See also:

• JOHN
• JOHN (1167–1216)
• JOHN (1290-c. 1320)
• JOHN (1296-1346)
• JOHN (1371–1419)
• JOHN (1468-1532)
• JOHN (1801-1873)
• JOHN (Heb. llni')
• JOHN (ZAPOLYA) (1487-1540)
• JOHN, 4TH MARQUESS OF TWEEDDALE (c. 1695-1762)
• JOHN, DON (1545-1578)
• JOHN, DON (1629–1679)
• JOHN, GOSPEL OF ST
• JOHN, or HAYS (1513–1571)
• JOHN, THE APOSTLE
• JOHN, THE EPISTLES OF

JOHN See also:

• JOHN BOYDELL (1719-1804)

BOYDELL (1719-1804)  , See also:

• ENGLISH

English See also:

• ALDERMAN (from A.-S. ealdorman, compounded of the comparative degree of the adjective eald, old, and man)

alderman and publisher, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at Dorrington, and at the See also:

• AGE (Fr. age, through late Lat. aetaticum, from aetas)

age of twenty-one came to See also:

• LONDON

London and was apprenticed for seven years to an engraver . In 1746 he published a See also:

• VOLUME

volume of views in See also:

• ENGLAND
• ENGLAND, THE CHURCH OF

England and See also:

• WALES (Cymru, Gwalia, Cambria)

Wales, and started in business as a See also:

• PRINT

print-seller . By his See also:

• GOOD, JOHN MASON (1764-1827)

good See also:

• TASTE (from Lat. taxare, to touch sharply; tangere, to touch)

taste and liberality he managed to secure the services of the best artists, and his engravings were executed with such skill that his business became extensive and lucrative . He succeeded in his See also:

• PLAN
• PLAN (from Lat. planes, flat)

plan of a See also:

• SHAKESPEARE, WILLIAM (1564-1616)

Shakespeare See also:

• GALLERY (through Ital. galleria, from Med. Lat. galeria, of which the origin is unknown)

gallery, and obtained the assistance of the most eminent painters of the See also:

• DAY (O. Eng. dreg, Ger. Tag; according to the New English Dictionary, " in no way related to the Lat. dies")
• DAY, JOHN (1574-1640?)
• DAY, THOMAS (1748-1789)

day, whose contributions were exhibited publicly for many years . The engravings from these paintings See also:

• FORM (Lat. forma)

form a splendid See also:

• COMPANION (through the O. Fr. compaignon or compagnon, from the Late Lat. companio,—cum, with, and panis, bread,—one who shares meals with another; the word has been wrongly derived from the Late Lat. compagnus, one of the same pages or district)

companion volume to his large illustrated edition of Shakespeare's See also:

• WORKS

works . Towards the See also:

• CLOSE
• CLOSE (from Lat. clausum, shut)
• CLOSE, MAXWELL HENRY (1822-1903)

close of his See also:

• LIFE

life See also:

• BOYDELL, JOHN (1719-1804)

Boydell sustained severe losses through the See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French Revolution, and was compelled to dispose of his Shakespeare gallery by lottery . Boydell had previously become an alderman, and See also:

• ROSE
• ROSE (Rosa)
• ROSE, GEORGE (1744-1818)
• ROSE, HUGH JAMES (1795—1838)
• ROSE, WILLIAM STEWART (1775-1843)

rose to be See also:

• LORD
• LORD (O. Eng. hldford, i.e. hldfweard, the warder or keeper of bread, hlIf, loaf; the word is not represented in any other Teutonic language)
• LORD, JOHN (1810-1894)

lord See also:

• MAYOR (Lat. major, greater)
• MAYOR, JOHN EYTON BICKERSTETH (1825– )

mayor of London .