See also:

• MAURICE (1521–1553)
• MAURICE (MAURICIUS FLAVIUS TIBERIUS) (c. 539–602)
• MAURICE [or MAURITIUS], ST (d. c. 286)
• MAURICE, JOHN FREDERICK DENISON (1805-1872)

MAURICE See also:

• MAURICE BOUCHOR (1855– )

BOUCHOR (1855– )  , See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French poet, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born on the 15th of See also:

• DECEMBER (Lat. decent, ten)

December 1855 in See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris . He published in See also:

• SUCCESSION (Lat. successio, from succedere, to follow after)

succession Chansons joyeuses (1874), Fames de l'amour et de la mer (1875), Le See also:

• FAUST, or FAUSTUS

Faust moderne (1878) in See also:

• PROSE

prose and See also:

• VERSE (from Lat. versus, literally a line or furrow drawn by turning the plough, from vertere, and afterwards signifying an arrangement of syllables into feet)

verse, and See also:

• LES

Les Conies parisiens (1880) in verse . His Aurore (1883) showed a tendency to religious See also:

• MYSTICISM (from Or. µuety, to shut the eyes; µuorrts, one initiated into the mysteries)

mysticism, which reached its fullest expression in Les Symboles (1888; new See also:

• SERIES (a Latin word from serere, to join)

series, 1895), the most interesting of his See also:

• WORKS

works . See also:

• BOUCHOR, MAURICE (1855– )

Bouchor (whose See also:

• BROTHER

brother, See also:

• JOSEPH
• JOSEPH, COMTE DE (1785-1870)
• JOSEPH, FATHER (FRANCOIS LECLERC DU TREMBLAY) (1577-1638)

Joseph See also:

• FELIX
• FELIX, ANTONIUS
• FELIX, LIA (1830– )

Felix Bouchor, b . 1853, became well known as an artist) was a sculptor as well as a poet, and he designed and worked the figures used in his charming pieces as See also:

• MARIONETTES (probably from Ital. morio, a fool or buffoon, but also said to be derived from the mariolettes, or little figures of the Virgin Mary), FANTOCCINI (from fantino, a child)

marionettes, the words being recited or chanted by himself or his See also:

• FRIENDS, SOCIETY
• FRIENDS, SOCIETY OF

friends behind the scenes . These See also:

• MINIATURE

miniature dramas on religious subjects, Tobie (1889), See also:

• NOEL, RODEN BERKELEY WRIOTHESLEY (1834-1894)

Noel (1890) and Sainte Cecile (1892), were produced in Paris at the See also:

• THEATRE (BEarpov, " a place for seeing," from OeacOae)

Theatre See also:

• DES

des Marionnettes . A one-See also:

• ACT (Lat. actus, actum)

act verse See also:

• DRAMA (literally "action," from Gr. Snail, act or do)

drama by Bouchor, See also:

• CONTE

Conte de Noel, was played at the Theatre See also:

• FRANCAIS, ANTOINE, COUNT (1756-1836)

Francais in 1895, but Dieu le veut (1888) was not produced . In See also:

• CONJUNCTION (from Lat. conjungere, to join together)

conjunction with the musician See also:

• JULIEN, STANISLAS (1797?-1873)

Julien Tiersot (b . 1857), he made efforts for the preservation ofthe French folk-songs, and published Chants populaires pour les ecoles (1897) .