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See also: LIFE)
.
DE See also: VERE, See also: AUBREY See also: THOMAS (1814-1902), Irish poet and critic, was
See also: born at See also: Curragh See also: Chase, Co
.
See also: Limerick, on the loth of See also: January 1814, being the third son of See also: Sir Aubrey de Vere See also: Hunt (1788-1846)
.
In 1832 his See also: father dropped the final name by royal licence
.
Sir Aubrey was himself a poet
.
See also: Wordsworth called his sonnets the " most perfect of the age." These and his drama, Mary Tudor, were published by his son in 1875 and 1884
.
Aubrey de Vere was educated at Trinity See also: College, See also: Dublin, and in his twenty-eighth See also: year published The Waldenses, which he followed up in the next year by The See also: Search after See also: Proserpine
.
Thence-forward he was continually engaged, till his See also: death on the loth of January 1902, in the production of See also: poetry and See also: criticism
.
His best-known See also: works are: in verse, The Sisters (1861); The Infant Bridal (1864); Irish Odes (1869); Legends of St Patrick (1872); and Legends of the Saxon See also: Saints (1879); and in See also: prose, Essays chiefly on Poetry (1887); and Essays chiefly See also: Literary and Ethical (1889)
.
He also wrote a picturesque See also: volume of travel-sketches, and two dramas in verse, See also: Alexander the
See also: Great (1874); and St Thomas of See also: Canterbury (1876); both of which, though they contain See also: fine passages, suffer from diffuseness and a lack of dramatic spirit
.
The characteristics of Aubrey de Vere's poetry are " high seriousness " and a fine religious See also: enthusiasm
.
His research in questions of faith led him to the See also: Roman See also: Church; and in many of his poems, notably in the volume of sonnets called St
See also: Peter's Chains (1888), he made See also: rich additions to devotional verse
.
He was a See also: disciple of Wordsworth, whose See also: calm meditative serenity he often echoed with great felicity; and his affection for See also: Greek poetry, truly felt and understood, gave dignity and See also: weight to his own versions of mythological idylls
.
But perhaps he will be chiefly remembered for the impulse which he gave to the study of See also: Celtic See also: legend and literature
.
In this direction he has had many followers, who have sometimes assumed the appearance of pioneers; but after See also: Matthew See also: Arnold's fine lecture on " Celtic Literature," nothing perhaps did more to help the Celtic revival than Aubrey de Vere's See also: tender insight into the Irish character, and his stirring reproductions of the early Irish epic poetry
.
A volume of Selections from his poems was edited in 1894 (New See also: York and See also: London) by G
.
E
.
Woodberry
.
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