See also:

• ROBERT
• ROBERT (1275—1343)
• ROBERT, HUBERT (1753-1808)
• ROBERT, LOUIS LEOPOLD (1794-1835)

ROBERT See also:

• BRIDGES
• ROBERT BRIDGES (1844– )

BRIDGES (1844– )  , See also:

• ENGLISH

English poet, See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born on the 23rd of See also:

• OCTOBER

October 1844, was educated at See also:

• ETON

Eton and at Corpus Christi See also:

• COLLEGE (Collegium)

College, See also:

• OXFORD
• OXFORD, EARLS OF
• OXFORD, EDWARD DE VERE, 17TH EARL
• OXFORD, JOHN DE VERE, 13TH EARL OF (1443-1513)
• OXFORD, PROVISIONS OF
• OXFORD, ROBERT DE VERE, 9TH EARL OF (1362-1392)
• OXFORD, ROBERT HARLEY, 1ST

Oxford, and studied See also:

• MEDICINE

medicine in See also:

• LONDON

London at St See also:

• BARTHOLOMEW, JOHN (1831-1893)
• BARTHOLOMEW, SAINT

Bartholomew's See also:

• HOSPITAL (Lat. haspitalis, the adjective of hospes, host or guest)

hospital . He was afterwards assistant physician at the See also:

• CHILDREN, LAW RELATING TO

Children's hospital, See also:

• GREAT

Great See also:

• ORMOND

Ormond See also:

• STREET
• STREET, GEORGE EDMUND (1824-1881)

Street, and physician at the Great See also:

• NORTHERN

Northern hospital, retiring in 1882 . Two years later he married See also:

• MARY
• MARY (1457-1482)
• MARY (1496-1533)
• MARY, QUEEN OF SCOTS

Mary, daughter of See also:

• ALFRED

Alfred See also:

• WATERHOUSE, ALFRED (1830-1905)
• WATERHOUSE, JOHN WILLIAM (1847- )

Waterhouse, R.A . As a poet See also:

• ROBERT
• ROBERT (1275—1343)
• ROBERT, HUBERT (1753-1808)
• ROBERT, LOUIS LEOPOLD (1794-1835)

Robert See also:

• BRIDGES
• BRIDGES, ROBERT (1844– )

Bridges stands rather apart from the current of See also:

• MODERN

modern English See also:

• VERSE (from Lat. versus, literally a line or furrow drawn by turning the plough, from vertere, and afterwards signifying an arrangement of syllables into feet)

verse, but his See also:

• WORK

work has had great See also:

• INFLUENCE (Late Lat. influentia, from influere, to flow in)

influence in a select circle, by its See also:

• RESTRAINT (from " to restrain," Lat. restringere, to hold back, prevent)

restraint, purity, precision, and delicacy yet strength of expression; and it embodies a distinct theory of See also:

• PROSODY (Gr. rpovwSta)

prosody . His See also:

• CHIEF (from Fr. chef, head, Lat. caput)

chief See also:

• CRITICAL (in alphabetical order of authors)

critical See also:

• WORKS

works are See also:

• MILTON
• MILTON, JOHN (1608–1674)

Milton's Prosody (1893), a See also:

• VOLUME

volume made up of two earlier essays (1887 and 1889), and See also:

• JOHN
• JOHN (1167–1216)
• JOHN (1290-c. 1320)
• JOHN (1296-1346)
• JOHN (1371–1419)
• JOHN (1468-1532)
• JOHN (1801-1873)
• JOHN (Heb. llni')
• JOHN (ZAPOLYA) (1487-1540)
• JOHN, 4TH MARQUESS OF TWEEDDALE (c. 1695-1762)
• JOHN, DON (1545-1578)
• JOHN, DON (1629–1679)
• JOHN, GOSPEL OF ST
• JOHN, or HAYS (1513–1571)
• JOHN, THE APOSTLE
• JOHN, THE EPISTLES OF

John See also:

• KEATS, JOHN (1795-1821)

Keats, a Critical See also:

• ESSAY, ESSAYIST (Fr. essai, Late Lat. exagium, a weighing or balance; exigere, to examine; the term in general meaning any trial or effort)

Essay (1895) . He maintained that English prosody depended on the number of " stresses" in a See also:

• LINE

line, not on the number of syllables, and that See also:

• POETRY

poetry should follow the rules of natural speech . His, poetry was privately printed in the first instance, and was slow in making its way beyond a comparatively small circle of his admirers . His best work is to be found in his Shorter Poems (189o), and a See also:

• COMPLETE

complete edition of his Poetical Works (6 vols.) was published in 1898-1905 . His chief volumes are See also:

• PROMETHEUS

Prometheus (Oxford, 1883, privately printed), a " See also:

• MASK (Fr. masque, apparently from med. Lat. mascus, masca, spectre, through Ital. maschera, Span. mascara)

mask in the See also:

• GREEK
• GREEK, ETRUSCAN AND

Greek Manner "; See also:

• EROS

Eros and See also:

• PSYCHE (//vxi7)

Psyche (1885), a version of See also:

• APULEIUS, LUCIUS

Apuleius; The Growth of Love, a See also:

• SERIES (a Latin word from serere, to join)

series of sixty-nine sonnets printed for private circulation in 1876 and 1889; Shorter Poems (189o); See also:

• NERO (37-68)

Nero (1885), a See also:

• HISTORICAL

historical tragedy, the second See also:

• PART

part of which appeared in 1894; See also:

• ACHILLES
• ACHILLES (Gr. 'AxtXXeus)

Achilles in See also:

• SCYROS

Scyros (189o), a See also:

• DRAMA (literally "action," from Gr. Snail, act or do)

drama; Palicio (189o), a romantic drama in the Elizabethan manner; The Return of Ulysses (189o), a drama in,five acts; The See also:

• CHRISTIAN
• CHRISTIAN, WILLIAM (1608-1663)

Christian Captives (189o), a tragedy on the same subject as See also:

• CALDERON, RODRIGO (d. 1621), COUNT OF OLIVA AND MARQUES DE LAS SIETE IGLESIAS

Calderon's El Principe Constante; The Humours of the See also:

• COURT
• COURT (from the O. Fr. court, Late Lat. cortis, curtis, a popular form of class. Lat. cohors, gen. cohortis; the mod. Fr. form tour is due to the influence of the Lat. curia, the word used in medieval documents to translate " court " in the feudal sense)
• COURT, ANTOINE (1696-176o)

Court (1893), a See also:

• COMEDY

comedy founded on the same dramatist's El secreto 4 votes and on Lope de See also:

• VEGA, GARCILASO DE LA
• VEGA, GARCILASO DE LA (1503-1536)

Vega's El Perro del hortelano; The Feast of Bacchus (1889), partly translated from the Heauton-Timoroumenos of See also:

• TERENCE

Terence; See also:

• HYMNS

Hymns from the Yattendon Hymnal (Oxford, 1899); and See also:

• DEMETER

Demeter, a Mask (Oxford, 1905) .