See also:

• HENRY
• HENRY (1129-1195)
• HENRY (c. 1108-1139)
• HENRY (c. 1174–1216)
• HENRY (Fr. Henri; Span. Enrique; Ger. Heinrich; Mid. H. Ger. Heinrich and Heimrich; O.H.G. Haimi- or Heimirih, i.e. " prince, or chief of the house," from O.H.G. heim, the Eng. home, and rih, Goth. reiks; compare Lat. rex " king "—" rich," therefore " mig
• HENRY, EDWARD LAMSON (1841– )
• HENRY, JAMES (1798-1876)
• HENRY, JOSEPH (1797-1878)
• HENRY, MATTHEW (1662-1714)
• HENRY, PATRICK (1736–1799)
• HENRY, PRINCE OF BATTENBERG (1858-1896)
• HENRY, ROBERT (1718-1790)
• HENRY, VICTOR (1850– )
• HENRY, WILLIAM (1795-1836)

HENRY See also:

• JAMES
• JAMES (Gr. 'IlrKw,l3or, the Heb. Ya`akob or Jacob)
• JAMES (JAMES FRANCIS EDWARD STUART) (1688-1766)
• JAMES, 2ND EARL OF DOUGLAS AND MAR(c. 1358–1388)
• JAMES, DAVID (1839-1893)
• JAMES, EPISTLE OF
• JAMES, GEORGE PAYNE RAINSFOP
• JAMES, HENRY (1843— )
• JAMES, JOHN ANGELL (1785-1859)
• JAMES, THOMAS (c. 1573–1629)
• JAMES, WILLIAM (1842–1910)
• JAMES, WILLIAM (d. 1827)

JAMES See also:

• BYRON, GEORGE GORDON BYRON, 6TH BARON (1788-1824)
• HENRY JAMES BYRON (1834-1884)
• BYRON, HON
• BYRON, JOHN BYRON

BYRON (1834-1884)  , See also:

• ENGLISH

English playwright, son of See also:

• HENRY
• HENRY (1129-1195)
• HENRY (c. 1108-1139)
• HENRY (c. 1174–1216)
• HENRY (Fr. Henri; Span. Enrique; Ger. Heinrich; Mid. H. Ger. Heinrich and Heimrich; O.H.G. Haimi- or Heimirih, i.e. " prince, or chief of the house," from O.H.G. heim, the Eng. home, and rih, Goth. reiks; compare Lat. rex " king "—" rich," therefore " mig
• HENRY, EDWARD LAMSON (1841– )
• HENRY, JAMES (1798-1876)
• HENRY, JOSEPH (1797-1878)
• HENRY, MATTHEW (1662-1714)
• HENRY, PATRICK (1736–1799)
• HENRY, PRINCE OF BATTENBERG (1858-1896)
• HENRY, ROBERT (1718-1790)
• HENRY, VICTOR (1850– )
• HENRY, WILLIAM (1795-1836)

Henry See also:

• BYRON, GEORGE GORDON BYRON, 6TH BARON (1788-1824)
• BYRON, HENRY JAMES (1834-1884)
• BYRON, HON
• BYRON, JOHN BYRON

Byron, at one See also:

• TIME (0. Eng. Lima, cf. Icel. timi, Swed. timme, hour, Dan. time; from the root also seen in " tide," properly the time of between the flow and ebb of the sea, cf. O. Eng. getidan, to happen, " even-tide," &c.; it is not directly related to Lat. tempus)
• TIME, MEASUREMENT OF
• TIME, STANDARD

time See also:

• BRITISH

British See also:

• CONSUL
• CONSUL (in Gr. generally ihraros,ashortened form of errpavgybs 8hraeos, i.e. praetor maximus)

consul at See also:

• PORT

Port-au-See also:

• PRINCE
• PRINCE (Lat. princeps, from primus capio, " I am the first to take "; Ital. principe, Fr. prince)

Prince, was See also:

• BORN, IGNAZ, EDLER VON (1742–1791)

born in See also:

• MANCHESTER
• MANCHESTER (popularly Manchester-by-the-Sea)
• MANCHESTER, EARLS AND DUKES OF

Manchester in See also:

• JANUARY

January 1834 . He entered the See also:

• MIDDLE

Middle See also:

• TEMPLE
• TEMPLE, FREDERICK (1821-1902)
• TEMPLE, RICHARD
• TEMPLE, SIR RICHARD, BART
• TEMPLE, SIR WILLIAM, BART

Temple as a student in 1858, with the intention of devoting his time to See also:

• PLAY

play-See also:

• WRITING
• WRITING (the verbal noun of " to write," O. Eng. writan, to inscribe)

writing . He soon ceased to make any pretence of legal study, and joined a provincial See also:

• COMPANY

company as an actor . In this See also:

• LINE

line he never made any real success; and, though he continued to See also:

• ACT (Lat. actus, actum)

act for years, chiefly in his own plays, he had neither originality nor See also:

• CHARM (through the Fr. from the Lat. carmen, a song)

charm . Meanwhile he wrote assiduously, and few men have produced so many pieces of so diverse a nature . He was the first editor of the weekly comic See also:

• PAPER
• PAPER (Fr. papier, from Lat. papyrus)

paper, Fun, and started the See also:

• SHORT, FRANCIS JOB (1857– )

short-lived Comic Trials . His first successes were in See also:

• BURLESQUE (Ital. burlesco, from burla, a joke, fun, playful trick)

burlesque; but in 1865 he joined See also:

• MISS

Miss See also:

• MARIE

Marie See also:

• WILTON

Wilton (afterwards See also:

• LADY (0. Eng. hlaefdige, Mid. Eng. ldfdi, lavedi; the first part of the word is hldf, loaf, bread, as in the corresponding hldford, lord; the second part is usually taken to be from the root dig-, to knead, seen also in " dough "; the sense development fr

Lady See also:

• BANCROFT, GEORGE (1800—1891)
• BANCROFT, HUBERT HOWE (1832– )
• BANCROFT, RICHARD (1544–161o)
• BANCROFT, SIR SQUIRE (1841– )

Bancroft) in the management of the Prince of See also:

• WALES (Cymru, Gwalia, Cambria)

Wales's See also:

• THEATRE (BEarpov, " a place for seeing," from OeacOae)

theatre, near See also:

• TOTTENHAM

Tottenham See also:

• COURT
• COURT (from the O. Fr. court, Late Lat. cortis, curtis, a popular form of class. Lat. cohors, gen. cohortis; the mod. Fr. form tour is due to the influence of the Lat. curia, the word used in medieval documents to translate " court " in the feudal sense)
• COURT, ANTOINE (1696-176o)

Court Road . Here several of his pieces, comedies and extravaganzas were produced with success; but, upon his severing the See also:

• PARTNERSHIP (earlier forms, partener, parcener, from Late Lat. partionarius for partitionarius, from partitio, sharing, pars, part)

partnership two years later, and starting management on his own See also:

• ACCOUNT
• ACCOUNT (through O. Fr. acont, Late Lat. comptum, cornputare, to calculate)

account in the provinces, he was financially unfortunate . The commercial success of his See also:

• LIFE

life was secured with Our Boys, which was played at the See also:

• VAUDEVILLE

Vaudeville from January 1875 till See also:

• APRIL

April 1879—a then unprecedented " run." The Upper Crust, another of his successes, gave a congenial opportunity to Mr J . L . See also:

• TOOLE, JOHN LAWRENCE (1832-1906)

Toole for one of his inimitably broad See also:

• CHARACTER (Gr. xapareri7p, from xap&crew, to scratch)

character-sketches . During the last few years of his life Byron was in frail See also:

• HEALTH

health; he died in Clapham on the See also:

• FIRTH, CHARLES HARDING (1857– )
• FIRTH, MARK (1819-1880)

firth of April 1884 .

H . J . Byron was the author of some of the most popular See also:

• STAGE (Fr. 6/age; from Lat. stare, to stand)

stage pieces of his See also:

• DAY (O. Eng. dreg, Ger. Tag; according to the New English Dictionary, " in no way related to the Lat. dies")
• DAY, JOHN (1574-1640?)
• DAY, THOMAS (1748-1789)

day . Yet his extravaganzas have no wit but that of violence; his rhyming couplets are without See also:

• POLISH

polish, and decorated only by forced and often pointless puns . His sentiment had T . W . See also:

• ROBERTSON, FREDERICK WILLIAM (1816-1853)
• ROBERTSON, GEORGE CROOM (1842-1892)
• ROBERTSON, JOSEPH (1810-1866)
• ROBERTSON, THOMAS WILLIAM (1829-1871)
• ROBERTSON, WILLIAM BRUCE (182o-1886)

Robertson's insipidity without its freshness, and restored an See also:

• ELEMENT (Lat. elementum)

element of vulgarity which his predecessor had laboured to eradicate from theatrical tradition . He could draw a " See also:

• COCKNEY

Cockney " character with some fidelity, but his dramatis personae were usually See also:

• MERE
• MERE, ADALBERT (1838-1909)

mere puppets for the utterance of his jests . Byron was also the author of a novel, Paid in Full (1865), which appeared originally in Temple See also:

• BAR
• BAR (0. Fr. barre, Late Lat. barra, origin unknown)
• BAR, CONFEDERATION OF
• BAR, FRANCOIS DE (1538-1606)
• BAR, THE

Bar . In his social relations he had many See also:

• FRIENDS, SOCIETY
• FRIENDS, SOCIETY OF

friends, among whom he was justly popular for geniality and imperturbable See also:

• GOOD, JOHN MASON (1764-1827)

good See also:

• TEMPER (from Lat. temperare, to mingle or compound in due proportion, to qualify, rule, regulate, to be moderate, formed from tempos, time, fit or due season)

temper .