See also:

• JOHN
• JOHN (1167–1216)
• JOHN (1290-c. 1320)
• JOHN (1296-1346)
• JOHN (1371–1419)
• JOHN (1468-1532)
• JOHN (1801-1873)
• JOHN (Heb. llni')
• JOHN (ZAPOLYA) (1487-1540)
• JOHN, 4TH MARQUESS OF TWEEDDALE (c. 1695-1762)
• JOHN, DON (1545-1578)
• JOHN, DON (1629–1679)
• JOHN, GOSPEL OF ST
• JOHN, or HAYS (1513–1571)
• JOHN, THE APOSTLE
• JOHN, THE EPISTLES OF

JOHN See also:

• BROUGHAM
• JOHN BROUGHAM (1814-188o)

BROUGHAM (1814-188o)  , See also:

• BRITISH

British actor, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• DUBLIN

Dublin on the 9th of May 1814, and was educated for a surgeon . Owing to See also:

• FAMILY

family misfortunes he was thrown upon his own re-See also:

• SOURCES

sources and made his first See also:

• APPEARANCE (from Lat. apparere, to appear)

appearance on the See also:

• LONDON

London See also:

• STAGE (Fr. 6/age; from Lat. stare, to stand)

stage in 183o, at the See also:

• TOTTENHAM

Tottenham See also:

• STREET
• STREET, GEORGE EDMUND (1824-1881)

Street See also:

• THEATRE (BEarpov, " a place for seeing," from OeacOae)

theatre in Tom and See also:

• JERRY

Jerry, in which he played six characters . In 1831 he was a member of Madame See also:

• VESTRIS, GAETANO APPOLINO BALDASSARE (1729-18o8)
• VESTRIS, LUCIA ELIZABETH (1797—1856)

Vestris's See also:

• COMPANY

company, and wrote his,. first See also:

• PLAY

play, a See also:

• BURLESQUE (Ital. burlesco, from burla, a joke, fun, playful trick)

burlesque . He remained with Madame Vestris as See also:

• LONG, GEORGE (1800-1879)
• LONG, JOHN DAVIS (1838– )

long as she and See also:

• CHARLES
• CHARLES (1270-1325)
• CHARLES (1421-1461)
• CHARLES (1525-1574)
• CHARLES (c. 1319-1364)
• CHARLES (Fr. Charles; Span. Carlos; Ital. Carlo; Ger. Karl; derived from O.H.G. Charal,latinized as Carolus, meaning originally " man ": cf. Mod.Ger., Kerl," fellow," A.S. ceorl, Mod. Eng. " churl ")
• CHARLES (KARL EITEL ZEPHYRIN LUDWIG; in Rum. CAROL)
• CHARLES [KARL ALEXANDER] (1712-1780)
• CHARLES, ELIZABETH (1828-1896)
• CHARLES, JACQUES ALEXANDRE CESAR (1746-1823)
• CHARLES, THOMAS (1755-1814)

Charles See also:

• MATHEWS, CHARLES (1776-1835)
• MATHEWS, THOMAS (1676-1751)

Mathews retained Covent See also:

• GARDEN (from O. Fr. garden, mod. Fr. jardin; this, like our words " garth," a paddock attached to a building, and " yard," comes from a Teutonic word for an enclosure which appears in Gothic as gards and O. H. Ger. gart, cf. Dutch gaarde and Ger. .garten)

Garden, and he collaborated with See also:

• DION

Dion See also:

• BOUCICAULT, DION (1822–1890)

Boucicault in See also:

• WRITING
• WRITING (the verbal noun of " to write," O. Eng. writan, to inscribe)

writing London Assurance, Dazzle being one of his best parts . In 1840 he managed the See also:

• LYCEUM

Lyceum theatre, for which he wrote several See also:

• LIGHT

light burlesques, but in 1842 he moved to the See also:

• UNITED

United States, where he became a member of W . E . See also:

• BURTON, JOHN HILL (1809–1881)
• BURTON, ROBERT (1577-1640)
• BURTON, SIR FREDERICK WILLIAM (1816–f goo)
• BURTON, SIR RICHARD FRANCIS (1821-1890)
• BURTON, WILLIAM EVANS (1804-1860)

Burton's company, for which he wrote several comedies . Later he was the manager of Niblo's Garden, and in 185o opened See also:

• BROUGHAM
• BROUGHAM, JOHN (1814-188o)

Brougham's Lyceum, which, like his next See also:

• SPECULATION

speculation, the See also:

• LEASE (derived through the Fr. from the Lat. laxare, to loosen)

lease of the Bowery theatre, was not financially a success . He was later connected with See also:

• WALLACK, JAMES WILLIAM (c. 1794-1864)

Wallack's and See also:

• DALY, AUGUSTIN (1838-1899)

Daly's theatres, and wrote plays for both . In 18bo he returned to London, where he adapted or wrote several plays, including The See also:

• DUKE (corresponding to Fr. duc, Ital. duca, Ger. Herzog)

Duke's See also:

• MOTTO (an Italian word, from Late Lat. muttum, a low sound, a mutter or murmur, cf. mutere, to mutter; the Latin word also gives Fr. mot, word)

Motto for See also:

• FECHTER, CHARLES ALBERT (1824–1879)

Fechter . After the See also:

• CIVIL

Civil See also:

• WAR
• WAR (O. Eng. werre, Fr. guerre, of Teutonic origin; cf. O.H.G. werran, to confound)

War he returned to New See also:

• YORK
• YORK (HOUSE OF)
• YORK, EDMUND OF LANGLEY, DUKE OF (1341-1402)
• YORK, EDWARD
• YORK, FREDERICK AUGUSTUS, DUKE OF (1763-1827)
• YORK, RICHARD, DUKE

York . Brougham's theatre was opened in 1869 with his See also:

• COMEDY

comedy Better See also:

• LATE

Late than Never, but this managerial experience was also unfortunate, and he took to playing with various stock companies .

His last appearance was in 1879 as O'Reilly, the detective, in Boucicault's Rescued, and he died in New York on the 7th of See also:

• JUNE

June 1880 . Brougham was the author of nearly See also:

• LOO (formerly called " Lanterloo," Fr. lanturlu, the refrain of a popular 17th-century song)

loo plays, most, of them now forgotten . He was the founder of the See also:

• LOTUS

Lotus See also:

• CLUB (connected with " clump ")

Club in New York, and for a See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time its See also:

• PRESIDENT (Fr. president, from Lat. praesidens, post-Augustan Lat. for praeses, director, ruler, from praesidere, to sit in front of, preside)

president . He also edited there in 1852 a comic See also:

• PAPER
• PAPER (Fr. papier, from Lat. papyrus)

paper called The See also:

• LANTERN (an adaptation of the Fr. lanterne from Lat. lanterna or laterna, supposed to be from Gr. Aa urritp, a torch or lamp, Aaµaew, to shine, cf. " lamp "; the 16th- and 17th-century form " lanthorn " is due to a mistaken derivation from " horn," as a m

Lantern, and published two collections of See also:

• MISCELLANEOUS

miscellaneous writings, A See also:

• BASKET

Basket of Chips and The Bunsby Papers . Brougham is said to have been the See also:

• ORIGINAL

original of Harry Lorrequer in Charles See also:

• LEVER (through O. Fr. leveour, levere, mod. levier, from Lat. levare, to lift, raise)
• LEVER, CHARLES JAMES (1806-1872)

Lever's novel . He was twice married, in 1838 to Emma See also:

• WILLIAMS
• WILLIAMS, JOHN (1582-1650)
• WILLIAMS, JOHN (1796-1839)
• WILLIAMS, ROGER (c. 1604–1684)
• WILLIAMS, ROWLAND (1817-1870)
• WILLIAMS, SIR WILLIAM FENWICK

Williams (d . 1865), and in 1844 to Mrs Annette See also:

• HAWLEY, HENRY (c. 1679-1759)
• HAWLEY, JOSEPH ROSWELL (1826-1905)

Hawley (d . 187o), See also:

• BATH
• BATH, THOMAS THYNNE
• BATH, WILLIAM

bath. actresses .