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See also: English poet, was See also: born at See also: Chester
.
In his boyhood he was received into the See also: Benedictine monastery of St Werburgh, and after studying with other novices of his See also: order at See also: Gloucester (afterwards See also: Worcester) See also: College, See also: Oxford, he returned to his monastery at Chester
.
He wrote a Latin See also: treatise De antiquitate et magnificentia Urbis Cestriae, which is lost, and a See also: life of the See also: patron See also: saint of his monastery in English seven-lined stanza
.
This See also: work was completed in the See also: year of its author's See also: death, 1513, mentioned in " A balade to the auctour " printed at the close of the work
.
A second ballad describes him as " Harry Braddeshaa, of Chestre abbey monke." See also: Bradshaw disclaims the merit of originality and quotes the authorities from which he translates—Bede, See also: William of
See also: Malmesbury, Giraldus Cambrensis, See also: Alfred of Beverley, See also: Henry of Huntingdon, Ranulph Higden, and especially the " Passionary " or life of the saint preserved in the monastery
.
The poem, therefore, which is defined by its editor, Dr Carl Horstmann, as a "legendary epic," is rather a compilation than a
See also: translation
.
It contains a See also: good See also: deal of See also: history beside the actual life of the saint
.
St Werburgh was the daughter of Wulfere, See also: king of
See also: Mercia, and Bradshaw gives a description of the See also: kingdom of Mercia, with a full account of its royal See also: house
.
He relates the history of St Ermenilde and St Sexburge, See also: mother and grandmother of Werburgh, who were successively abbesses of See also: Ely
.
He does not neglect the miraculous elements of the See also: story, but he is more attracted by See also: historical fact than See also: legend, and the second See also: book narrates the Danish invasion of 875, and describes the history and antiquities of Chester, from its foundation by the legendary giant Leon See also: Gaur, from which he derives the See also: British name of See also: Caerleon, down to the See also: great fire which devastated the city in 1180, but was suddenly extinguished when the shrine of St Werburgh was carried in See also: pro-cession through the streets
.
The See also: Holy Lyfe and History of saynt Werburge very frutefull for all Christen See also: people to rede (printed by See also: Richard Pynson, 1521) has been very variously estimated
.
See also: Thomas Warton, who deals with Bradshaw at some length,' quotes as the most splendid passage of the poem the description of the feast preceding Werburgh's entry into the religious life
.
He considered Bradshaw's versification " infinitely inferior to See also: Lydgate's worst manner." Dr Horstmann, on the other See also: hand, finds in the poem " See also: original See also: genius, of a truly epic See also: tone, with a
1 History of English See also: Poetry (ed
.
W
.
C
.
See also: Hazlitt, 1871; iii. pp
.
140-'49)
native simplicity of feeling which sometimes reminds the reader of See also: Homer." Most readers will probably adopt a view between these extremes
.
Bradshaw expresses the humblest opinion of his own abilities, and he certainly had no delicate ear for rhythm
.
His sincerity is abundantly evident, and his piety is admitted even by See also: John
See also: Bale,' hostile as he was to monkish writers
.
W
.
Herbert2 thought that a Lyfe of Saynt Radegunde, also printed by Pynson, was certainly by Bradshaw
.
The only extant copy is in the Britwell library
.
Pynson's edition of the Holy Lyfe is very rare, only five copies being known
.
A reprint copying the original type was edited by Mr
.
See also: Edward See also: Hawkins for the Chetham Society in 1848, and by Dr Carl Hortsmann for the Early English Text Society in 1887
.
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