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JULES ADOLPHE See also: LOUIS (1827- ), French painter, was
See also: born on the 1st of May 1827, at Courrieres, Pas de See also: Calais, See also: France
.
His See also: artistic gifts being manifest at an early age, he was sent in 1843 to See also: Ghent, to study under the See also: historical painter de See also: Vigne, and in 1846 to Baron Wappers at See also: Antwerp
.
Finally he worked in See also: Paris under Drolling
.
His first efforts were in historical subjects: " See also: Saint Piat preaching in See also: Gaul "; then, under the influence of the revolution of 1848, he represented " Misery and Despair." But See also: Breton soon discovered that he was not born to be a historical painter, and he returned to the memories of nature and of the country which were impressed on him in early youth
.
In 1853 he exhibited the " Return of the Harvesters " at the Paris See also: Salon, and the " Little Gleaner " at Brussels
.
Thenceforward he was essentially a painter of rustic See also: life, especially in the province of See also: Artois, which he quitted only three times for See also: short excursions: in 1864 to See also: Provence, and in 1865 and 1873 to See also: Brittany, whence he derived some of his happiest studies of religious scenes
.
His numerous subjects may be divided generally into four classes: labour, rest, rural festivals and religious festivals
.
Among his more important See also: works may be named " See also: Women Gleaning," and " The See also: Day after St See also: Sebastian's Day " (1855), which gained him a third-class medal; " Blessing the See also: Fields " (1857), a second-class medal; " Erecting a See also: Calvary " (1859), now in the See also: Lille gallery;" The Return of the Gleaners " (1859), now in the Luxembourg; " Evening " and " Women Weeding " (1861), a first-class medal; " Grandfather's Birthday" (1862); "The Close of Day" (1865) ; " Harvest " (1867); " See also: Potato Gatherers " (1868); " A See also: Pardon, Brittany " (1869); " The Fountain " (1872), medal of honour; " The Bonfires of St See also: John " (1875); " Women mending Nets " (1876), in the
See also: Douai museum; " A Gleaner "(1877), Luxembourg; " Evening, See also: Finistere " (1881) ; " The See also: Song of the Lark " (1884); " The Last Sunbeam " (1885) ; " The Shepherd's See also: Star " (1888) : " The See also: Call Home " (1889); " The Last Gleanings " (1895); " Gathering Poppies " (1897); " The Alarm Cry " (1899); " See also: Twilight See also: Glory " (1900)
.
Breton was elected to the Institut in 1886 on the See also: death of Baudry
.
In 1889 he was made See also: commander of the See also: Legion of Honour, and in 1899 See also: foreign member of the Royal See also: Academy of See also: London
.
He also wrote several books, among them See also: Les Champs et la mer (1876), Nos peintres du siecle (1900), , " Jeanne," a poem, Delphine See also: Bernard (1902), and La Peinture (1904)
.
See Jules Breton, See also: Vie d'un artiste, See also: art et nature (autobiographical), (Paris, 189o) ; See also: Marius Vachon, Jules Breton (1899)
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i have a painting by jules adolphe breton a song of the lark. was wondering how old this would be, this is 8by 10 inches.it is an oil painting
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