HANS See also:

• HANS BURGKMAIR

BURGKMAIR  or See also:

• JOHN
• JOHN (1167–1216)
• JOHN (1290-c. 1320)
• JOHN (1296-1346)
• JOHN (1371–1419)
• JOHN (1468-1532)
• JOHN (1801-1873)
• JOHN (Heb. llni')
• JOHN (ZAPOLYA) (1487-1540)
• JOHN, 4TH MARQUESS OF TWEEDDALE (c. 1695-1762)
• JOHN, DON (1545-1578)
• JOHN, DON (1629–1679)
• JOHN, GOSPEL OF ST
• JOHN, or HAYS (1513–1571)
• JOHN, THE APOSTLE
• JOHN, THE EPISTLES OF

JOHN (1473— ? 1531), See also:

• GERMAN
• GERMAN, DUTCH AND SCANDINAVIAN

German painter and engraver on See also:

• WOOD, ANTHONY A2 (1632-1695)
• WOOD, JOHN GEORGE (1827—1889)
• WOOD, MRS HENRY [ELLEN] (1814—1887)
• WOOD, SEARLES VALENTINE (1798—188o)

wood, believed to have been a See also:

• PUPIL (Lat. pupillus, orphan, minor, dim. of pupus, boy, allied to puer, from root pm- or peu-, to beget, cf. "pupa," Lat. for " doll," the name given to the stage intervening between the larval and imaginal stages in certain insects)

pupil of Albrecht Darer, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born at See also:

• AUGSBURG
• AUGSBURG, CONFESSION OF
• AUGSBURG, WAR OF THE LEAGUE OF

Augsburg . See also:

• PROFESSOR (the Latin noun formed from the verb profiteri, to declare publicly, to acknowledge, profess)

Professor See also:

• CHRIST (Gr. X pLQTOS, Anointed)
• CHRIST, WILHELM VON (1831-1906)

Christ ascribes to him about 700 woodcuts, most of them distinguished by that spirit and freedom ' which we admire in the See also:

• WORKS

works of his supposed See also:

• MASTER (Lat. magister, related to tnagis, more, as the corresponding minister is to minus, less; the English form is due partly to the O. Eng. maegister, and partly to O. Fr. maistre, mod. maitre; cf. Du. meester, Ger. Meister, Ital. maestro)

master . His See also:

• PRINCIPAL

principal See also:

• WORK

work is the See also:

• SERIES (a Latin word from serere, to join)

series of 135 prints representing the triumphs of the See also:

• EMPEROR (Fr. empereur, from the Lat. imperator)

emperor See also:

• MAXIMILIAN
• MAXIMILIAN (1832—1867)

Maximilian I . They are of large See also:

• SIZE

size, executed in See also:

• CHIAROSCURO (from the Ital. chiaro, Iight or brightness, and oscuro, darkness or shade)

chiaroscuro, from two blocks, and convey a high See also:

• IDEA (Gr. Ibia, connected with i&eiv, to see; cf. Lat. species from specere, to look at)

idea of his See also:

• POWERS, HIRAM (1805-1873)

powers . See also:

• BURGKMAIR, HANS

Burgkmair was also an excellent painter in See also:

• FRESCO (Ital. for cool, " fresh ")

fresco and in distemper, specimens of which are in the galleries of See also:

• MUNICH (Ger. Munchen)

Munich and See also:

• VIENNA (Ger. Wien; Lat. Vindobona)
• VIENNA, CONGRESS OF (1814-1815)

Vienna, carefully and solidly finishedin the See also:

• STYLE
• STYLE (from Gr. a-6'1ms, a column; a different word from that used in literature, see below)

style of the old German school .