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See also: English theatrical manager, was appointed stage-manager of See also: Drury Lane theatre, See also: London, in 1823
.
In 1826 he was managing the Theatre Royal, See also: Birmingham, and in 1833 he undertook the joint management of Drury
Lane and Covent Garden, London
.
In this undertaking he met with vigorous opposition
.
A See also: bill for the abolition of the patent theatres was passed in the See also: House of See also: Commons, but on See also: Bunn's petition was thrown out by the House of Lords
.
He had difficulties first with his See also: company, then with the See also: lord See also: chamberlain, and had to face the keen rivalry of the other theatres
.
A long-
See also: standing See also: quarrel with Macready resulted in the tragedian assaulting the manager
.
In 184o Bunn was declared a bankrupt, but he continued to See also: manage Drury Lane till 1848
.
Artistically his control of the two chief English theatres was highly successful
.
Nearly every leading English actor played under his management, and he made a courageous attempt to establish
.
English See also: opera, producing the See also: principal See also: works of See also: Balfe
.
He had some gift for writing, and most of the libretti of these operas were translated by himself
.
In The Stage Before and Behind the See also: Curtain (3 vols., 184o) he gave a full account of his managerial experiences
.
He died at See also: Boulogne on the 20th of See also: December 186o
.
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