See also:

• RICHARD
• RICHARD (d. 1184)
• RICHARD, FRANCOIS MARIE BENJAMIN (18,9-1908)
• RICHARD, HENRY (1812-1888)
• RICHARD, ST

RICHARD See also:

• BROME, ALEXANDER (162o-1666)
• RICHARD BROME (d. 1652)

BROME (d. 1652)  , See also:

• ENGLISH

English dramatist, was originally a servant of See also:

• BEN (from Old Eng. bennan, within)

Ben See also:

• JONSON

Jonson, and owed much to his See also:

• MASTER (Lat. magister, related to tnagis, more, as the corresponding minister is to minus, less; the English form is due partly to the O. Eng. maegister, and partly to O. Fr. maistre, mod. maitre; cf. Du. meester, Ger. Meister, Ital. maestro)

master . The development of his plots, the strongly marked characters and the amount of curious See also:

• INFORMATION (from Lat. informare, to give shape or form to, to represent, describe)

information to be found in his See also:

• WORK

work, all show Jonson's See also:

• INFLUENCE (Late Lat. influentia, from influere, to flow in)

influence . The relation of master and servant See also:

• DEVELOPED

developed into friendship, and our knowledge of See also:

• BROME, ALEXANDER (162o-1666)
• BROME, RICHARD (d. 1652)

Brome's See also:

• PERSONAL

personal See also:

• CHARACTER (Gr. xapareri7p, from xap&crew, to scratch)

character is chiefly See also:

• DRAWN

drawn from Ben Jonson's lines to him, prefixed to The See also:

• NORTHERN

Northern Lasse (1632), the. See also:

• PLAY

play which made Brome's reputation . Brome's See also:

• GENIUS (from Lat. genere, gignere)

genius See also:

• LAY

lay entirely in See also:

• COMEDY

comedy . He has See also:

• LEFT

left fifteen pieces . Five New Playes (ed. by Alex . Brome, 1652?) contained Madd Couple Well Matcht (acted 1639?); Novella (acted 1632); See also:

• COURT
• COURT (from the O. Fr. court, Late Lat. cortis, curtis, a popular form of class. Lat. cohors, gen. cohortis; the mod. Fr. form tour is due to the influence of the Lat. curia, the word used in medieval documents to translate " court " in the feudal sense)
• COURT, ANTOINE (1696-176o)

Court Begger (acted 1632); See also:

• CITY (through Fr. cite, from Lat. civitas)

City Witt; The Damoiselle or the New See also:

• ORDINARY (med. Lat. ordinarius, Fr. ordinaire)

Ordinary . Five New Playes (1659) included The English See also:

• MOOR

Moor, or The See also:

• MOCK

Mock See also:

• MARRIAGE

Marriage; The Love-Sick Court, or The Ambitious Politique; Covent See also:

• GARDEN (from O. Fr. garden, mod. Fr. jardin; this, like our words " garth," a paddock attached to a building, and " yard," comes from a Teutonic word for an enclosure which appears in Gothic as gards and O. H. Ger. gart, cf. Dutch gaarde and Ger. .garten)

Garden Weeded; The New See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

Academy, or The New See also:

• EXCHANGE

Exchange; and The See also:

• QUEEN
• QUEEN (O.E. cwen, wife, related to "quean," O.E. cwene, a hussy; cf. Gr. yvvi7: from root gan-, to produce; cf. genus, " kin," &c.)

Queen and Concubine . The See also:

• ANTIPODES (Gr. avri, opposed to, and 7r6 es, feet)

Antipodes (acted 1638, pr . 164o) ; The Sparagus Garden (acted 1635, pr . 1640); A Joviall See also:

• CREW (sometimes explained as a sea term of Scandinavian origin, cf. O. Icel. kris, a swarm or crowd, but now regarded as a shortened form of accrue, accrewe, used in the 16th century in the sense of a reinforcement, O. Fr. acreue, from accrofire, to grow,
• CREW, NATHANIEL CREW, 3RD BARON (1633–1721)

Crew, or the Merry Beggars (acted 1641, pr . 1652, revised in 1731 as an " See also:

• OPERA (Italian for " work ")

opera "), and The Queenes Exchange (pr .

1657), were published separately . He collaborated with See also:

• THOMAS
• THOMAS (c. 1654-1720)
• THOMAS (d. 110o)
• THOMAS, ARTHUR GORING (1850-1892)
• THOMAS, CHARLES LOUIS AMBROISE (1811-1896)
• THOMAS, GEORGE (c. 1756-1802)
• THOMAS, GEORGE HENRY (1816-187o)
• THOMAS, ISAIAH (1749-1831)
• THOMAS, PIERRE (1634-1698)
• THOMAS, SIDNEY GILCHRIST (1850-1885)
• THOMAS, ST
• THOMAS, THEODORE (1835-1905)
• THOMAS, WILLIAM (d. 1554)

Thomas See also:

• HEYWOOD
• HEYWOOD, JOHN (b. 1497)
• HEYWOOD, THOMAS (d. c. 165o)

Heywood in The See also:

• LATE

late See also:

• LANCASHIRE

Lancashire Witches (pr . 1634) . See A . W . See also:

• WARD
• WARD, ADOLPHUS WILLIAM (1837- )
• WARD, ARTEMUS
• WARD, EDWARD MATTHEW (1816-1879)
• WARD, ELIZABETH STUART PHELPS (1844-1911)
• WARD, JAMES (1769--1859)
• WARD, JAMES (1843– )
• WARD, JOHN QUINCY ADAMS (1830-1910)
• WARD, LESTER FRANK (1841– )
• WARD, MARY AUGUSTA [MRS HUMPHRY WARD]
• WARD, WILLIAM (1766-1826)
• WARD, WILLIAM GEORGE (1812-1882)

Ward, See also:

• HISTORY

History of English Dramatic Literature, vol. iii. pp . 125—131 (1899) . The Dramatic See also:

• WORKS

Works of See also:

• RICHARD
• RICHARD (d. 1184)
• RICHARD, FRANCOIS MARIE BENJAMIN (18,9-1908)
• RICHARD, HENRY (1812-1888)
• RICHARD, ST

Richard Brome . . . were published in 1873 .