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See also: Italian architect and painter, whose real name was Donato d'Augnolo, was See also: born at See also: Monte-Asdrualdo in See also: Urbino, in See also: July 1444• He showed a See also: great taste for See also: drawing, and was at an early age placed under Fra Bartolommeo, called Fra Carnavale
.
But though he afterwards gained some fame as a painter, his See also: attention was soon absorbed by architecture
.
He appears to have studied under Scirro Scirri, an architect in his native place, and perhaps under other masters
.
He then set out from Urbino, and proceeded through several of the towns of See also: Lombardy, executing See also: works of various magnitudes, and examining patiently all remains of See also: ancient See also: art
.
At last, attracted by the fame of the great Duomo, he reached Milan, where he remained from 1476 to 1499
.
He seems to have See also: left Milan for See also: Rome about 1500
.
He painted some frescoes at Rome, and devoted himself to the study of the ancient buildings, both in the city and as far See also: south as Naples
.
About this See also: time the See also: Cardinal Caraffa commissioned him to rebuild the cloister of the Convent See also: delta See also: Pace
.
Owing to the celerity and skill with which See also: Bramante did this, the cardinal introduced him to See also: Pope See also: Alexander VI
.
He began to be consulted on nearly all the great architectural operations in Rome, and executed for the pope the palace of the Cancelleria or
See also: chancery
.
Under See also: Julius II., Alexander's successor, Bramante's talents began to obtain adequate sphere of exercise
.
His first large See also: work was to unite the straggling buildings of the palace and the Belvedere
.
This he accomplished by means of two long galleries or corridors enclosing a See also: court
.
The design was only in See also: part completed before the See also: death of Julius and of the architect
.
So impatient was the pope and so eager was Bramante, that the See also: foundations were not sufficiently well attended to; great part of it had, therefore, soon to be rebuilt, and the whole is now so much altered that it is hardly possible to decipher the See also: original design
.
Besides executing numerous smaller works at Rome and Bologna, among which is specially mentioned by older writers a round See also: temple in the cloister of See also: San Pietro-a-Montorio, Bramante was called upon by Pope Julius to take the first part in one of the greatest architectural enterprises ever attempted—the rebuilding of St See also: Peter's
.
Bramante's designs were See also: complete, and he pushed on the work so fast that before his death he had erected the four great piers ,and their See also: arches, and completed the cornice and the vaulting in of this portion
.
He also vaulted in the See also: principal See also: chapel
.
After his death on the lath of See also: March 1514, his design was much altered, in particular by Michelangelo
.
See Pungileoni, Memoire intorno alla vita ed alle opere di Bramante (Rome, 1836) ; H
.
See also: Semper, Donato Bramante (See also: Leipzig, 1879)
.
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