Online Encyclopedia

PARIS BORDONE (1495-1570)

Online Encyclopedia
Originally appearing in Volume V04, Page 247 of the 1911 Encyclopedia Britannica.
Spread the word: del.icio.us del.icio.us it!

PARIS BORDONE (1495-1570)  , Venetian painter, was born at Treviso, and entered the bottega of Titian in 1509 . Vasari, to whom we are indebted for nearly all the facts of Bordone's life—later research has not added much to our knowledge—holds that he did not spend many years with Titian and set himself to imitate the manner of Giorgione to the utmost of his power . As a
See also:
matter of fact, the Giorgionesque traits in Bordone's earlier
See also:
works are derived entirely from Titian, whom he imitated so closely that to this day some of his paintings pass under Titian's name . Crowe and Cavalcaselle and Dr Bode ascribe to Bordone the "
See also:
Baptism of Christ " in the Capitoline gallery, but Morelli
See also:
sees in it an early
See also:
work of Titian . Paris Bordone subsequently executed many important mural paintings in Venice, Treviso and
See also:
Vicenza, all of which have perished . In 1538 he was invited to France by Francis I., at whose court he painted many portraits, though no trace of them is to be found in French collections, the two portraits at the Louvre being later acquisitions . On his return journey he undertook works of
See also:
great importance for the
See also:
Fugger palace at Augsburg, which again have been lost sight of . Bordone's pictures are of very unequal merit . They have a certain
See also:
nobility of style, and that
See also:
golden harmony of colour which he derived from Titian, together with the realistic conception of the human figure and the dignified character of his
See also:
portraiture . On the other hand, his nudes are a little coarse in form, and the
See also:
action of his figures is frequently unnatural and affected . A true child of the Renaissance, he also painted a number of religious pictures, numerous mythological scenes, allegories,
See also:
nymphs, cupids and subjects from Ovid's fables, but he excelled as a portraitist . His
See also:
principal surviving work is the "Fisherman and
See also:
Doge" at the Venice Academy .

The

See also:
National Gallery,
See also:
London, has a "
See also:
Daphnis and Chloe" and a portrait of a lady, whilst a "
See also:
Holy
See also:
Family" from his brush is at
See also:
Bridgwater House . Other important works of his are the " Madonna " in the Tadini collection at
See also:
Lovere, the paintings in the Duomo of Treviso, two mythological pictures at the
See also:
Villa
See also:
Borghese and the Doria palace in Rome, the "
See also:
Chess Players " in Berlin, a very little-known portrait of superb quality in the possession of the landgrave of Hesse at Kronberg, and a " Baptism of Christ " in
See also:
Philadelphia . Besides these, there are examples of his
See also:
art in Bergamo, Milan, Genoa, Padua,
See also:
Siena, Venice, Florence, Munich,
See also:
Dresden and Vienna . Beyond some references in general works on
See also:
Italian
See also:
painting, very little has been written on Paris Bordone since the days of Vasari . In 1900 the committee of the
See also:
fourth centenary of Paris Bordone, Treviso, published L . Barlo and G . Biscaro's Della Vita e delle Opere di Paris Bordone; and the Nuova Antologia (November 16, 1900) , contains a sixteen-page paper on Paris Bordone by P . G . Molmenti . (P . G .

End of Article: PARIS BORDONE (1495-1570)
[back]
BORDIGHERA
[next]
BORE

Additional information and Comments

There are no comments yet for this article.
» Add information or comments to this article.
Please link directly to this article:
Highlight the code below, right click and select "copy." Paste it into a website, email, or other HTML document.