OLE BORNEMANN See also:

• BULL
• BULL, GEORGE (1634–1710)
• BULL, JOHN (c. 1562–1628)
• OLE BORNEMANN BULL (18ro-188o)

BULL (18ro-188o)  , See also:

• NORWEGIAN

Norwegian violinist, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born in See also:

• BERGEN

Bergen, See also:

• NORWAY
• NORWAY (Norge)

Norway, on the 5th of See also:

• FEBRUARY

February 1810.- At first a See also:

• PUPIL (Lat. pupillus, orphan, minor, dim. of pupus, boy, allied to puer, from root pm- or peu-, to beget, cf. "pupa," Lat. for " doll," the name given to the stage intervening between the larval and imaginal stages in certain insects)

pupil of the violinist See also:

• PAULSEN, FRIEDRICH (1846-1908)

Paulsen, and subsequently self-taught, he was intended for the See also:

• CHURCH
• CHURCH (according to most authorities derived from the Gr. Kvpcaxov [&wµa], " the Lord's [house]," and common to many Teutonic, Slavonic and other languages under various forms—Scottish kirk, Ger. Kirche, Swed. kirka, Dan. kirke, Russ. tserkov, Buig. cerk
• CHURCH, FREDERICK EDWIN (1826-1900)
• CHURCH, GEORGE EARL (1835–1910)
• CHURCH, RICHARD WILLIAM (1815–189o)
• CHURCH, SIR RICHARD (1784–1873)

church, but failed in his See also:

• EXAMINATIONS

examinations in 1828 and became a musician, directing the philharmonic and dramatic See also:

• SOCIETIES, LEARNED

societies at Bergen . In 1829 he went to See also:

• CASSEL
• CASSEL, or KASSEL

Cassel, on a visit to See also:

• SPOHR, LUDWIG (1784-1859)

Spohr, who gave him no encouragement . He now began to study See also:

• LAW
• LAW (0. Eng. lagu, M. Eng. lawe; from an old Teutonic root lag, " lie," what lies fixed or evenly; cf. Lat. lex, Fr. loi)
• LAW, JOHN (1671—1729)
• LAW, WILLIAM (1686-1761)

law, but on going to See also:

• PARIS
• PARIS (also called ALEXANDROS)
• PARIS, ALEXIS PAULIN (1800-x881)
• PARIS, BRUNO PAULIN GASTON (1839-1903)
• PARIS, FRANCOIS DE (169o-1727)
• PARIS, LOUIS PHILIPPE ALBERT
• PARIS, TREATIES OF (1814-1815)

Paris he came under the See also:

• INFLUENCE (Late Lat. influentia, from influere, to flow in)

influence of See also:

• PAGANINI, NICOLO (1784-1840)

Paganini, and definitely adopted the career of a See also:

• VIOLIN

violin virtuoso . He made his first See also:

• APPEARANCE (from Lat. apparere, to appear)

appearance in See also:

• COMPANY

company with See also:

• ERNST, HEINRICH WILHELM (1814–1865)

Ernst and See also:

• CHOPIN, FREDERIC FRANCOIS (1810-1849)

Chopin at a See also:

• CONCERT (through the French from Lat. con-, with, and certare, to strive)

concert of his own in Paris in 1832 . Successful See also:

• TOURS

tours in See also:

• ITALY
• ITALY (Italia)

Italy and See also:

• ENGLAND
• ENGLAND, THE CHURCH OF

England followed soon afterwards, and he was not See also:

• LONG, GEORGE (1800-1879)
• LONG, JOHN DAVIS (1838– )

long in obtaining See also:

• EUROPEAN

European celebrity by his brilliant playing of his own pieces and arrangements . His first visit to the See also:

• UNITED

United States lasted from 1843 to 1845, and on his return to Norway he formed a See also:

• SCHEME (Lat. schema, Gr. oxfjya, figure, form, from the root axe, seen in exeiv, to have, hold, to be of such shape, form, &c.)

scheme for the See also:

• ESTABLISHMENT (0. Fr. establissement, Fr. etablissement, late Norm. Fr. establishement, from O. Fr. establir, Fr. etablir, Lat. stabilire, to make stable)

establishment of a Norse See also:

• THEATRE (BEarpov, " a place for seeing," from OeacOae)

theatre in Bergen; this became an accomplished fact in 1850; but in consequence of harassing business complications he went again to See also:

• AMERICA

America . During this visit (1852–1857) he bought 125,000 acres in See also:

• POTTER, ALONZO (1800-1865)
• POTTER, HENRY CODMAN (1835–1908)
• POTTER, J
• POTTER, JOHN (c. 1674-1747)
• POTTER, PAUL (1625—1654)
• POTTER, PHILIP CIPRIANI HAMBLEY (1792—1871)

Potter See also:

• COUNTY (through Norm. Fr. comae, cf. O. Fr. cunte, conk', Mod. Fr. comae, from Lat. comitatus, cf. Ital. comitato, Prov. comtat; see COUNT)

county, See also:

• PENNSYLVANIA
• PENNSYLVANIA, UNIVERSITY OF

Pennsylvania, for a Norwegian See also:

• COLONY (Lat. colonia, from colonus, a cultivator)

colony, which was to have been called Oleana after his name; but his See also:

• TITLE (0. Fr. title, mod. titre, from Lat. titulus)

title turned out to be fraudulent, and the troubles he went through in connexion with the undertaking were enough to affect his See also:

• HEALTH

health very seriously, though not to hinder him for long from the exercise of his profession . Another See also:

• ATTEMPT (Lat. adtemptare, attentare, to try)

attempt to found an See also:

• ACADEMY, GREEK
• ACADEMY, ROYAL

academy of See also:

• MUSIC

music in See also:

• CHRISTIANIA (officially KRISTIANIA)

Christiania had no permanent result . In 1836 he had married Alexandrine Felicie Villeminot, the See also:

• GRAND

grand-daughter of a See also:

• LADY (0. Eng. hlaefdige, Mid. Eng. ldfdi, lavedi; the first part of the word is hldf, loaf, bread, as in the corresponding hldford, lord; the second part is usually taken to be from the root dig-, to knead, seen also in " dough "; the sense development fr

lady to whom he owed much at the beginning of his musical career in Paris; she died in 1862 . In 187o he married Sara C . See also:

• THORPE [or TnoRP], JOHN (/l. 1570-1618)
• THORPE, BENJAMIN (1782-1870)

Thorpe of See also:

• WISCONSIN (known as " the Badger' state ")
• WISCONSIN, UNIVERSITY OF

Wisconsin; henceforth he confined himself to the career of a violinist . He died at Lyso, near Bergen, on the 17th of See also:

• AUGUST (originally Sextilis)

August 1880 .

Ole See also:

• BULL
• BULL, GEORGE (1634–1710)
• BULL, JOHN (c. 1562–1628)
• BULL, OLE BORNEMANN (18ro-188o)

Bull's-" See also:

• POLACCA

polacca guerriera " and many of his other violin pieces, among them two concertos, are interesting to the virtuoso, and his fame rests upon his prodigious technique . The memoir published by his widow in 1886 contains many illustrations of a career that was exceptionally brilliant; it gives a picture of a strong individuality, which often found expression in a somewhat boisterous See also:

• FORM (Lat. forma)

form of See also:

• PRACTICAL

practical See also:

• HUMOUR (Latin humor)

humour, There is a See also:

• FOUNTAIN (Late Lat. fontana, from ions, a spring)

fountain and portrait statue to his memory in the Ole Bulls Plads in Bergen .