chiefly remark-able and admirable in her See also:

• WORK

work is that, like her contemporary, Jacques Raymond See also:

• BRASCASSAT, JACQUES RAYMOND (1804–1867)

Brascassat (1804–1867), she represents animals as they really are, as she saw them in the See also:

• COUNTRY (from the Mid. Eng. contre or contrie, and O. Fr. cuntree; Late Lat. contrata, showing the derivation from contra, opposite, over against, thus the tract of land which fronts the sight, cf. Ger. Gegend, neighbourhood)

country . Her See also:

• GIFT (a common Teutonic word, cf. Ger. die Gift, gift, das Gift, poison, formed from the Teut. stem gab-, to give, cf. Dutch geven, Ger. geben; in O. Eng. the word appears with initial y, the guttural of later English is due to Scandinavian influence)

gift of accurate observation was, however, allied to a certain dryness of See also:

• STYLE
• STYLE (from Gr. a-6'1ms, a column; a different word from that used in literature, see below)

style in See also:

• PAINTING

painting; she often failed to give a perfect sense of See also:

• ATMOSPHERE (Gr. fir µ6r, vapour; orkaipa, a sphere)

atmosphere . On the other See also:

• HAND
• HAND (a word common to Teutonic languages; cf. Ger. Hand, Goth. handus)
• HAND, FERDINAND GOTTHELF (1786-185r)

hand, the See also:

• ANATOMY
• ANATOMY (Gr. avaroyil, from ava-silo c', to cut up)

anatomy of her animals is always faultlessly true . There is nothing feminine in her handling; her treatment is always manly and See also:

• FIRM

firm . Of her many works we may See also:

• NOTE
• NOTE (Lat. nota, mark, sign, from noscere, to know)

note the following: " Ploughing in the See also:

• NIVERNAIS, LOUIS CHARLES BARBON MANCINI MAZARINI

Nivernais " (1848), in the Luxembourg See also:

• GALLERY (through Ital. galleria, from Med. Lat. galeria, of which the origin is unknown)

gallery; " The See also:

• HORSE (a word common to Teutonic languages in such forms as hors, hros, ros; cf. the Ger. ross)

Horse See also:

• FAIR

Fair " (1853), one of the two replicas of which is in the See also:

• NATIONAL

National Gallery, See also:

• LONDON

London, the See also:

• ORIGINAL

original being in the See also:

• UNITED

United States; and " See also:

• HAY
• HAY (a word common in various forms to Teutonic languages; cf. Ger. Heu, Dutch hooi; the root from which it is derived, meaning " to cut," is also seen in " to hew "; cf. " hoe ")
• HAY, GEORGE (1729—1811)
• HAY, GILBERT
• HAY, JOHN (1838–1905)

Hay See also:

• HARVEST (A.S. hcerfest " autumn," O.H. Ger. herbist, possibly through an old Teutonic root representing Lat. car pere, " to pluck ")

Harvest in See also:

• AUVERGNE

Auvergne " (1855) . She was decorated with the See also:

• LEGION (Lat. legio)

Legion of See also:

• HONOUR (Lat. honos or lwnor, honoris; in English the word was spelled with or without the u indifferently until the 17th century, but during the 18th century it became fashion-able to spell the word " honor "; Johnson's and Webster's Dictionaries stereoty

Honour by the empress Eug€nie, and was subsequently promoted to the See also:

• RANK (O.Fr. rant or rent, mod. rang, generally connected with the O.E. and O.H.G. bring, a ring)

rank of " officer " of the order . After 1867 Rosa Bonheur exhibited but once in the salon, in 1899, a few See also:

• WEEKS, EDWIN LORD (1849-1903)

weeks before her See also:

• DEATH

death . She lived quietly at her country See also:

• HOUSE
• HOUSE (O. Eng. hiss, a word common to Teutonic languages, cf. Dut. huis, Ger. Haus; in Gothic it is only found in gudhiss, a temple; it may be ultimately connected with the root of " hide," conceal)

house at By, near See also:

• FONTAINEBLEAU

Fontainebleau, where for some years she had held gratuitous classes for See also:

• DRAWING

drawing . She See also:

• LEFT

left at her death a considerable number of pictures, studies, drawings and etchings, which were sold by'See also:

• AUCTION

auction in See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris in the See also:

• SPRING (from " to spring," " to leap or jump up," " burst out," O. Eng., springau, a common Teut. word, cf. Ger. springer, possibly allied to Gr. QnrFpxecOac, to move rapidly)

spring of 1900 . (H .