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See also: American author, was See also: born .in New See also: Orleans,
See also: Louisiana, on the 12th of See also: October 1844
.
At the age of fourteen he entered a See also: mercantile establishment as a clerk; joined the Confederate army (4th See also: Mississippi Cavalry) at the age of nineteen; at the close of the war engaged in See also: civil See also: engineering, and in newspaper See also: work in New Orleans; and first became known in literature by sketches and stories of old French-American See also: life in that city
.
These were first published in Scribner's Monthly, and were collected in See also: book See also: form in 1879, under the title of Old Creole Days
.
The characteristics of the series=of which the novelette Madame Delphine (1881) is virtually a part—are neatness of touch, sympathetic accuracy of description of See also: people and places, and a See also: constant combination of gentle pathos with quiet See also: humour
.
These shorter tales were followed by the novels The Grandissimes (188o), Dr See also: Sevier (1883) and Bonaventure (1888), of which the first dealt with Creole life in Louisiana a See also: hundred years ago, while the second was related to the See also: period of the Civil War of 1861–65
.
Dr Sevier, on the whole, is to be accounted See also: Cable's master-piece, its character of Narcisse combining nearly all the qualities which have given him his place in American literature as an artist and a social chronicler
.
In this, as in nearly all of his stories, he makes much use of the soft French-See also: English dialect of Louisiana
.
He does not confine himself to New Orleans, laying many of his scenes, as in the See also: short See also: story Belles Demoiselles See also: Plantation, in the marshy lowlands towards the mouth of the Mississippi
.
Cable was the See also: leader in the noteworthy See also: literary See also: movement which has influenced nearly all See also: southern writers since the war of 1861—a movement of which the chief importance See also: lay in the determination to portray See also: local scenes, characters and See also: historical episodes with accuracy instead of merely imaginative romanticism, and to See also: interest readers by fidelity and sympathy in the portrayal of things well known to the authors
.
Other writings by Cable have dealt with various problems of See also: race and politics in the southern states during and after the " reconstruction period " following the Civil War; while in The Creoles of Louisiana (1884) he presented a See also: history of that folk from the See also: time of its appearance as a social and military factor
.
His dispassionate treatment of his theme in this See also: volume and its predecessors gave increasing offence to sensitive Creoles and their sympathizers, and in 1886 Cable removed to Northampton, Massachusetts
.
At one time he edited a See also: magazine in Northampton, and afterwards conducted the monthly Current Literature, published in New See also: York
.
His Collected See also: Works were published in a See also: uniform issue in 5 vols
.
(New York, 1898)
.
Among his later volumes are The See also: Cavalier (1901), Bylow See also: Hill (1902), and Kincaid's Battery (1908)
.
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