See also:

• ALFRED

ALFRED See also:

• ALFRED BRUNEAU (1857– )

BRUNEAU (1857– )  , See also:

• FRENCH
• FRENCH, DANIEL CHESTER (1850– )
• FRENCH, NICHOLAS (1604-1678)

French musical composer, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born in See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris . His parents were devoted to See also:

• MUSIC

music, and he was brought up to See also:

• PLAY

play the 'cello, being educated at the Paris See also:

• CONSERVATOIRE (the Fr. equivalent of Ital. Conservatorio, Ger. Conservatorium, from Med. Lat. conservatorium, a place where anything is preserved, Lat. conservare, to preserve)

Conservatoire . He played in See also:

• PASDELOUP, JULES ETIENNE (181g-1887)

Pasdeloup's See also:

• ORCHESTRA (Fr. Orchestre; Ger. Kapelle, Orchester; Ital. Orchestra)

orchestra, and soon began to compose, See also:

• WRITING
• WRITING (the verbal noun of " to write," O. Eng. writan, to inscribe)

writing a See also:

• CANTATA (Italian for a song or story set to music)

cantata, See also:

• GENEVIEVE, or GENOVEFA, ST (c. 422-512)

Genevieve de Paris, at an See also:

• EARLY
• EARLY, JUBAL ANDERSON (1816-1894)

early See also:

• AGE (Fr. age, through late Lat. aetaticum, from aetas)

age . In 1884 his Ouverture heroique was performed, followed by the choral symphonies, See also:

• LEDA

Leda (1884), La Belle an bois dormant (1886). and Penthesilee . But he is best known as a dramatic composer . In 1887 his first See also:

• OPERA (Italian for " work ")

opera, Kerim, was produced; and in 1891 his successful opera Le See also:

• REEVE (O. E. gerefa)
• REEVE, CLARA (1729–1807)
• REEVE, HENRY (1813–1895)

Reeve, with a libretto founded on See also:

• ZOLA, EMILE EDOUARD CHARLES ANTOINE (1840-1902)

Zola's See also:

• STORY, JOHN (c. 1510-1571)
• STORY, JOSEPH (1779-1845)
• STORY, ROBERT HERBERT (1835-1907)
• STORY, WILLIAM WETMORE (1819—1895)

story . Another subject from Zola resulted in the opera L'Attaque du See also:

• MOULIN (Fr. moulin, a mill)

moulin (1893), and libretti by Zola himself were written for his next operas Messidor (1897) and L'Ouragan (1901) . Among See also:

• BRUNEAU, ALFRED (1857– )

Bruneau's other See also:

• WORKS

works may be mentioned his See also:

• REQUIEM

Requiem (1896), and his two collections of songs, Lieds de See also:

• FRANCE
• FRANCE, ANATOLE (1844– )

France and Chansons a dancer . He was decorated with the See also:

• LEGION (Lat. legio)

Legion of See also:

• HONOUR (Lat. honos or lwnor, honoris; in English the word was spelled with or without the u indifferently until the 17th century, but during the 18th century it became fashion-able to spell the word " honor "; Johnson's and Webster's Dictionaries stereoty

Honour in 1895 . His musical criticisms, published in several volumes, are remarkable for See also:

• LITERARY

literary quality and vigour . See See also:

• ARTHUR (Fr. Arius)
• ARTHUR, CHESTER ALAN (1830 – 1886)

Arthur See also:

• HERVEY, JAMES (1714–1758)

Hervey's See also:

• VOLUME

volume on Bruneau (1907) .