See also:

• BROUWER, or BRAUWES, ADRIAN (1608-1640)

BROUWER, or BRAUWES, See also:

• ADRIAN
• ADRIAN, SAINT

ADRIAN (1608-1640)  , Dutch painter, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• HAARLEM

Haarlem, of very humble parents, who See also:

• BOUND, or BOUNDARY (from O. Fr. bonde, Med. Lat. bodena or butina, a frontier line)

bound him apprentice to the painter Frans See also:

• HALS, FRANS (158o?–1666)

Hals . See also:

• BROUWER, or BRAUWES, ADRIAN (1608-1640)

Brouwer had an admirable See also:

• EYE
• EYE (O. Eng. edge, Ger. Auge; derived from an Indo-European root also seen in Lat. oc-ulus, the organ of vision (q.v.)

eye for See also:

• COLOUR (Lat. color, connected with celare, to hide, the root meaning, therefore, being that of a covering)

colour, and much spirit in See also:

• DESIGN (Fr. desiin, drawing; Lat. designare, to mark out)

design; and these gifts his See also:

• MASTER (Lat. magister, related to tnagis, more, as the corresponding minister is to minus, less; the English form is due partly to the O. Eng. maegister, and partly to O. Fr. maistre, mod. maitre; cf. Du. meester, Ger. Meister, Ital. maestro)

master appears to have turned to his-own profit, while his See also:

• PUPIL (Lat. pupillus, orphan, minor, dim. of pupus, boy, allied to puer, from root pm- or peu-, to beget, cf. "pupa," Lat. for " doll," the name given to the stage intervening between the larval and imaginal stages in certain insects)

pupil was See also:

• HALF

half starved . As the result of this ungenerous treatment, Brouwer was frequently brought into See also:

• LOW, SETH (1850- )
• LOW, WILL HICOK (1853- )

low See also:

• COMPANY

company and dissipated scenes, which he delineated with See also:

• GREAT

great spirit and vivid colouring in his pictures . The unfortunate artist died in a See also:

• HOSPITAL (Lat. haspitalis, the adjective of hospes, host or guest)

hospital at See also:

• ANTWERP
• ANTWERP (Fr. Anvers)

Antwerp at the See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early See also:

• AGE (Fr. age, through late Lat. aetaticum, from aetas)

age of See also:

• THIRTY

thirty-two, consequently his See also:

• WORKS

works are few and rarely met with . The largest collection of his masterpieces is in the Pinakothek at See also:

• MUNICH (Ger. Munchen)

Munich .