|
EDME See also: day the greatest sculptor of his See also: time
.
See also: Born at Chaumont, he became the pupil of Guillaume See also: Coustou and gained the prix de See also: Rome in 1722
.
Resisting the tendency of the day he was classic in his taste, pure and chaste, always correct, charming and distinguished, a See also: great stickler for all the finish that See also: sand-paper could give
.
During the ten years he remained at Rome, See also: Bouchardon made a striking bust of See also: Pope Benedict XIII
.
(1730)
.
In 1746 he produced his first acclaimed master-piece, " See also: Cupid fashioning a See also: Bow out of the See also: Club of Hercules," perfect in its See also: grace, but cold in the purity of its classic design
.
His two other leading chefs-d'oeuvre are the fountain in the rue de Grenelle, See also: Paris, the first portions of which had been finished and exhibited in 1740, and the equestrian statue of See also: Louis XV., a commission from the city of Paris
.
This superb
See also: work, which, when the See also: model was produced, was declared the finest work of its' kind ever produced in See also: France, Bouchardon did not live to finish, but See also: left its completion to Pigalie
.
It was destroyed during the Revolution
.
Among the chief books on the sculptor and his See also: art are See also: Vie d'Edme Bouchardon, by le comte de See also: Caylus (Paris, 1762) ; See also: Notice sur Edme Bouchardon, sculpteur, by E
.
Jolibois (See also: Versailles, 1837) ; Notice historique sur Edme Bouchardon, by J
.
Carnandet (Paris, 1855) ; and French Architects and Sculptors of the 28th Century, by Lady See also: Dilke (See also: London, 1900)
.
|
|
|
[back] BOTZEN, or BOZEN (Ital. Bolzano) |
[next] JACQUES BOUCHER DE CREVECEUR DE PERTHES (1788-1868)... |
There are no comments yet for this article.
Do not copy, download, transfer, or otherwise replicate the site content in whole or in part.
Links to articles and home page are encouraged.