See also:

• ANDREA, GIOVANNI (1275-1348)

ANDREA See also:

• ANDREA BRIOSCO (c. 1470-1532)

BRIOSCO (c. 1470-1532)  , See also:

• ITALIAN

Italian sculptor and architect,known as Riccio (" See also:

• CURLY, JEAN NICOLAS (1774-1827)

curly-headed "), was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• PADUA (Lat. Patavium ; Ital. Padova)

Padua . In See also:

• ARCHITECTURE (Lat. architectura, from the Gr. ap)(LTEKrwv, a master-builder)

architecture he is known by the See also:

• CHURCH
• CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
• CHURCH, FREDERICK EDWIN (1826-1900)
• CHURCH, GEORGE EARL (1835–1910)
• CHURCH, RICHARD WILLIAM (1815–189o)
• CHURCH, SIR RICHARD (1784–1873)

church of Sta . Giustina in his native See also:

• CITY (through Fr. cite, from Lat. civitas)

city, but he is most famous as a worker in See also:

• METAL
• METAL (through Fr. from Lat. metallum, mine, quarry, adapted from Gr. µATaXAov, in the same sense, probably connected with ,ueraAAdv, to search after, explore, µeTa, after, aAAos, other)

metal . His masterpieces are the See also:

• BRONZE

bronze See also:

• PASCHAL (Paschalis)

Paschal See also:

• CANDELABRUM (from Lat. candela, a taper or candle)

candelabrum (it ft. high) in the See also:

• CHOIR (0. Fr. cuer from Lat. chorus; pronounced quire, and until the end of the 17th century so spelt, the spelling being altered to agree with the Fr. chceur)

choir of the Santo (S . See also:

• ANTONIO
• ANTONIO (1429—1498)
• ANTONIO, NICOLAS (1617-1684)

Antonio) at Padua (1515), and the two bronze reliefs (1507) of " See also:

• DAVID
• DAVID (a Hebrew name meaning probably beloved 1)
• DAVID, FELICIEN (1810—1876)
• DAVID, GERARD [GHEERAERT DAVIT], (?=1523)
• DAVID, PIERRE JEAN (1789–1856)
• DAVID, ST (Dewi, Sant)

David dancing before the See also:

• ARK (a word common to Teutonic languages, cf. Ger. Arche, adapted from the Lat. area, chest, cf. arcere, to shut up, enclose)„ a chest, basket or box. The Hebrew word tebah, translated in the' A.V. by " ark," is used in the Old Testament (1)

Ark." and " See also:

• JUDITH, THE BOOK OF

Judith and Holofernes " in the same church . His bronze and See also:

• MARBLE (from Lat. marmor, Gr. pApµapos, shining stone)

marble See also:

• TOMB (Gr. Tuµ/3a, Tuµ(3os, probably allied to Lat. tumulus, literally a swelling, tumere, to swell)

tomb of the physician See also:

• GIROLAMO (1450-1486)

Girolamo della Torre in See also:

• SAN

San See also:

• FERMO (anc. 1%irmum Picenum)

Fermo at See also:

• VERONA
• VERONA, CONGRESS OF

Verona was beautifully decorated with reliefs, which were taken away by the See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French and are now in the Louvre . A number of other See also:

• WORKS

works which emanated from his workshop are attributed to him; and he has been suggested, but doubtfully, as the author of a See also:

• FINE

fine bronze See also:

• RELIEF

relief, a " See also:

• DANCE
• DANCE (Fr. danse; of obscure origin, connected with Old High Ger. danson, to stretch)

Dance of See also:

• NYMPHS

Nymphs," in the See also:

• WALLACE, ALFRED RUSSEL (1823— )
• WALLACE, LEWIS [LEW] (1827—1905)
• WALLACE, SIR RICHARD
• WALLACE, SIR WILLIAM (c. 1270-1305)
• WALLACE, WILLIAM (1768-1843)
• WALLACE, WILLIAM (1844-1897)
• WALLACE, WILLIAM VINCENT (1814-1865)

Wallace collection at See also:

• HERTFORD
• HERTFORD, EARLS AND MARQUESSES OF

Hertford See also:

• HOUSE
• HOUSE (O. Eng. hiss, a word common to Teutonic languages, cf. Dut. huis, Ger. Haus; in Gothic it is only found in gudhiss, a temple; it may be ultimately connected with the root of " hide," conceal)

House, See also:

• LONDON

London .