See also:

• HENRI

HENRI See also:

• JEAN

JEAN AUGUSTIN DE See also:

• HENRI JEAN AUGUSTIN DE BRAEKELEER (184o-1888)

BRAEKELEER (184o-1888)  , Belgian painter, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• ANTWERP
• ANTWERP (Fr. Anvers)

Antwerp . He was trained by his See also:

• FATHER

father, a genre painter, and his See also:

• UNCLE

uncle, See also:

• BARON
• BARON (1835-1895)
• BARON, MICHEL (1653—1729)

Baron See also:

• HENRI

Henri See also:

• LEYS, HENDRIK, BARON (1815-1869)

Leys, and devoted himself to scenes of everyday Antwerp See also:

• LIFE

life . The first pictures he exhibited, "The See also:

• LAUNDRY

Laundry" (See also:

• VAN

Van Cutsem collection, See also:

• BRUSSELS (Fr. Bruxelles, Flem. Brussel)

Brussels), and " The Coppersmith's Workshop " (Vleeshovwer collection, Antwerp), were shown at the Antwerp See also:

• EXHIBITION

exhibition in 1861 . He received the See also:

• GOLD
• GOLD [symbol Au, atomic weight 195.7(H = 1),197.2(0 =16)]

gold See also:

• MEDAL (Fr. medaille, from Lat. metallum)

medal at Brussels in 1872 for " The Geographer " and " The See also:

• LESSON (through Fr. lecon from Lat. lectio, reading; legere, to read)

Lesson " (both in the Brussels See also:

• GALLERY (through Ital. galleria, from Med. Lat. galeria, of which the origin is unknown)

gallery); the gold medal at See also:

• VIENNA (Ger. Wien; Lat. Vindobona)
• VIENNA, CONGRESS OF (1814-1815)

Vienna in 1873 for " The Painter's Studio " and " Grandmother's Birthday "; and the medal of See also:

• HONOUR (Lat. honos or lwnor, honoris; in English the word was spelled with or without the u indifferently until the 17th century, but during the 18th century it became fashion-able to spell the word " honor "; Johnson's and Webster's Dictionaries stereoty

honour at the Exposition Universelle at See also:

• AMSTERDAM
• AMSTERDAM (NEw AMSTERDAM)

Amsterdam for " The See also:

• PILOT

Pilot See also:

• HOUSE
• HOUSE (O. Eng. hiss, a word common to Teutonic languages, cf. Dut. huis, Ger. Haus; in Gothic it is only found in gudhiss, a temple; it may be ultimately connected with the root of " hide," conceal)

House." Among his more notable See also:

• WORKS

works are " A Shoemaker " (1862), " A Tailor's Workroom " (1863), " A Gardener " (1864, Antwerp gallery), " Interior of a See also:

• CHURCH
• CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
• CHURCH, FREDERICK EDWIN (1826-1900)
• CHURCH, GEORGE EARL (1835–1910)
• CHURCH, RICHARD WILLIAM (1815–189o)
• CHURCH, SIR RICHARD (1784–1873)

Church " (1866), " Interior, See also:

• FLANDERS (Flem. Vlaanderen)

Flanders " (1867), " Woman See also:

• SPINNING (from O. Eng. spinnen, to spin, cf. Ger. spinnen, &c., the Teut. root is seen, to draw out, cf. span, spider)

spinning " (1869), " See also:

• MAN
• MAN, ISLE OF (anc. Mona)

Man See also:

• READING

reading " (1871), " The See also:

• RUE (Fr. rue, Lat. ruta, from Gr. pur)

rue du Serment, Antwerp " (1875), " A Copperplate Printer," " The Sailor's Return," " The Man at the Window " (Couteaux collection, Brussels), `4 The See also:

• HORN
• HORN (a common Teutonic word, cognate with Lat. cornu; cf. Gr. Kipas)
• HORN (Lat. cornu; corresponding terms being Fr. cor, trompe; Ger. Horn; Ital. corno)
• HORN, ARVID BERNHARD, COUNT (1664-1742)
• HORN, PHILIP DE MONTMORENCY, COUNT

Horn-blower " (Couteaux collection), " Man retouching a Picture " (Couteaux collection), " The Potters " (Marlier collection, Brussels), " See also:

• STAIRCASE

Staircase in the See also:

• HYDRAULIC

Hydraulic House at Antwerp " (Marlier collection), and " The See also:

• BREWER, JOHN SHERREN (1810-1879)

Brewer's House at Antwerp " (Marlier collection) . The last, better known as " A Man sitting," is generally regarded as his masterpiece . As a lithographer and etcher, his See also:

• WORK

work resembles that of Henri Leys . Towards the end of his life de See also:

• BRAEKELEER, HENRI JEAN AUGUSTIN DE (184o-1888)

Braekeleer did some dot See also:

• PAINTING

painting (pointillisme), in which he achieved admirable effects of See also:

• LIGHT

light .