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See also: Spanish dramatist, was See also: born at Quel (Logrono) on the 19;.h of See also: December 1796 and was educated at See also: Madrid
.
Enlisting on the 24th of May 1812, he served against the French in See also: Valencia and See also: Catalonia, and retired with the See also: rank of See also: corporal on the 8th of See also: March 1822
.
He obtained a minor
See also: post in the See also: civil service under the liberal See also: government, and on his discharge determined to See also: earn his living by writing for the stage
.
His first piece, A la vcjez viruelas, was produced on the 14th of See also: October 1824, and proved the writer to be the legitimate successor of the younger See also: Moratin
.
His industry was astonishing: between October 1824 and See also: November 1828, he composed See also: thirty-nine plays, six of them See also: original, the rest being See also: translations or recasts of classic master-pieces
.
In 1831 he published a See also: translation of See also: Tibullus, and acquired by it an unmerited reputation for scholarship which secured for him an See also: appointment as sub-librarian at the See also: national library
.
But the theatre claimed him for its own, and with the exception of Elena and a few other pieces in the fashionable romantic vein, his plays were a long series of successes
.
His only serious check occurred in 1840; the former liberal had grown conservative with age, and in La Ponchada he ridiculed the National Guard
.
He was dismissed from the national library, and for a See also: short See also: time was so unpopular that he seriously thought of emigrating to See also: America; but the See also: storm blew over, and within two years Bret6n de los Herreros had regained his supremacy on the stage
.
He became secretary to the Spanish See also: Academy, quarrelled with his See also: fellow-members, and died at Madrid on the 8th of November 1873
.
He is the author of some three See also: hundred and sixty original plays, twenty-three of which are in See also: prose
.
No Spanish dramatist of the nineteenth century approaches him in comic power, in festive invention, and in the humorous presentation of character, while his metrical dexterity is unique
.
Marcela o a cual de los See also: iris
?
(1831), Muerete; y vends
!
(1837) and La Escuela del matrimonio (1852) still hold the stage, and are likely to hold it so long as Spanish is spoken
.
See Marques de Molfns, See also: Breton de los Herreros, recuerdos de su See also: vida y de See also: sus obras (Madrid, 1883) ; Obras de Breton de Herreros (5 vols., Madrid, 1883) ; E
.
Pineyro, El Romanticismo en Espana (See also: Paris, 1904)
.
(J
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