See also:

• WILLIAM
• WILLIAM (1143-1214)
• WILLIAM (1227-1256)
• WILLIAM (1J33-1584)
• WILLIAM (A.S. Wilhelm, O. Norse Vilhidlmr; O. H. Ger. Willahelm, Willahalm, M. H. Ger. Willehelm, Willehalm, Mod.Ger. Wilhelm; Du. Willem; O. Fr. Villalme, Mod. Fr. Guillaume; from " will," Goth. vilja, and " helm," Goth. hilms, Old Norse hidlmr, meaning
• WILLIAM (c. 1130-C. 1190)
• WILLIAM, 13TH

WILLIAM See also:

• BRADFORD
• BRADFORD, JOHN (1510?—1555)
• BRADFORD, WILLIAM (1590—1657)
• BRADFORD, WILLIAM (1663—1752)
• WILLIAM BRADFORD (1827—1892)

BRADFORD (1827—1892)  , See also:

• AMERICAN

American marine painter, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at New See also:

• BEDFORD

Bedford, See also:

• MASSACHUSETTS (an Indian name, originally applied to a tribe of Indians)

Massachusetts . He was a Quaker, and was self-taught, See also:

• PAINTING

painting the See also:

• SHIPS

ships and the marine views he saw along the See also:

• COAST (from Lat. costa, a rib, side)

coast of Massachusetts, Labrador and Nova See also:

• SCOTIA (Gr. o'Karca, shadow or darkness)

Scotia; he went on several See also:

• ARCTIC (Gr. "ApKroc, the Bear, the northern constellation of Ursa Major)

Arctic expeditions with Dr See also:

• HAYES, RUTHERFORD BIRCHARD (1822–1893)

Hayes, and was the first American painter to portray the frozen regions of the See also:

• NORTH
• NORTH, BARONS
• NORTH, MARIANNE (1830—1890)
• NORTH, ROGER (1653-1734)
• NORTH, SIR THOMAS (1535?-16o1?)

north . His pictures attracted much See also:

• ATTENTION (from Lat. ad-tendo, await, expect; the condition of being " stretched " or " tense ")

attention by See also:

• REASON (Lat. ratio, through French raison)

reason of their novelty and gorgeous See also:

• COLOUR (Lat. color, connected with celare, to hide, the root meaning, therefore, being that of a covering)

colour effects . His " Steamer ` See also:

• PANTHER

Panther ' in See also:

• MELVILLE, ANDREW (1545-1622)
• MELVILLE, ARTHUR (1858-1904)
• MELVILLE, JAMES (1556-1614)
• MELVILLE, SIR JAMES (1535-1617)

Melville See also:

• BAY

Bay, under the See also:

• LIGHT

Light of the Midnight See also:

• SUN
• SUN (0. Eng. sonne, Ger. sonne. Fr. soleil, Lat. sol, Gr. ijXior, from which comes helio- in various English compounds)

Sun " was exhibited at the Royal See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

Academy in See also:

• LONDON

London in 1875 . See also:

• BRADFORD
• BRADFORD, JOHN (1510?—1555)
• BRADFORD, WILLIAM (1590—1657)
• BRADFORD, WILLIAM (1663—1752)
• BRADFORD, WILLIAM (1827—1892)

Bradford waS a member of the See also:

• NATIONAL

National Academy of See also:

• DESIGN (Fr. desiin, drawing; Lat. designare, to mark out)

Design, New See also:

• YORK
• YORK (HOUSE OF)
• YORK, EDMUND OF LANGLEY, DUKE OF (1341-1402)
• YORK, EDWARD
• YORK, FREDERICK AUGUSTUS, DUKE OF (1763-1827)
• YORK, RICHARD, DUKE

York, and died in that See also:

• CITY (through Fr. cite, from Lat. civitas)

city on the 25th of See also:

• APRIL

April 1892 . His See also:

• STYLE
• STYLE (from Gr. a-6'1ms, a column; a different word from that used in literature, see below)

style was somewhat influenced by See also:

• ALBERT
• ALBERT (1490'1545)
• ALBERT (149o-1568)
• ALBERT (1522–1557)
• ALBERT (FRANCIS CHARLES AUGUSTUS ALBERT EMMANUEL) (1819—1861)
• ALBERT (FRIEDRICH RUDOLF ALBRECHT)
• ALBERT, FREDERICK AUGUSTUS
• ALBERT, MADAME (c. 2805—2846)

Albert See also:

• VAN

van Beest, who worked with Bradford at See also:

• FAIRHAVEN

Fairhaven for a See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time; but Bradford is See also:

• MINUTE
• MINUTE (Lat. minutes, small; minuere, to make less)

minute and observant of detail where van Beest's aim is See also:

• GENERAL
• GENERAL (Lat. generalis, of or relating to a genus, kind or class)

general effect .