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BOOKCASE , an See also:article of See also:furniture, forming a shelved receptacle, usually perpendicular or See also:horizontal, for the storage of books . When books, being written by See also:hand, were excessivelyscarce,they were kept in small coffers which the See also:great carried about with them on their journeys . As See also:manuscript volumes accumulated in the religious houses or in See also:regal palaces, they were stored upon shelves or in cupboards, and it is from these cupboards that the bookcase of to-See also:day directly descends . At a somewhat later date the doors were, for convenience' See also:sake, discarded, and the See also:evolution of the bookcase made one step forward . Even then, however, the volumes were not arranged in the See also:modern See also:fashion . They were either placed in piles apon their sides, or if upright, were ranged with their backs to the See also:wall and their edges outwards . The See also:band of See also:leather, vellum or See also:parchment which closed the See also:book was often used for the inscription of the See also:title, which was thus on the fore-edge instead of on the back . It was not until the invention of See also:printing had greatly cheapened books that it became the practice to write the title on the back and See also:place the edges inwards . See also:Early bookcases were usually of See also:oak, which is still deemed to be the most appropriate See also:wood for a stately library . The See also:oldest bookcases in See also:England are those in the Bodleian library at See also:Oxford, which were placed in position in the last See also:year or two of the 16th See also:century; in that library are the earliest extant examples of shelved galleries over the See also:flat wall-cases . See also:Long ranges of book-shelves are necessarily somewhat severe in See also:appearance, and many attempts have been made by means of carved cornices and pilasters to give them a more riant appearance—attempts which were never so successful as in the hands of the great See also:English See also:cabinet-makers of the second 'See also:half of the 18th century . Both See also:Chippendale and See also:Sheraton made or designed great See also:numbers of bookcases, mostly glazed with little lozenges encased in See also:fret-See also:work frames often of great See also:charm and elegance .
The alluring See also:grace of some of Sheraton's satinwood bookcases has very rarely indeed been equalled
.
The See also:French cabinet-makers of the same See also:period were also highly successful with small ornamental cases
.
See also:Mahogany, See also:rosewood, satinwood and even choicer See also:exotic timbers were used; they were often inlaid with marqueterie and mounted with chased and gilded See also:bronze
.
See also:Dwarf bookcases were frequently finished with a slab of choice See also:marble at the See also:top
.
In the great public See also:libraries of the loth century the bookcases are often of See also:iron, as in the See also:British Museum where the shelves are covered with cowhide, of See also:steel, as in the library of See also:Congress at See also:Washington, or of See also:slate, as in the See also:Fitzwilliam library at See also:Cambridge
.
There are three systems of arranging bookcases—flat against the wall; in " stacks " or ranges parallel to each other with merely enough space between to allow of the passage of a librarian; or in bays or alcoves where cases jut out into the See also:room at right angles to the wall-cases
.
The stack See also:system is suitable only for public libraries where See also:economy of space is essential; the See also:bay system is not only hand-some but utilizes the space to great See also:advantage
.
The library of the See also:city of See also:London at the See also:Guildhall is a peculiarly effective example of the bay arrangement
.
The whole question of the construction and arrangement of book-cases was learnedly discussed in the See also:light of experience by W
.
E
.
See also:Gladstone in the Nineteenth Century for See also: P.-B.) BOOK-See also:COLLECTING, the bringing together of books which in their contents, their See also:form or the See also:history of the individual copy possess some See also:element of permanent See also:interest, and either actually or prospectively are rare, in the sense of being difficult to procure . This qualification of rarity, which figures much too largely in the popular view of book-collecting, is entirely sub-See also:ordinate to that of interest, for the rarity of a book devoid of interest is a See also:matter of no concern . On the other hand so long as a book (or anything else) is and appears likely to continue to be easilyprocurable at any moment, no one has any See also:reason for collecting it . The anticipation that it will always be easily procurable is often unfounded; but so long as the anticipation exists it restrains collecting, with the result that See also:Horn-books are much rarer than First See also:Folio Shakespeares . It has even been laid down that the ultimate rarity of books varies in the inverse ratio of the number of copies originally printed, and though the generalization is a little sweeping, it is not far from the truth . To See also:triumph over small difficulties being the See also:chief element in See also:games of skill, the different varieties of book-collecting, which offer almost as many varieties of grades of difficulty, make excellent hobbies . But in its essence the pastime of a book-See also:collector is identical with the See also:official work of the See also:curator of a museum, and thus also with one See also:branch of the duties of the librarian of any library of respectable See also:age . In its inception every library is a See also:literary workshop, with more or less of a See also:garden or recreation ground attached according as its managers are influenced by the humanities or by a narrow conception of utility . As the library grows, the books and See also:editions which have been the tools of one See also:generation pass out of use; and it becomes largely a depository or storehouse of a stock much of which is dead . But from out of this seemingly dead stock preserved at haphazard, critics and antiquaries gradually pick out books which they find to be still alive . Of some of these the interest cannot be reproduced in its entirety by any See also:mere reprint, and it is this See also:salvage which forms the literary museum . Book-collectors are privileged to leap at once to this See also:stage in their relations with books, using the dealers' shops and catalogues as depositories from which to pick the books which will best See also:fit with the aim or central See also:idea of their collection . For in the modern private collection, as in the modern museum, the need for a central idea must be fully recognized . Neither the collector nor the curator can be content to keep a mere curiosity-See also:shop . It is the collector's business to illustrate his central idea by his choice of examples, by the care with which he describes them and the skill with which they are arranged . In all these matters many amateurs See also:rival, if they do not outstrip, the professional curators and librarians, and not seldom their collections are made with a view to their ultimate transference to public ownership . In any See also:case'it is by the zeal of collectors that books which otherwise would have perished from neglect are discovered, cared for and preserved, and those who achieve these results certainly deserve well of the community . Whenever a high degree of See also:civilization has been attained book-lovers have multiplied, and to the student with his modest See also:desire to read his favourite author in a well-written or well-printed copy there has been added a class of owners suspected of caring more for the externals of books than for the enjoyment to be obtained by See also:reading them . But although adumbrations of it existed under the See also:Roman See also:empire and towards the end of the See also:middle ages, book-collecting, as it is now under- stood, is essentially of modern growth . A glance through what must be regarded as the See also:medieval See also:text-book on the love of books, the Plzilobiblon, attributed to See also:Richard de See also:Bury (written in 1345), shows that it deals almost exclusively with the delights of litera- See also:ture, and See also:Sebastian See also:Brant's attack on the book-See also:fool, written a century and a half later, demonstrates nothing more than that the See also:possession of books is a poor substitute for learning . This is so obviously true that before book-collecting in the modern sense can begin it is essential that there should be no lack of books to read, just as until cups and saucers became plentiful there was no room for the collector of old See also:china . Even when the invention of printing had reduced the cost of books by some 8o %, book-collectors did not immediately appear . There is a natural temptation to imagine that the early book-owners, whose libraries have enriched modern collectors with some of their best-known treasures, must necessarily have been collectors themselves . This is far from being the case .
Hardly a book
of all that See also:Jean Grolier (1479–1565) caused to be See also:bound so See also:taste-
fully for himself and his See also:friends reveals any antiquarian instincts
in its liberal owner, who bought partly to encourage the best
printers of his day, partly to provide his friends with the most
See also:recent fruits of See also:Renaissance scholarship
.
In England See also:Arch-
See also:bishop See also:Cranmer, Lords See also:Arundel and Lumley, and See also:
Almost all the large book-buyers of the 16th, 17th and 18th centuries bought with a public See also:object, or were rewarded for their zeal by their treasures being thought worthy of a public resting-place
.
Sir See also:
A similar offer of the great collections formed by Sir Hans See also:Sloane, including some 50,000 printed books, together with the need for taking better care of what remained of the Cotton manuscripts, vested in trustees for public use in 1702 and partially destroyed by See also:fire in 1731, led to the See also:foundation of the British Museum in 1753, and this on its opening in 1757 was almost immediately enriched by George II.'s See also:gift of the old royal library, formed by the See also:kings and queens of England from Henry VII. to See also:
When George III. came to the See also:throne he found himself book-less, and the magnificent library of over 8o,000 books and See also:pamphlets and 440 manuscripts which he accumulated shows on a large scale the See also:catholic and literary spirit of the book-lovers of his day
.
As befitted the library of an English See also:
1834) for £750, to pass with the See also:rest of his rare books to Mrs See also:Rylands in 1892, and by her gift to the John Rylands library at See also:Manchester in 1899
.
The books of Sir M
.
M
.
Sykes were sold in 1824, those of J
.
B
.
See also:Inglis in 1826 (after which he collected again) and those of George Hibbert in 1829
.
The 150,00ovolumes brought together by Richard See also:Heber at an expense of about £roo,000 were disposed of by successive sales during the years 1834–1837 and realized not much more than half their cost
.
The wonderful library of See also: 1815) in 1884, his " See also:Gutenberg " See also:Bible fetching £39o0 and his Mainz Psalter £4950 . The great collection of manuscripts formed by Sir Thomas Phillipps (d . 1872) has furnished materials for numerous sales . The printed books of the earl of See also:Ashburnham (d . 1878) kept the auctioneers busy in 1897 and 1898; his manuscripts were sold, some to the British government (the See also:Stowe collection shared between the British Museum and Dublin), the German government (part of the Libri and See also:Barrois collection, all, See also:save one MS. of 13th century German See also:ballads, resold to France), the See also:Italian government (the rest of the Libri collection) Mr See also:Yates See also:Thompson (the MSS. known as the Appendix) and Mr J . Pierpont See also:Morgan (the See also:Lindau Gospels) . The collections formed by Mr W, H . See also:Miller (d . 1848, mainly English See also:poetry), theduke of See also:Devonshire (d . 1858) and Mr Henry Huth (d . 1878), are still intact . Among the book-buyers of the reign of George III., John Ratcliffe, an ex-See also:coal-See also:merchant, and James See also:West had devoted themselves specially to Caxtons (of which the former possessed 48 and the latter 34) and the products of other early English presses . The collections of Capell and Garrick were also small and homogeneous . Each See also:section, moreover, of some of the great libraries that have just been enumerated might fairly be considered a collection in itself, the See also:union of several collections in the same library being made possible by the See also:wealth of their purchaser and the small prices fetched by most classes of books in comparison with those which are now paid . But perhaps the modern cabinet theory of book-collecting was first carried out with conspicuous skill by Henry See also:Perkins (d . 1855), whose 865 fine manuscripts and specimens of early printing, when sold in 1870, realized nearly £26,000 . If surrounded by a sufficient quantity of general literature the collection might not have seemed noticeably different from some of those already mentioned, but the growing cost of books, together with difficulties as to See also:house-room, combined to discourage See also:miscellaneous buying on a large scale, and what has been called the " cabinet " theory of collecting, so well carried out by Henry Perkins, became increasingly popular among book buyers, alike in France, England and the See also:United States of See also:America . See also:Henri Beraldi, in his See also:catalogue of his own collection (printed 1892), has described how in France a little band of book-loving amateurs |