See also:

• JEAN

JEAN See also:

• BAPTISTE

BAPTISTE PROSPER See also:

• JEAN BAPTISTE PROSPER BRESSANT (1815-1886)

BRESSANT (1815-1886)  , See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French actor, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at Chalon-sur-See also:

• SAONE

Saone on the 23rd of See also:

• OCTOBER

October 1815, and began his See also:

• STAGE (Fr. 6/age; from Lat. stare, to stand)

stage career at the Varietes in See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris in 1833 . In 1838 he went to the French See also:

• THEATRE (BEarpov, " a place for seeing," from OeacOae)

theatre at St See also:

• PETERSBURG

Petersburg, where for eight years he played important parts with ever-increasing reputation . His success was confirmed at the Gymnase when he returned to Paris in 1846, and he made his debut at the Comedie Frangaise as a full-fledged societaire in 1854 . From playing the ardent See also:

• YOUNG
• YOUNG, A
• YOUNG, ARTHUR (1741-1820)
• YOUNG, BRIGHAM (1801-1877)
• YOUNG, CHARLES MAYNE (1777–1856)
• YOUNG, EDWARD (1683–1765)
• YOUNG, JAMES (1811-1883)
• YOUNG, THOMAS (1773-1829)

young See also:

• LOVER, SAMUEL (1797-1868)

lover, he turned to leading roles both in See also:

• MODERN

modern plays and in the classical repertoire . His See also:

• RICHELIEU, ARMAND EMMANUEL SOPHIE SEPTEMANIE DU PLESSIS
• RICHELIEU, ARMAND JEAN DU PLESSIS
• RICHELIEU, LOUIS FRANCOIS ARMAND DU PLESSIS

Richelieu in Mlle de Belle-Isle, his See also:

• OCTAVE (from Lat. octavus, eighth, octo, eight)

Octave in See also:

• ALFRED

Alfred de See also:

• MUSSET, LOUIS CHARLES ALFRED DE (1810-18S7)

Musset's See also:

• LES

Les Caprices de Marianne, and his See also:

• APPEARANCE (from Lat. apparere, to appear)

appearance in de Musset's Il faut qu'une See also:

• PORTE, THE SUBLIME (Arab. babi-'ali, the high gate, through the French translation la sublime porte)

Porte soit ouverte ou fermee and Un caprice were followed by TartuJe, Le Misanthrope and See also:

• DON
• DON (anc. Tanais)

Don Juan . See also:

• BRESSANT, JEAN BAPTISTE PROSPER (1815-1886)

Bressant retired in 1875, and died on the 23rd of See also:

• JANUARY

January 1886 . During his professorship at the See also:

• CONSERVATOIRE (the Fr. equivalent of Ital. Conservatorio, Ger. Conservatorium, from Med. Lat. conservatorium, a place where anything is preserved, Lat. conservare, to preserve)

Conservatoire, Mounet-See also:

• SULLY, JAMES (1842– )
• SULLY, MAXIMILIEN DE BETHUNE
• SULLY, THOMAS (1783—1872)

Sully was one of his pupils .