See also:

• BRAMANTE, or BRAMANTE

BRAMANTE, or BRAMANTE  LAllARI (c . 1444-1514), See also:

• ITALIAN

Italian architect and painter, whose real name was Donato d'Augnolo, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• MONTE

Monte-Asdrualdo in See also:

• URBINO (anc. Urvinum Mataurense)

Urbino, in See also:

• JULY

July 1444• He showed a See also:

• GREAT

great See also:

• TASTE (from Lat. taxare, to touch sharply; tangere, to touch)

taste for See also:

• DRAWING

drawing, and was at an See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early See also:

• AGE (Fr. age, through late Lat. aetaticum, from aetas)

age placed under Fra Bartolommeo, called Fra Carnavale . But though he afterwards gained some fame as a painter, his See also:

• ATTENTION (from Lat. ad-tendo, await, expect; the condition of being " stretched " or " tense ")

attention was soon absorbed by See also:

• ARCHITECTURE (Lat. architectura, from the Gr. ap)(LTEKrwv, a master-builder)

architecture . He appears to have studied under Scirro Scirri, an architect in his native See also:

• PLACE (through Fr. from Lat. platea, street; Gr. IrAar6s, wide)

place, and perhaps under other masters . He then set out from Urbino, and proceeded through several of the towns of See also:

• LOMBARDY

Lombardy, executing See also:

• WORKS

works of various magnitudes, and examining patiently all remains of See also:

• ANCIENT
• ANCIENT (also spelt ANTIENT; derived, through the Fr. ancien, old, from the late Lat. antianum, from ante, before)

ancient See also:

• ART

art . At last, attracted by the fame of the great Duomo, he reached See also:

• MILAN
• MILAN (Ital. Milano, Ger. Mailand, anc. Mediolanum, q.v.)

Milan, where he remained from 1476 to 1499 . He seems to have See also:

• LEFT

left Milan for See also:

• ROME
• ROME (Roma)

Rome about 1500 . He painted some frescoes at Rome, and devoted himself to the study of the ancient buildings, both in the See also:

• CITY (through Fr. cite, from Lat. civitas)

city and as far See also:

• SOUTH
• SOUTH, ROBERT (1634–1716)

south as See also:

• NAPLES
• NAPLES (Ital. Napoli, and Lat. Neapolis)
• NAPLES, KINGDOM OF

Naples . About this See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time the See also:

• CARDINAL (Lat. cardinalis)

Cardinal Caraffa commissioned him to rebuild the See also:

• CLOISTER (Lat. claustrum; Fr. cloitre; Ital. chiostro; Span. claustro; Ger. Kloster)

cloister of the See also:

• CONVENT (Lat. conventus, from convenire, to come together)

Convent See also:

• DELTA (from the shape of the Gr. letter A, delta, originally used of the mouth of the Nile)

delta See also:

• PACE (through O. Fr. pas, from Lat. passus, step, properly the stretch of the leg in walking, from pandere, to stretch)
• PACE, RICHARD (c. 1482-1536)

Pace . Owing to the celerity and skill with which See also:

• BRAMANTE, or BRAMANTE

Bramante did this, the cardinal introduced him to See also:

• POPE (Gr. irarraas, post-classical Lat. papa, father)
• POPE, ALEXANDER (1688–1744)
• POPE, ALEXANDER (1763-1835)
• POPE, JANE (1742-1818)
• POPE, JOHN (1822-1892)
• POPE, SIR THOMAS (c. 1507-1559)

Pope See also:

• ALEXANDER
• ALEXANDER (1461-1506)
• ALEXANDER (ALEXANDER OF BATTENBERG) (1857-1893)
• ALEXANDER (ALEXANDER OsxENOVici) (1876-1903)
• ALEXANDER, ARCHIBALD (1772—1851)
• ALEXANDER, FRANCIS (1800—1881)
• ALEXANDER, GEORGE (1858— )
• ALEXANDER, JOHN WHITE (1856- )
• ALEXANDER, JOSEPH ADDISON (18o9—186o)
• ALEXANDER, SIR JAMES EDWARD (1803—1885)
• ALEXANDER, WILLIAM (1824— )
• ALEXANDER, WILLIAM LINDSAY (1808—1884)

Alexander VI . He began to be consulted on nearly all the great architectural operations in Rome, and executed for the pope the See also:

• PALACE (Lat. Palatium, the name given by Augustus to his residence on the Palatine Hill)

palace of the Cancelleria or See also:

• CHANCERY

chancery . Under See also:

• JULIUS

Julius II., Alexander's successor, Bramante's talents began to obtain adequate See also:

• SPHERE (Gr. vclsa?pa, a ball or globe)

sphere of exercise .

His first large See also:

• WORK

work was to unite the straggling buildings of the palace and the See also:

• BELVEDERE, or BELVIDERE (Ital. for " fair-view ")

Belvedere . This he accomplished by means of two See also:

• LONG, GEORGE (1800-1879)
• LONG, JOHN DAVIS (1838– )

long galleries or corridors enclosing a See also:

• COURT
• COURT (from the O. Fr. court, Late Lat. cortis, curtis, a popular form of class. Lat. cohors, gen. cohortis; the mod. Fr. form tour is due to the influence of the Lat. curia, the word used in medieval documents to translate " court " in the feudal sense)
• COURT, ANTOINE (1696-176o)

court . The See also:

• DESIGN (Fr. desiin, drawing; Lat. designare, to mark out)

design was only in See also:

• PART

part completed before the See also:

• DEATH

death of Julius and of the architect . So impatient was the pope and so eager was Bramante, that the See also:

• FOUNDATIONS

foundations were not sufficiently well attended to; great part of it had, therefore, soon to be rebuilt, and the whole is now so much altered that it is hardly possible to decipher the See also:

• ORIGINAL

original design . Besides executing numerous smaller works at Rome and See also:

• BOLOGNA
• BOLOGNA, GIOVANNI DA (1524–1608)

Bologna, among which is specially mentioned by older writers a See also:

• ROUND (O. Fr. rond, Lat. rotundus, the Fr. is the source also of Du. rond; Ger., Swed., Dan. and Nor. rond)

round See also:

• TEMPLE
• TEMPLE, FREDERICK (1821-1902)
• TEMPLE, RICHARD
• TEMPLE, SIR RICHARD, BART
• TEMPLE, SIR WILLIAM, BART

temple in the cloister of See also:

• SAN

San Pietro-a-Montorio, Bramante was called upon by Pope Julius to take the first part in one of the greatest architectural enterprises ever attempted—the rebuilding of St See also:

• PETER
• PETER (Lat. Petrus from Gr. irfpos, a rock, Ital. Pietro, Piero, Pier, Fr. Pierre, Span. Pedro, Ger. Peter, Russ. Petr)
• PETER (PEDRO)
• PETER, EPISTLES OF
• PETER, ST

Peter's . Bramante's designs were See also:

• COMPLETE

complete, and he pushed on the work so fast that before his death he had erected the four great piers ,and their See also:

• ARCHES, COURT OF

arches, and completed the See also:

• CORNICE (Fr. corniche, Ital. cornice)

cornice and the vaulting in of this portion . He also vaulted in the See also:

• PRINCIPAL

principal See also:

• CHAPEL

chapel . After his death on the See also:

• LATH (0. Eng. laett, Mid. Eng. lappe, a form possibly due to the Welsh llath; the word appears in many Teutonic languages, cf. Dutch lat, Ger. Latte, and has passed into Romanic, cf. Ital. latta, Fr. latte)

lath of See also:

• MARCH
• MARCH (1) (from Fr. marcher, to walk; the earliest sense in French appears to be " to trample," and the origin has usually been found in the Lat. marcus, hammer; Low Lat. marcare, to hammer; hence to beat the road with the regular tread of a soldier: cf.
• MARCH, AUZIAS (c. "1395-1458)
• MARCH, EARLS OF
• MARCH, FRANCIS ANDREW (1825– )

March 1514, his design was much altered, in particular by See also:

• MICHELANGELO (MICHELAGNIOLO BUONARROTI) (1475-1564)

Michelangelo . See Pungileoni, Memoire intorno alla vita ed alle opere di Bramante (Rome, 1836) ; H . See also:

• SEMPER, GOTTFRIED (1803–1879)

Semper, Donato Bramante (See also:

• LEIPZIG

Leipzig, 1879) .