See also:

• EUGENE

EUGENE See also:

• EUGENE BRIEUX (1858– )

BRIEUX (1858– )  , See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French dramatist, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born in See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris of poor parents on the 19th of See also:

• JANUARY

January 1858 . A one-See also:

• ACT (Lat. actus, actum)

act See also:

• PLAY

play, See also:

• BERNARD, CHARLES DE
• BERNARD, CLAUDE (1813-1878)
• BERNARD, JACQUES (1658--1718)
• BERNARD, MOUNTAGUE (1S2o—1882)
• BERNARD, SAINT
• BERNARD, SAINT (Iogo-1153)
• BERNARD, SIMON (1779—1839)
• BERNARD, SIR THOMAS, BART

Bernard See also:

• PALISSY, BERNARD (1510-1589)

Palissy, written in collaboration with M . Gaston Salandri, was produced in 18i9, but he had to wait eleven years before he obtained another See also:

• HEARING (formed from the verb " to hear," O. Eng. hyran, heron, &c., a common Teutonic verb; cf. Ger. Koren, Dutch hooren, &c.; the O. Tent. form is seen in Goth. hausjan; the initial h makes any connexion with " ear," Lat. audire, or Gr. &Kobew very doub

hearing, his See also:

• MENAGE, GILLES (1613-1692)

Menage d' artistes being produced by See also:

• ANTOINE, ANDRE (1858- )

Antoine at the See also:

• THEATRE (BEarpov, " a place for seeing," from OeacOae)

Theatre Libre in 1890 . His plays are essentially didactic, being aimed at some weakness or iniquity of the social See also:

• SYSTEM

system . Blanchette (1892) pointed out the evil results of See also:

• EDUCATION

education of girls of the working classes; M. de Rcboval (1892) was directed against pharisaism; L'Engrenage (1894) against corruption in politics; See also:

• LES

Les Bienfaiteurs (1896) against the frivolity of fashionable charity; and L'Evasion (1896) satirized an indiscriminate belief in the See also:

• DOCTRINE

doctrine of See also:

• HEREDITY

heredity . Les Trois Filles de M . See also:

• DUPONT, PIERRE (1821-1870)

Dupont (1897) is a powerful, somewhat brutal, study of the miseries imposed on poor See also:

• MIDDLE

middle-class girls by the Frenchsystem of See also:

• DOWRY (in Anglo-Fr. dowarie, O. Fr. douaire, Med. Lat. dotaria, from Lat. dos; from root of dare, to give; in Fr. dot)

dowry; Le Resultat See also:

• DES

des courses (1898) shows the evil results of betting among the Parisian workmen; La Robe See also:

• ROUGE (" red," from Lat. rubeus)

rouge (1900) was directed against the injustices of the See also:

• LAW
• LAW (0. Eng. lagu, M. Eng. lawe; from an old Teutonic root lag, " lie," what lies fixed or evenly; cf. Lat. lex, Fr. loi)
• LAW, JOHN (1671—1729)
• LAW, WILLIAM (1686-1761)

law; Les Remplacantes (1901) against the practice of putting See also:

• CHILDREN, LAW RELATING TO

children out to See also:

• NURSE (a shortened form of the earlier " nourice," adapted through the French from Lat. nutrix, nu/rite, to nourish)

nurse . Les Avaries (19o1), forbidden by the See also:

• CENSOR (from Lat. censere, assess, estimate; in Gr. rt s ris)

censor, on See also:

• ACCOUNT
• ACCOUNT (through O. Fr. acont, Late Lat. comptum, cornputare, to calculate)

account of its medical details, was read privately by the author at the Theatre Antoine; and Petite amie (1902) describes the See also:

• LIFE

life of a Parisian See also:

• SHOP

shop-girl . Later plays are La Couvee (1903, acted privately at See also:

• ROUEN

Rouen in 1893), Maternite (1904), La Deserteuse (1904), in collaboration with M . See also:

• JEAN

Jean Sigaux, and Les Hannetons, a See also:

• COMEDY

comedy in three acts (1906) .