See also:

• JOHN
• JOHN (1167–1216)
• JOHN (1290-c. 1320)
• JOHN (1296-1346)
• JOHN (1371–1419)
• JOHN (1468-1532)
• JOHN (1801-1873)
• JOHN (Heb. llni')
• JOHN (ZAPOLYA) (1487-1540)
• JOHN, 4TH MARQUESS OF TWEEDDALE (c. 1695-1762)
• JOHN, DON (1545-1578)
• JOHN, DON (1629–1679)
• JOHN, GOSPEL OF ST
• JOHN, or HAYS (1513–1571)
• JOHN, THE APOSTLE
• JOHN, THE EPISTLES OF

JOHN See also:

• BULL
• BULL, GEORGE (1634–1710)
• JOHN BULL (c. 1562–1628)
• BULL, OLE BORNEMANN (18ro-188o)

BULL (c. 1562–1628)  , See also:

• ENGLISH

English composer and organist, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born in See also:

• SOMERSETSHIRE

Somersetshire about 1562 . After being organist in See also:

• HEREFORD

Hereford See also:

• CATHEDRAL

cathedral, he joined the See also:

• CHAPEL

Chapel Royal in 1585, and in the next See also:

• YEAR

year became a See also:

• MUS

Mus . Bac. of See also:

• OXFORD
• OXFORD, EARLS OF
• OXFORD, EDWARD DE VERE, 17TH EARL
• OXFORD, JOHN DE VERE, 13TH EARL OF (1443-1513)
• OXFORD, PROVISIONS OF
• OXFORD, ROBERT DE VERE, 9TH EARL OF (1362-1392)
• OXFORD, ROBERT HARLEY, 1ST

Oxford . In 1591 he was appointed organist in See also:

• QUEEN
• QUEEN (O.E. cwen, wife, related to "quean," O.E. cwene, a hussy; cf. Gr. yvvi7: from root gan-, to produce; cf. genus, " kin," &c.)

Queen See also:

• ELIZABETH
• ELIZABETH (1533-1603)
• ELIZABETH (1596-1662)
• ELIZABETH (1635–1650)
• ELIZABETH [ AMELIE EUGENIE ] (1837—1898)
• ELIZABETH [1lisabeth Philippine Marie Helene of France] (1764—1794)
• ELIZABETH [PAULINE ELIZABETH OTTILIE LOUISE] (1843– )
• ELIZABETH [PETROVNA] (1709-1762), EMPRESS
• ELIZABETH, SAINT (1207-1231)

Elizabeth's chapel in See also:

• SUCCESSION (Lat. successio, from succedere, to follow after)

succession to Blitheman, from whom he had received his musical See also:

• EDUCATION

education . In 1592 he received the degree of See also:

• DOCTOR (Lat. for " teacher ")

doctor of See also:

• MUSIC

music at See also:

• CAMBRIDGE
• CAMBRIDGE, EARLS AND DUKES OF
• CAMBRIDGE, RICHARD OWEN (1717-1802)

Cambridge University; and in 1596 he was made music See also:

• PROFESSOR (the Latin noun formed from the verb profiteri, to declare publicly, to acknowledge, profess)

professor at See also:

• GRESHAM, SIR THOMAS (1519-1579)
• GRESHAM, WALTER QUINTON (1832-1895)

Gresham See also:

• COLLEGE (Collegium)

College, See also:

• LONDON

London . As he was unable to lecture in Latin according to the See also:

• FOUNDATION (Lat. fundatio, from fundare, to found)

foundation-rules of that college, the executors of See also:

• SIR

Sir See also:

• THOMAS
• THOMAS (c. 1654-1720)
• THOMAS (d. 110o)
• THOMAS, ARTHUR GORING (1850-1892)
• THOMAS, CHARLES LOUIS AMBROISE (1811-1896)
• THOMAS, GEORGE (c. 1756-1802)
• THOMAS, GEORGE HENRY (1816-187o)
• THOMAS, ISAIAH (1749-1831)
• THOMAS, PIERRE (1634-1698)
• THOMAS, SIDNEY GILCHRIST (1850-1885)
• THOMAS, ST
• THOMAS, THEODORE (1835-1905)
• THOMAS, WILLIAM (d. 1554)

Thomas Gresham made a See also:

• DISPENSATION

dispensation. in his favour by permitting him to lecture in English . He gave his first lecture on the 6th of See also:

• OCTOBER

October 1597 . In 16or See also:

• BULL
• BULL, GEORGE (1634–1710)
• BULL, JOHN (c. 1562–1628)
• BULL, OLE BORNEMANN (18ro-188o)

Bull went abroad . He visited See also:

• FRANCE
• FRANCE, ANATOLE (1844– )

France and See also:

• GERMANY
• GERMANY (Ger. Deutschland)

Germany, and was everywhere received with the respect due to his talents . See also:

• ANTHONY, SAINT
• ANTHONY, SUSAN BROWNELL (1820-1906)

Anthony See also:

• WOOD, ANTHONY A2 (1632-1695)
• WOOD, JOHN GEORGE (1827—1889)
• WOOD, MRS HENRY [ELLEN] (1814—1887)
• WOOD, SEARLES VALENTINE (1798—188o)

Wood tells an impossible See also:

• STORY, JOHN (c. 1510-1571)
• STORY, JOSEPH (1779-1845)
• STORY, ROBERT HERBERT (1835-1907)
• STORY, WILLIAM WETMORE (1819—1895)

story of how at St Omer Dr Bull performed the feat of adding, within a few See also:

• HOURS, CANONICAL

hours, See also:

• FORTY

forty parts to a See also:

• COMPOSITION
• COMPOSITION (Lat. compositio, from componere, to put together)

composition already written in forty parts . See also:

• HONOURABLE (Fr. honorable, from Lat. honorabilis, worthy of honour)

Honourable employments were offered to him by various See also:

• CONTINENTAL

continental princes; but he declined them, and returned to See also:

• ENGLAND
• ENGLAND, THE CHURCH OF

England, where he was given the freedom of the See also:

• MERCHANT (O. Fr. marcheant, modern marchand; from Lat. mercari, to trade, merx, goods, merchandise)

Merchant Taylors' See also:

• COMPANY

Company in 16o6 . He played upon a small pair of See also:

• ORGANS

organs before See also:

• KING
• KING (O. Eng. cyning, abbreviated into cyng, cing; cf. O. H. G. chun- kuning, chun- kunig, M.H.G. kiinic, kiinec, kiinc, Mod. Ger. Konig, O. Norse konungr, kongr, Swed. konung, kung)
• KING [OF OCKHAM], PETER KING, 1ST BARON (1669-1734)
• KING, CHARLES WILLIAM (1818-1888)
• KING, CLARENCE (1842–1901)
• KING, EDWARD (1612–1637)
• KING, EDWARD (1829–1910)
• KING, HENRY (1591-1669)
• KING, RUFUS (1755–1827)
• KING, THOMAS (1730–1805)
• KING, WILLIAM (1650-1729)
• KING, WILLIAM (1663–1712)

King See also:

• JAMES
• JAMES (Gr. 'IlrKw,l3or, the Heb. Ya`akob or Jacob)
• JAMES (JAMES FRANCIS EDWARD STUART) (1688-1766)
• JAMES, 2ND EARL OF DOUGLAS AND MAR(c. 1358–1388)
• JAMES, DAVID (1839-1893)
• JAMES, EPISTLE OF
• JAMES, GEORGE PAYNE RAINSFOP
• JAMES, HENRY (1843— )
• JAMES, JOHN ANGELL (1785-1859)
• JAMES, THOMAS (c. 1573–1629)
• JAMES, WILLIAM (1842–1910)
• JAMES, WILLIAM (d. 1827)

James I. on the 16th of See also:

• JULY

July 1607, in the See also:

• HALL
• HALL (generally known as SCHWABISCH-HALL, tc distinguish it from the small town of Hall in Tirol and Bad-Hall, a health resort in Upper Austria)
• HALL (O.E. heall, a common Teutonic word, cf. Ger. Halle)
• HALL, BASIL (1788-1844)
• HALL, CARL CHRISTIAN (1812–1888)
• HALL, CHARLES FRANCIS (1821-1871)
• HALL, CHRISTOPHER NEWMAN (1816—19oz)
• HALL, EDWARD (c. 1498-1547)
• HALL, FITZEDWARD (1825-1901)
• HALL, ISAAC HOLLISTER (1837-1896)
• HALL, JAMES (1793–1868)
• HALL, JAMES (1811–1898)
• HALL, JOSEPH (1574-1656)
• HALL, MARSHALL (1790-1857)
• HALL, ROBERT (1764-1831)
• HALL, SAMUEL CARTER (5800-5889)
• HALL, SIR JAMES (1761-1832)
• HALL, WILLIAM EDWARD (1835-1894)

hall of the Company, and he seems to have been appointed one of the king's organists in that year .

In the same year he resigned his Gresham professorship and married Elizabeth See also:

• WALTER, HUBERT (d. 1205)
• WALTER, JOHN (1738/9-1812)

Walter . In 1613 he again went to the See also:

• CONTINENT (from Lat. continere, "to hold together "; hence " connected," " continuous ")

continent on See also:

• ACCOUNT
• ACCOUNT (through O. Fr. acont, Late Lat. comptum, cornputare, to calculate)

account of his See also:

• HEALTH

health, obtaining a See also:

• POST

post as one of the organists in the See also:

• ARCH
• ARCH, JOSEPH (1826– )

arch-See also:

• DUKE (corresponding to Fr. duc, Ital. duca, Ger. Herzog)

duke's chapel at See also:

• BRUSSELS (Fr. Bruxelles, Flem. Brussel)

Brussels . In 1617 he was appointed organist to the cathedral of Notre See also:

• DAME
• DAME (through the Fr. from Lat. domina, mistress, lady, the feminine of dominus, master, lord)

Dame at See also:

• ANTWERP
• ANTWERP (Fr. Anvers)

Antwerp, and he died in that See also:

• CITY (through Fr. cite, from Lat. civitas)

city on the 12th or 13th of See also:

• MARCH
• MARCH (1) (from Fr. marcher, to walk; the earliest sense in French appears to be " to trample," and the origin has usually been found in the Lat. marcus, hammer; Low Lat. marcare, to hammer; hence to beat the road with the regular tread of a soldier: cf.
• MARCH, AUZIAS (c. "1395-1458)
• MARCH, EARLS OF
• MARCH, FRANCIS ANDREW (1825– )

March 1628 . Little of his music has been published, and the opinions of critics differ much as to its merits (see Dr Willibald Nagel's Geschichte der Musik in England, ii . (1897), p . 155, &c.; and Dr Seiffert's Geschichte der Klaviermusik (1899), p . 54, &c.) . Contemporary writers speak in the highest terms of Bull's skill as a performer on the See also:

• ORGAN

organ and the virginals, and there is no doubt that he contributed much to the development of See also:

• HARPSICHORD, HARPSICON, DOUBLE VIRGINALS (Fr. clavecin; Ger. Clavicymbel, Kiel-Flugel; Ital. arpicordo, cembalo, davicembalo, gravecembalo; Dutch, davisinbal)

harpsichord music . See also:

• JAN

Jan Swielinck (15621621), the See also:

• GREAT

great organist of See also:

• AMSTERDAM
• AMSTERDAM (NEw AMSTERDAM)

Amsterdam, did not regard his See also:

• WORK

work on composition as See also:

• COMPLETE

complete without placing in it a See also:

• CANON

canon by See also:

• JOHN
• JOHN (1167–1216)
• JOHN (1290-c. 1320)
• JOHN (1296-1346)
• JOHN (1371–1419)
• JOHN (1468-1532)
• JOHN (1801-1873)
• JOHN (Heb. llni')
• JOHN (ZAPOLYA) (1487-1540)
• JOHN, 4TH MARQUESS OF TWEEDDALE (c. 1695-1762)
• JOHN, DON (1545-1578)
• JOHN, DON (1629–1679)
• JOHN, GOSPEL OF ST
• JOHN, or HAYS (1513–1571)
• JOHN, THE APOSTLE
• JOHN, THE EPISTLES OF

John Bull, and the latter wrote a See also:

• FANTASIA (Italian for " fantasy," a causing to be seen, from Greek, 4aivew, to show)

fantasia upon a See also:

• FUGUE (Lat. fuga, flight)

fugue of Swielinck . For the ascription to Bull of the composition of the See also:

• BRITISH

British See also:

• NATIONAL

national See also:

• ANTHEM

anthem, see NATIONAL ANTHEMS . See also:

• GOOD, JOHN MASON (1764-1827)

Good See also:

• MODERN

modern reprints, e.g. of the See also:

• FITZWILLIAM, SIR WILLIAM (1526-1599)
• FITZWILLIAM, WILLIAM WENTWORTH FITZWILLIAM, 2ND EARL (1748-1833)

Fitzwilliam See also:

• VIRGINAL, or PAIR OF VIRGINALS

Virginal-See also:

• BOOK

Book, " The King's See also:

• HUNTING (the verbal substantive from " hunt "; O. Eng. huntian, hunta; apparently connected with O. Eng. hentan, Gothic hinpan, to capture, O.H.G. hunda,booty)

Hunting See also:

• JIG

Jig," and one or two other pieces, are in the repertories of modern pianists from See also:

• RUBINSTEIN, ANTON GRIGOROVICH (1829-1894)

Rubinstein onwards .